The breakout album for The Cryan Shames – a wonderfully groovy harmony pop combo from the 60s – one with a sound that's very much the best Sunshine Pop of LA, even though these guys hail from our hometown of Chicago! The vocals come together with a really magical feel – sometimes mellow and drifty, ala The Association – sometimes vibrant and soaring, in a really catchy way! The whole album's great – with just a touch of Brit invasion guitar jangle behind the vocals at times – and titles include "Heat Wave", "We'll Meet Again", "If I Needed Someone", "Hey Joe", "Sugar & Spice", "July", "I Wanna Meet You", and "Ben Franklin's Almanac". LP, Vinyl record album

The sweet image really gets at the wonderful sound of this record – a Japanese pop gem from the end of the 60s, and one that seems to mix together elements of bossa nova and European grooves – all in this way that really fits the way that the male and female vocals come together! The singers unite at points, separate at others – and they sound wonderfully dreamy amidst the well-penned arrangements that make the album a treasure throughout – especially if you dig innocent soft pop, ala Free Design! Lyrics are all in Japanese – and songs translate as "Beautiful Misunderstanding", "A Wonderful Bus Trip", "Suddenly One Day", "Lover's Talk", and "Beautiful Garden In My Memory". (Japanese, Rock) LP, Vinyl record album

A really fantastic collection – one that seems to find a special place that's all its own – a bit folk funk, a bit jazzy soul, a bit something else that we can't define at all – all sewn together through a wonderfully well-chosen batch of cuts that we might never have heard otherwise! Paul Hillery uses words next to each of the titles to describe the tunes, ala an older sound library record – like "canyon cool", or "susurrations of the sea", "ethno-fusion", "swelling cellos", and so on – all light ways of getting at the vibe of the album's beautiful mix of laidback vocals and easygoing instrumentation – definitely music that's perfect for spending some time with the setting sun! Titles include "Fields Of Green" by Carm Mascarenhas, "Colorado Red Sky" by MCF, "Mojafe" by Hardin & Russell, "Be With Me" by Pat Rahming, "Wet Dreams" by Floyd Hunchback Group, "Surfer Girl" by Persona La Ave, "In Passing" by Kimberle, "Over & Over" by Andy Davis, "Playin Your Game" by Blaine L Reininger, "The Shadows Dance" by Graeme Gash, "It All Comes Around" by Parker MacDonnell, and "The Light" by Reggio. (Funky Compilations, Rock) LP, Vinyl record album

Warren S Richardson Jr may not be the most catchy name for a rocker, but the record really knocks it out of the park from the very first note of fuzz – thanks to an all-out, super-ballsy sound! The set's one of those that might have been called "blues rock" at the time, but is hardly a blues record at all – as it's already taken those core influences and fused them into something harder and heavier – ala James Gang or maybe Johnny Winter, with lots of funky drums at the bottom, and plenty of super-wicked guitar! Richardson handles both that lead instrument and the vocals – and is actually Bill Spooner, of later Tubes fame – working here with Joseph Ray Trainer and Otis Eugene Hale on tenor saxes, and Richard Lewis on organ and trumpet. Mickey McGee handles the heavy drums – and titles include "Shady Lady", "Easy Rider", "Reputation", "Goin Home", "Stella", and "Wind & Rain". LP, Vinyl record album

A record that's virtually impossible to describe in words – partly because it's got a trans-historical, trans-spatial sort of vibe – effortlessly filtering together the best roots of older French pop music, and combining them with a range of underground pop elements that reach out to the farther reaches of the globe! Jean Emmanuel Deluxe sings lead – often with a raspy style that's partly sung, partly spoken – but never in a Serge Gainsbourg mode. Instead, he gets lots of spacey support on keyboards, echoey drums, and other instrumentation that feels like reworked 60s modes – ala Stereolab, High Llamas, or Pearlfishers. Yet the record is nothing like any of those references at all – even though Sean O'Hagan provides some guest work – as does Bertrand Burgalat, Misawa Masanori, and drummer Werner "Zappi" Diermaier of Faust. Titles include "Lushy Life", "The Girl Who Was Talking In Reverse", "Claire", "La Gourveneur De California", "Hollywood Parties", and "Comme Une Video Star". LP, Vinyl record album

A sublime early 70 set of rustic-accented folk, soul & blues from Tim Hardin that's heavy on covers – with tunes penned by Willie Dixon, Randy Newman, and others – in a soulful rock mode that's just ragged enough to give it a loose charm unlike any of Hardin's earlier work! Tim's in fine, effortlessly soulful voice here on material that could have found him going over the top, ala Joe Cocker, but he's tastefully restrained throughout. An underrated gem! Titles include the a loosely buzzing cover of the eternal Bo Diddley via Willie Dixon masterpiece "You Can't Judge A Book By The Cover" and Dixon's "Do The Do", plus "Midnight Caller", "Yankee Lady", "Lonesome Valley", "Till We Meet Again", "I'll Be Home", "Nobody Knows You When You're Down And Out" and more. LP, Vinyl record album

A record with a folksy style at the core, but one that comes across with a really hip hybrid of influences – a lot more like something from early 70s Saravah Records than you might expect from the image of a Celtic harp on the cover! Kristen Nogues does play that instrument, and sings alongside it in Breton – but she's supported with modern, light arrangements that include guitar, piano, flute, cello, violin, and bassoon – all used in ways that are unconventional, and certainly not folksy – almost bringing a New York modern music quality to the record – ala ECM or other labels' recordings of the time. The voice and harp are incredible in this setting – and titles include "Ar Gemenerez", "Hunvre", "Enez Rouz", "Ar Bugel Koar", "Hirness An Devezhiou", and "Pinvidik Eo Va C'Hemener". (French, Rock) LP, Vinyl record album

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A true late 60s rock masterpiece – and like albums by Love and The Velvet Underground, a set that barely made a mainstream impact at the time – but which has gone on to be the stuff of influence and legend over the decades! The album's the first from Gram Parsons and the group – one of only two they would cut together – and the whole thing is a perfect blend of rough-edged rock and country influences rising up from the LA scene – all those glimmers of brilliance that Parsons had brought to the Byrds and other projects, maybe given their full flowering here in a mode that's unabashed about its country music influences – maybe even more so than some of Gram's later solo work. Sneeky Pete Kleinow's steel guitar really adds a lot – but so does the presence of Chris Hillman on guitar and mandolin, and Chris Ethridge on bass and piano. Titles include the brilliant "Sin City" – a track we'll love until we die – plus "Christine's Tune", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No 1", "Hot Burrito No 2", "Do You Know How It Feels", and "Hippy Boy". LP, Vinyl record album

An overlooked gem from Finnish hard rock powerhouse Kalavala – renamed here as an Orchestra, but still working with the lean, sharp sound of their previous two albums! There's a nice evolution here from the earlier sound of the Scandia scene – maybe a bit of northern inspiration thrown into the music, which seems to elevate things to a new level – as does the subtle but sophisticated production! Titles include "Panamanian Red", "Playground", "Highland Temple", "Brown'll Suit You", "Forever Train", "Silver Fish", and "Lighthouse". LP, Vinyl record album

... LP, Vinyl record album

Wonderfully fuzzy work from Amanaz – one of the trippiest, headiest groups of the Zamrock scene of the 70s! The guitars here are very full and present – not at a hit you over the head jamming label, but with this rich sonic element that has lots of bassy undercurrents – at a level that makes the album a head-nodding gem all the way through – poised perfectly between some of the more psyche styles of the African scene of the time, and some of the more thoughtful singer-songwriter material. The group have a quality that's surprisingly deep – very soulful, and with a subtle power that comes through strongly – thanks to a mostly-English batch of lyrics (although a few tunes here are in their native Bemba.) No cuts are all-out funky, but all have this great slow-funk sort of charm – and titles include "I Am Very Far", "Sunday Morning", "Khala My Friend", "Green Apple", "Africa", "Making The Scene", "Easy Street", "Big Enough" and "Kale". (Global Grooves, Rock) LP, Vinyl record album

Wonderfully fuzzy work from Amanaz – one of the trippiest, headiest groups of the Zamrock scene of the 70s! The guitars here are very full and present – not at a hit you over the head jamming label, but with this rich sonic element that has lots of bassy undercurrents – at a level that makes the album a head-nodding gem all the way through – poised perfectly between some of the more psyche styles of the African scene of the time, and some of the more thoughtful singer-songwriter material. The group have a quality that's surprisingly deep – very soulful, and with a subtle power that comes through strongly – thanks to a mostly-English batch of lyrics (although a few tunes here are in their native Bemba.) No cuts are all-out funky, but all have this great slow-funk sort of charm – and titles include "I Am Very Far", "Sunday Morning", "Khala My Friend", "Green Apple", "Africa", "Making The Scene", "Easy Street", "Big Enough" and "Kale". (Global Grooves, Rock) LP, Vinyl record album

The amazing first album from Big Star – a set that came out of nowhere, made hardly a ripple on the charts, yet went onto crash in big waves of sound for generations to come! The style here is unlike thing else before – hardly what you'd expect from the group's Memphis roots or Alex Chilton's previous performances – yet the group's music has become a generation-defining sound in the way it blends southern inflections with harder rock influences, and a lean, gritty quality that's arguably in a late 70s space between punk and power pop. Every element is wonderful – guitars that are powerful, but never indulgent – vocals that are moving, but never overly emotive – and a balance between sensitive and searing moments that even The Replacements could never hope to match. A landmark all the way through – with tracks that include "Feel", "Ballad Of El Goodo", "In The Street", "The India Song", "When My Baby's Beside Me", "Give Me Another Chance", "Don't Lie To Me", "Thirteen", "Watch The Sunrise", and "Try Again". LP, Vinyl record album

Late 60s psyche pop on Atco from Bo Grumpus – a Boston group who only ever cut this one LP that we know of – and it's a groovy one! The sound has kind of tight pop combo groove with catchy melodies – fleshed out into trippier territory with some keys, trumpet, and overall bigger arrangements – some of which was done by Felix Pappalardi, who would go onto to bigger things with Mountain! Titles include "Sparrow Tune", "Think Twice", "Yesterday's Street", "The Breath O'Love", "A Knowing Young Touch", "Ragtimey Love", "Travelin In The Dark", "Brooklyn", "The Moon Will Rise" and "If I Came To You". LP, Vinyl record album

The second great entry in the Changes series from David Bowie – and, like the first, a well-chosen array of tracks that really get at his creative genius as a pop star – which includes a few great titles from his post-Berlin years! The set does a great job of spanning the 70s – and includes the single-only "John I'm Only Dancing (Again)" – which is a clubbier take on the earlier song that was showcased on Changes One. Other tracks run from the Ziggy years onward – and include another great single, Bowie's take on "Oh You Pretty Things" – which was more famously recorded by Mott The Hoople, although written by Bowie – plus "Aladdin Sane", "Starman", "1984", "Ashes To Ashes", "Sound & Vision", "Fashion", "Wild Is The Wind", and "DJ". LP, Vinyl record album

David Bowie at his most sinister for the 70s – a landmark set that combines the harder rocking sound of the Ziggy Stardust years with the more sophisticated theatrics of Aladdin Sane – in a style that features some of the darkest, most political work of Bowie's career! There's a depth to the record that goes way beyond the silly, sensational cover image – and there's also a sonic complexity that's wonderful too – a songs slide into each other with a deftness that never fails to amaze us! The album grew out of a failed project based around George Orwell's famous book 1984 – but the rights to that story were denied by the family – so Bowie went in his own directly, and honestly came up with work that was far better than if he'd done any sort of slavish reading of the novel (Rick Wakeman famously failed in that territory – and the Eurhythmics fared just slightly better.) The whole thing's great, and titles include "Diamond Dogs", "1984", "Sweet Thing", "Candidate", "Rebel Rebel", and "Big Brother". LP, Vinyl record album

David Bowie at his most sinister for the 70s – a landmark set that combines the harder rocking sound of the Ziggy Stardust years with the more sophisticated theatrics of Aladdin Sane – in a style that features some of the darkest, most political work of Bowie's career! There's a depth to the record that goes way beyond the silly, sensational cover image – and there's also a sonic complexity that's wonderful too – a songs slide into each other with a deftness that never fails to amaze us! The album grew out of a failed project based around George Orwell's famous book 1984 – but the rights to that story were denied by the family – so Bowie went in his own directly, and honestly came up with work that was far better than if he'd done any sort of slavish reading of the novel (Rick Wakeman famously failed in that territory – and the Eurhythmics fared just slightly better.) The whole thing's great, and titles include "Diamond Dogs", "1984", "Sweet Thing", "Candidate", "Rebel Rebel", and "Big Brother". LP, Vinyl record album

One of the three great collaborations between David Bowie and Brian Eno – and possibly the ultimate statement from his years in Berlin! The album's got some tunes that still show some of the guitar power of the early 70s Bowie – but it's also got some of the beautiful spacier moments brought forward on Low – and which are every bit the Brian Eno of Another Green World. The balance is beautiful – stark and dark on one half, then airy and spacious on the next – handled without any sense of gimmickry, and a bold mainstream experiment that still resonates strongly today. Titles include "Beauty & The Beast", "Joe The Lion", "Heroes", "Sons Of The Silent Age", "Blackout", "V-2 Schneider", "Sense Of Doubt", "Moss Garden", "Neukoln", and "The Secret Life Of Arabia". LP, Vinyl record album

An amazing departure for David Bowie – hardly the kind of record you would expect from his oboe-filled tunes of a few years before – and really the start of the groundbreaking, earthshaking, reinventionist era of his genius! There's a spacious, soaring quality to Space Oddity that's every bit the kind of magical music you might hope for in a set recorded at the close of the 60s – a shift into new modes, new sounds that seem to suck up all the best influences in rock from the previous few years, but fuse it into a new cosmic vision for the next decade. And while others might stumble on cliche with the weight of such a task, Bowie pulls it off brilliantly – mixing his fuzzier feelings with some of his more personal leanings – and showcasing a newly deep sense of songwriting here that's really amazing. Some tunes have the sensitivity of work on Hunky Dory, while others burn with the fire of Man Who Sold The World – all in a balance that never sounds schizophrenic at all. Titles include"Space Oddity", "Memory Of A Free Festival", "God Knows I'm Good", "Cygnet Committee", and "Unwashed & Somewhat Slightly Dazed". LP, Vinyl record album

A lost prog nugget from a group who mix keyboards and woodwinds in a really great way – almost complicated, but with a down to earth quality overall – and one that seems to work especially well with the French language lyrics of the set! The record's one of those obscure French sets from the mid 70s with a sound that almost seems out of time – made far away from the mainstream, without any idea of the punk or disco changes that were taking place elsewhere – and with that more intellectual, more personal approach that often marked records of this nature as both a standout strength, and quality that would keep them from forever getting picked up by bigger labels for global circulation. Yet that balance is what makes the record so great, especially decades later – with titles that include "Divertimento", "Tramontane", "Laure", "Naissance", "Premiers Pas", and "Dernier Village Premieres Neiges". LP, Vinyl record album

One of the most stunning debut albums of the 70s – and a set that burst on the scene with a sound that summed up a generation, but which had never been heard this clearly before! This self-titled Clash album was different from other landmarks of the time – work by the Sex Pistols, Ramones, and others – as the group had a sense of raw power, but also a tunefulness too – a way of pushing their message into territory that others wouldn't have reached – with tunes that were as surprisingly hummable as they were politically correct! There's a bit less Jamaican influence here than in later Clash years, but that quality is still present somewhat – and over the years, this is definitely a set we can return to again and again – with no sense of apology or outdated ideals at all. Nearly every cut's a classic – and titles include "Janie Jones", "Career Opportunities", "Police & Thieves", "Garageland", "Clash City Rockers", "I Fought The Law", "White Riot", "London's Burning", "White Man In Hammersmith Palais", and "I'm So Bored With The USA". LP, Vinyl record album

An underground classic from Karen Dalton – a record that's almost out of time, given its early 70s release – as Karen sings with spare backings that are almost in a Folkway Records mode at points, but with all these headier currents that are also indicative of the Bay Area generation too! Dalton's voice is completely unique too – unlike anything you'll ever hear – phrasing that almost hearkens back both to vintage jazz and Appalachian folk, but a style that's more long hair – as are some of the backings too. The set was recorded upstate in Bearsville – and really has all the hallmarks of the freedoms of that scene at the time – summed up beautifully on material that includes "Something On Your Mind", "In A Station", "Take Me", "Same Old Man", Are You Leaving For The Country", "Katie Cruel", and "How Sweet It Is". LP, Vinyl record album

The final studio album from Family, and a set that really has the group coming down strongly on all the best elements they crafted together on previous records! The vocals of Roger Chapman, as always, are a real charm – some of the most distinct of his generation, and perfectly at home in rootsier modes and more hard rocking passages – which are balanced out nicely on the record, and given a lean push forward with great guitars and keyboards – but never in a style that's too polished or commercial. In fact, given the lack of huge chart success for the group – at least on our side of the ocean – it's a strong testament to the quality of their work that they kept on going this strongly. Titles include the instrumental "Banger", plus "Sweet Desiree", "Suspicion", "Leroy", "Buffet Tea For Two", "Boom Bang", and "It's Only A Movie". LP, Vinyl record album

A great summation of Jose Feliciano's genius during his initial years at RCA – that unique mix of Chicano soul, acoustic folk, and Latin rhythms that made him sound unlike anyone else at the time! There's a charm to this work that's undeniable – an instantly compelling feel that makes you understand just why folks went so nuts for Jose right from the start, and why his particular growth and contribution to American music was as important from his perspective during these years as was Stevie Wonder's over at Motown! The set features a mix of live work, singles, and album tracks – and titles include his haunting version of "California Dreaming", plus "Hitchcock Railway", "Nature Boy", "Light My Fire", "Susie Q", "Hi Heel Sneakers", "Destiny", "Malaguena", "Life Is That Way", and "Rain". LP, Vinyl record album

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An incredible album from guitarist Fred Frith – his solo debut, and a record that really set the tone for so many other musicians for years to come! Frith wasn't the first person to improvise on the guitar – but he might have been the first to use an electric in ways that tied together new ideas in jazz, prog, and other experimental musics – all at a level that made his playing a hero to many different scenes at once, and really helped open ears to all the different changes that were taking places in the 70s! The whole thing is a monstrous musical message from the pre-punk years – one that has really strong resonance all these many years later – thanks to titles that include "Hollow Music", "No Birds", "Out Of Their Heads", "Glass c/w Steel", "Hello Music", and "Not Forgotton". This great "Fifty" version features a full bonus album of new recordings in the spirit of the original – titles that include "Quicksilver", "Phalaropes", "Jack's Neap Tide", "Move Indigo", "To Do", and "The Map Of Dreams". LP, Vinyl record album