Hard to deny the lasting power of this crucial album from The Beatles – a set that unleashed some of their trippiest sounds and most tender moments too! The mix of wit and honesty is wonderful – and the sonic range is dynamic as the archetypal cover image – a package that's had an undeniable impact on modern music for the past few decades! Titles include "With A Little Help From My Friends", "Lucy In The Sky With Diamonds", "She's Leaving Home", "Lovely Rita", "When I'm Sixty Four", "A Day In The Life", and "Fixing A Hole". CD

Hard to deny the lasting power of this crucial album from The Beatles – a set that unleashed some of their trippiest sounds and most tender moments too! The mix of wit and honesty is wonderful – and the sonic range is dynamic as the archetypal cover image – a package that's had an undeniable impact on modern music for the past few decades! Titles include "With A Little Help From My Friends", "Lucy In The Sky With Diamonds", "She's Leaving Home", "Lovely Rita", "When I'm Sixty Four", "A Day In The Life", and "Fixing A Hole". LP, Vinyl record album

Hard to deny the lasting power of this crucial album from The Beatles – a set that unleashed some of their trippiest sounds and most tender moments too! The mix of wit and honesty is wonderful – and the sonic range is dynamic as the archetypal cover image – a package that's had an undeniable impact on modern music for the past few decades! Titles include "With A Little Help From My Friends", "Lucy In The Sky With Diamonds", "She's Leaving Home", "Lovely Rita", "When I'm Sixty Four", "A Day In The Life", and "Fixing A Hole". CD

Neon smiles, and plenty of sublime sounds from Bliss Band – a real under-discovered group from the AOR scene of the late 70s – and one who should have been huge! These guys have it all – a great way with a hook, a tight way of crafting a tune, and this special sort of sound that stands apart from the chart hits of the period – yet somehow manages to have all the right elements firmly intact. It's 1979, and these guys aren't new wave or disco – and instead have this commitment to the kind of sharp songwriting and lyrical delivery that the best acts were using five years before and turning into superstars – maybe a moment that Paul Bliss and his group arrived to late to enjoy, although you'd never guess it from the quality of their work on this record! One to file proudly next to your Ned Doheny albums – with titles that include "Stagefright", "Hollywood", "Someone Else's Eyes", "Chicago", "We Never Had It So Good", and "If It Takes Until Forever". CD

The debut classic from this legendary UK group – with their cool two-part "For Doctor Spock" – plus "Evening Over Rooftops", "The Birth", "Piece Of My Own", "Madhatter", "Getting Hard", and "What Is A Woman For". LP, Vinyl record album

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An archetypal album from the legendary Paul Butterfield – and a set that would shape the sound of countless blues rock records to come! Despite what you might think of the genre or its many later incarnations, there's a raw power here that's really amazing – the young Butterfield and his Chicago comperes, hanging out at clubs on the south side, drinking in the relatively new electric sound of the city, and turning out a groove that's a lot more hard-edged than some of the overseas imitators at the time! Paul's pretty darn great on vocals and harmonica – but the group has some even more powerful sounds in the twin guitar talents of Mike Bloomfield and Elvin Bishop – the former on slide, the latter on rhythm – along with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin on some Hammond too. Titles include "Blues With A Feeling", "Born In Chicago", "Shake Your Money Maker", "Mystery Train", "Screamin", "Last Night", and "Look Over Yonders Wall". CD

An archetypal album from the legendary Paul Butterfield – and a set that would shape the sound of countless blues rock records to come! Despite what you might think of the genre or its many later incarnations, there's a raw power here that's really amazing – the young Butterfield and his Chicago comperes, hanging out at clubs on the south side, drinking in the relatively new electric sound of the city, and turning out a groove that's a lot more hard-edged than some of the overseas imitators at the time! Paul's pretty darn great on vocals and harmonica – but the group has some even more powerful sounds in the twin guitar talents of Mike Bloomfield and Elvin Bishop – the former on slide, the latter on rhythm – along with Jerome Arnold on bass, Sam Lay on drums, and Mark Naftalin on some Hammond too. Titles include "Blues With A Feeling", "Born In Chicago", "Shake Your Money Maker", "Mystery Train", "Screamin", "Last Night", and "Look Over Yonders Wall". LP, Vinyl record album

A smoking live set from the Butterfield Blues Band – and like all the group's work, as much of a jazz and soul album as a blues one! Butterfield drew his inspiration from the Chicago bluesmen, it's true – but his style also has plenty of echoes of New Orleans soul, Memphis R&B, and other strands of American work – in a mode that's quite similar to some of the changes that were going on in the British beat group scene at the end of the 60s. The lineup here features some really nice touches on sax from Trevor Lawrence and Gene Dinwiddie – and the live setting only seems to loosen all the players up even more than usual, and let them hit a few nice funky moments. Titles include "Get Together Again", "Love Disease", "The Boxer", "No Amount Of Loving", "Driftin & Driftin", "Number Nine", and "Born Under A Bad Sign". CD

Titles include "Walkin Blues", "Get Out Of My Life Woman", "Mary Mary", "East West", "Two Trains Running", and "Work Song". CD

Titles include "Walkin Blues", "Get Out Of My Life Woman", "Mary Mary", "East West", "Two Trains Running", and "Work Song". LP, Vinyl record album

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A set that's maybe a bit more standard song-based than some of the Captain's other records, but an album that's still filled with all the special magic that makes Beefheart so great! The magic band includes work from Zoot Horn Rollo on some wonderful glass finger guitar, plus keyboards from Mark Marcellino, bass from Rockett Morton, and plenty of vocals and harmonica from the Captain. Titles include "Upon The My-O-My", "Sugar Bowl", "New Electric Ride", "Magic Be", "Full Moon, Hot Sun" and "This Is The Day". LP, Vinyl record album

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Clive Palmer definitely has an original band here – a group who have some of the acoustic elements of The Incredible String Band, of which he was a part – but who also come across with a sound that's a lot more ancient, dark, and spooky too! Vocals are by Clive and Mick Bennett – both singers with a very moody approach – almost weary from battles in the field, coming back home to tell their tales – set to instrumentation that includes key use of organ amidst the acoustic elements, but almost as if it's a pump organ, which gives all the songs this wonderfully downbeat sort of vibe – a bit like when Nico uses harmonium. The set's definitely on the darkest side of the acid folk spectrum, and maybe has echoes of Current 93 and Wicker Man as well – on titles that include "Eleven Willows", "I Told Her", "Oh Bright Eyed One", "Heart Dancer", "Let It Be You", and "Solomon's Song". CD

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Dylan & The Band's legendary Basement Tapes – those amazing late 60s Woodstock recordings – and an album that was a classic long before it was officially released in the mid 70s! Bootleg after bootleg of some these recordings might have sold enough copies on the grey market in the early 70s to go platinum back in the day, so there's little wonder that Columbia would finally get some kind of official release out there – and it lives up to the legend! Dylan's conversational, seemingly spontaneous lyricism stretches over a good portion of it, with some much more soulful numbers, too – and those are all the more effective with The Band's incredible instrumentation, backing and occasional lead vocals. Here for the first time is a 100% officially-sanctioned release of a wealth of the raw, original Woodstock recordings, painstakingly restored from the original master tapes – but without the overdubs, editing and tinkerings of the mid 70s LP versions, and other tracks that never been officially released in any form! A truly vital document of one of the most legendary woodshedding efforts in rock history. LP, Vinyl record album

With Adrian Gurvitz. LP, Vinyl record album

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A classic record by this important Japanese band, and one that was actually made in Canada, despite the title – at a time when the group were visiting, and managed to create this wonderful record with a very relaxed, organic vibe! Vocals are in English, and lead singer Joe Yamanaka has a style that's unlike anyone else we can think of – not afraid to really run up with expressive passages when needed, but also sometimes nestled right down next to the fuzzy guitar and heady bass – which occasionally have echoes of some of the new hard rock modes of the UK, but with more of a sense of space between the notes, which Joe is more than happy to fill in a really great way! Guitarist Hideki Ishima also plays a bit of sitar – and titles include "Spasms", "Heaven & Hell", "That's All", "Hiroshima", "Aw Give Me Air", "Kamikaze", and "Unaware". (Japanese, Rock) LP, Vinyl record album

A classic record by this important Japanese band, and one that was actually made in Canada, despite the title – at a time when the group were visiting, and managed to create this wonderful record with a very relaxed, organic vibe! Vocals are in English, and lead singer Joe Yamanaka has a style that's unlike anyone else we can think of – not afraid to really run up with expressive passages when needed, but also sometimes nestled right down next to the fuzzy guitar and heady bass – which occasionally have echoes of some of the new hard rock modes of the UK, but with more of a sense of space between the notes, which Joe is more than happy to fill in a really great way! Guitarist Hideki Ishima also plays a bit of sitar – and titles include "Spasms", "Heaven & Hell", "That's All", "Hiroshima", "Aw Give Me Air", "Kamikaze", and "Unaware". (Japanese, Rock) LP, Vinyl record album

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One of the heaviest albums to ever come from Japan – a wicked batch of tripped-out, fuzzy tunes to rival the hardest rock from the UK at the time! Flower Travellin Band have a basic approach that's build on pounding drums and rumbling basslines – and although the guitars are fierce too, they're often used with some slight exotic phrasings at times – styles that have a slight Eastern flavor that really adds to the record. The vocals are really wailing too – banshee-styled, but also with some bluesy undertones – and the album is essentially one long track, broken up into different sections with a different feel. (Japanese, Rock) LP, Vinyl record album

Peter Frampton and The Bee Gees attempt to recreate the magic of the late Beatles – on a set that also features performances by Steve Martin, Dianne Steinberg, Donald Pleasence, Stargard, Earth Wind & Fire, and Billy Preston! (Soundtracks, Rock) CD

Peter Frampton and The Bee Gees recreate the magic of the Beatles – on a set that also features performances by Steve Martin, Dianne Steinberg, George Burns, Donald Pleasence, Stargard, Earth Wind & Fire, Aerosmith, Alice Cooper, and Billy Preston. LP, Vinyl record album

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Includes "How Sweet It Is To Be Loved By You", "Simple Twist Of Fate", "The Harder They Come", "Gomorrah", "Love In The Afternoon", and "Mission In The Rain". CD

One of those great 80s albums that really helped Jerry Garcia demonstrate his commitment to deeper currents of American acoustic music – sounds that always colored his contributions to the Grateful Dead, but which by this point have emerged as a fantastic second side of Jerry's genius! And sure, the guy's a superstar, so most folks would lend their ears to anything he does – but the sounds here are really balanced so that Garcia is hardly the leading light of the set – trading guitar lines and vocals with David Nelson, in a group that also features John Kahn on bass, Kenny Kosek on fiddle, David Kemper on snare drum, and Sandy Rothman on mandolin, dobro, and banjo – all of which really add a lot to the set. Titles include "Bright Morning Stars", "Turtle Dove", "Rosa Lee McFall", "Deep Elem Blues", If I Lose", "Ragged But Right", and "I Ain't Never". LP, Vinyl record album

A great bit of glam pop from the mid 70s – presented with a tightly focused sound that's got plenty of grooves on the bottom, and sweetly compressed guitars and vocals over the top! Mike Leander's at the production helm, and the album's kind of a further popification of the older Gary Glitter groove – softened a bit at times, especially on a few of the mellower numbers – but still pretty great on the upbeat ones! Titles include "Where Have You Been", "Painted Lady", "People Like You & People Like Me", "Let Me Love You", "Dream Baby", "My First Mistake", "Makes You Blind", and "Watch The Show". LP, Vinyl record album

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A tremendous set from one of the best – and most under-recognized – groups of the British jazz rock scene at the end of the 60s! The group have an approach that mixes heavy blues-influenced jamming with some of the lighter, more lyrical touches that were showing up at the time – in a way that gives them a firmly grounded sound at one level, but also a slightly more sophisticated, contemplative approach – making the group almost a UK equivalent to the sound of the Steve Miller Band at the time. The jazzier tracks on the album feature work by some great straight British players – including Harry Beckett and Ray Warleigh – and the album's also got a few nice slightly funky cuts that are known for their breaks! Tracks include "The Dansette Kid", "Hickory", "Not Foolish, Not Wise", "Poor Mabel", "Believe In Me", "Don't Give Up", "Hickory", and "Tadpole". LP, Vinyl record album

A brilliant little set from Keef Hartley – a blend of jazz, blues, and rock that's really tremendous – quite different than other efforts of its sort at the time, with a gritty edge that really makes the record stand up strongly over the years! Keef's on drums, and has a great way of rumbling up the bottom of the tunes – a feature that's always made his records a favorite of beatheads – and vocals here are from Miller Anderson, who definitely has a touch of Eric Burdon in his approach. Other instrumentation includes organ, harpsichord, and some wickedly fuzzy guitar – plus occasional brass from a section that includes Harry Beckett and Henry Lowther, the latter of whom did arrangements. Titles include "Born To Die", "Just To Cry", "Think It Over/Too Much To Take", "Just To Cry", "Leavin Trunk", and "Sinnin For You". LP, Vinyl record album

A monster of a jazz rock set from drummer Keef Hartley – a player who initially came to fame for his funky grooves in John Mayall's Bluesbreakers! Hartley's sound here is a great mix of rootsy rock and some of the jazzier touches that were creeping into the London scene at the time – with plenty of tightly snapping rhythms at the bottom of the tunes, enough to create a nice funky rock undercurrent on most numbers. The set's made even better by some great keyboard work from Mick Weaver – and the best cuts have some really jamming elements that let Weaver open up on organ and electric piano. Titles include "Roundabout", "Overdog", "Imitations From Home", "We Are All The Same", "Enroute", and "Plain Talkin". LP, Vinyl record album

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An amazing album of raw power from Jimi Hendrix – recorded on New Years Eve 1969, right as the 60s became the 70s – with a stunning sound that certainly presages the hard rock decade to come! Jimi's working with his trio that features Buddy Miles on drums and Billy Cox on bass – and the tracks are long, searing, and filled with the kind of heavy-duty guitar work that made Hendrix a legend right from the start – but which here shows just how much he'd grown as a player over the space of a few short years! Titles include "Who Knows", "Machine Gun", "We Gotta Live Together", "Power To Love", "Message To Love", and "Changes". CD

An amazing album of raw power from Jimi Hendrix – recorded on New Years Eve 1969, right as the 60s became the 70s – with a stunning sound that certainly presages the hard rock decade to come! Jimi's working with his trio that features Buddy Miles on drums and Billy Cox on bass – and the tracks are long, searing, and filled with the kind of heavy-duty guitar work that made Hendrix a legend right from the start – but which here shows just how much he'd grown as a player over the space of a few short years! Titles include "Who Knows", "Machine Gun", "We Gotta Live Together", "Power To Love", "Message To Love", and "Changes". CD

An amazing album of raw power from Jimi Hendrix – recorded on New Years Eve 1969, right as the 60s became the 70s – with a stunning sound that certainly presages the hard rock decade to come! Jimi's working with his trio that features Buddy Miles on drums and Billy Cox on bass – and the tracks are long, searing, and filled with the kind of heavy-duty guitar work that made Hendrix a legend right from the start – but which here shows just how much he'd grown as a player over the space of a few short years! Titles include "Who Knows", "Machine Gun", "We Gotta Live Together", "Power To Love", "Message To Love", and "Changes". LP, Vinyl record album

The second album from Incredible String Band – and incredible it is, a UK psychedelic folk gem that finds the group challenging conventions across the board – both artful and inviting, it's wonderful stuff! At this point, Clive Palmer had left, and Mike Heron and Robin Williamson contribute lead vocals with the additional vocalist Licorice also taking lead on a few tunes, the sound is fleshed out with more accompaniment and a rich warmth on a bevy of instruments – guitar, sitar, bowed gimbri, finger cymbals, tamboura, oud, rattles, flute, bass and piano. Includes the lovely and oft-covered "The First Girl I Loved", plus "Chinese White", "No Sleep Blues", "Painting Box", "The Eyes Of Fate", "The Hedgehog's Song", "You Know What I Could Be", "Gently Tender", "Way Back In The 1960s" and more. (Folk/Country, Rock) LP, Vinyl record album

The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. (Folk/Country, Rock) CD

The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. (Folk/Country, Rock) LP, Vinyl record album

A nicely subtle album from the Incredible String Band – a set that maybe doesn't have the same sort of fanfare as their earliest albums, but which also has the group really honing their sound! Make no mistake, there's nothing commercial or pop-oriented going on – it's just that Mike Heron and crew have really found a way to make a lot with a little – using acoustic guitar, violin, dulcimer, and bits of other instrumentation in these ways that have the relaxed nature of a folk group, but with more far-reaching power that befits their role in the British scene of the time. Heron's vocals are always wonderful – and Robin Williamson sings as well, as does Licorice McKechnie – and titles include "Black Jack Davy", "The Letter", "This Moment", and "Fair As You". (Folk/Country, Rock) LP, Vinyl record album

A great overview of the Incredible String Band – early material from the group's first three albums on Elektra, all pulled together in a double-length set that's a perfect introduction to their genius! The core talents here are Mike Heron and Robin Williamson – the founders of the group, and architects of most of the songs – tunes that use a fair bit of the acoustic instrumentation that you'd guess from their name, in an compelling inversion of older Brit folk modes – that same balance between modern and ancient that you'd hear from a few of their hippest contemporaries. The whole thing's great – and we really love to lose ourselves in the music. Titles include "Air", "Job's Tears", "October Song", "Everything's Fine Right Now", "Koeeoaddi Death", "A Very Cellular Song", "Maya", "This Moment", "Way Back In The 1960s", "Painting Box", "Log Cabin Home In The Sky", and "Cousin Caterpillar". (Folk/Country, Rock) LP, Vinyl record album

A wonderfully expansive album from The Incredible String Band – initially performed as a stage project with the Stone Monkey dance troupe, and featuring the ISB at their most evocative and creative! Some tunes have a darker, sinister undercurrent – that link between the band and the acid folk underground – but others are more hippy dippy, with playful touches that still seem to have this undercurrent of evil somehow – an offbeat quality that really marks the special way that British groups like this were taking folk in very odd directions at the time – never losing sight of roots, but still never having the sense of optimism or indulgence of American acts. The double-length set has loads of especially nice instrumental moments – both acoustic and electric – and titles include "Bridge Song", "El Wool Suite", "The Juggler's Song", "Bad Sadie Lee", "Partial Belated Overture", "Walking Along With You", "Invocation", and "Robot Blues". (Folk/Country, Rock) LP, Vinyl record album

Half of the fourth album from The Incredible String Band and by far their most sprawling work to date – which was originally split into separate LPs for the US release – this bein the more intimate Wee Tam portion! Multi-instrumentalists Mike Heron & Robin Williamson began using studio multi-tracking to incredible effect on their previous LP, and continue on that path here, though accompanied by violin and percussion by Rose. Titles include "Job's Tears", "The Yellow Snake", "Beyond The See", "The Half-Remarkable Question", "Ducks On A Pond" and more. (Folk/Country, Rock) LP, Vinyl record album

The fourth album from The Incredible String Band and by far their most sprawling to date – the double album Wee Tam & The Big Huge – which was originally split into separate LPs for the US release, but best served as a whole! Multi-instrumentalists Mike Heron & Robin Williamson began using studio multi-tracking to incredible effect on their previous LP, and continue on that path here, though accompanied by frequent collaborator Licorice (who earlier sang with the group, but contributes Irish harp & percussion here) plus violin and percussion by Rose – and the album as in turns their most ambitious and also quite intimate, particularly on the first half. 18 tracks on 2CDs: "Job's Tears", "Puppies", "The Yellow Snake", "The Half-Remarkable Question", "Air", "Ducks On A Pond", ", "Maya", "Lordly Nightshade", "The Mountain Of God", "The Circle Is Unbroken" and more. (Folk/Country, Rock) CD

(Cassettes, Rock) Cassette

Includes their number one 1982 Billboard hit, "Centerfold" and also "Freeze-Frame". LP, Vinyl record album

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Japanese keyboardist Kuni Kawachi works here on a variety of cool keys while also singing – serving up work on Hammond, celeste, harpsichord, and even rocksichord – while also getting strong support from the legendary Flower Travelling Band! The record's leaner than that group's music, yet definitely echoes some of their ear for offbeat sounds – as Kuni's spare vocals and keys get just the right touches of fuzzy guitar, offbeat percussion, and sweet psychedelic elements! Vocals are in Japanese throughout, and there's a balance of acoustic and electric elements that's mighty nice – on titles that include "Where Are You Walking Now", "The Cat", "A Puddle & A Purple Vetch", "Already No More Secrets", "Riddle", and "That's Why Love Is". (Japanese, Rock) LP, Vinyl record album

Two albums from the duo of Neil Larsen & Buzz Feiten – back to back in a single set! First up is the self-titled Larsen Feiten Band – a fantastic bit of AOR – served up here by two musicians with a background in jazz, and a great way of harmonizing their vocals together! Larsen is Neil Larsen, who plays keyboards and sings – and Feiten is Buzz Feiten – guitarist and musical partner who helps make Neil sound even tighter and groovier here than on his solo records! The duo work with a core quintet, plus some added horn arrangements – in a style that's definitely in the hipper side of the AOR spectrum, which yields up plenty of rewarding listening all these many years later. Titles include "She's Not In Love", "Aztec Legend", "Make It", "Morning Star", "Over", "Danger Zone", and "Who'll Be The Fool Tonight". On Full Moon, the duo of Neil Larsen and Buzz Feiten sound mighty nice – Buzz on guitars and vocals, Neil on keyboards – stepping out with some added horns, tight arrangements, and a groove that takes the 70s AOR ethos into great territory for the 80s! The record's almost more of the sort you'd expect to hear in 1977 – no tinny production, no shift to drum machines for the rhythms – just rock-solid instrumentation from a really great group, tight songwriting, and catchy tunes that include "Twilight Moon", "Little Cowboys", "Standing In Line", "Hero's Welcome", "The Visitor", and "Phantom Of The Footlights". CD

The first true proper solo album by John Lennon – recorded after a few non-Beatles records with Yoko Ono, and at the same time as Yoko's much wilder album with a similar title! This one, though, is John at his best – very personal and exposed, in similar territory to Paul McCartney on his first solo record – and the whole thing is a fantastic testament to the humanity that Lennon always brought to his music, even at a time when some might have accused him of going off the deep end with some of his more experimental music. The record's got a relatively stripped-down vibe, although isn't entirely just voice and guitar – as other elements are brought in at just the right level to expand the sound without losing the Lennon at the core. Titles include "Mother", "Hold On", "I Found Out", "Working Class Hero", "Isolation", "Remember", "Love", "Well Well Well", "Look At Me", "God", and "My Mummy's Dead". CD

The earliest incarnation of the Plastic Ono band, and more or less a one off, with an all-star line up that included Eric Clapton and Klaus Voorman alongside Lennon and Ono. One side of the rootsy rock that was the old school Beatles stock in trade, and one side of Yoko Ono doing her thing on the mic. Titles include "Blue Suede Shoes", "Money", "Dizzy Miss Lizzy", "Yer Blues", "Cold Turkey", "Give Peace A Chance", "Don't Worry Kyoko" and "John, John". LP, Vinyl record album

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