"Mostly" live genius from Frank Zappa and the Mothers Of Invention – recorded at The Roxy with some studio additions – and the players include George Duke, Tom Fowler, Ruth Underwood, Walt Fowler, Ralph Humphrey and the other great players from this peak period! It's astonishing stuff – and as strong of a mix of the tightly rock-centric and exploratory/hard fusiony sides of Zappa as you could hope for – shoot, even the stage banter is priceless! Includes "Penguin In Bondage", "Pygmy Twylyte", "Village Of The Sun", "Don't You Ever Wash That Thing?", "More Trouble Everyday" and "Be-Bop Tango (Of The Old Jazzmen's Church)" and more. CD

"Mostly" live genius from Frank Zappa and the Mothers Of Invention – recorded at The Roxy with some studio additions – and the players include George Duke, Tom Fowler, Ruth Underwood, Walt Fowler, Ralph Humphrey and the other great players from this peak period! It's astonishing stuff – and as strong of a mix of the tightly rock-centric and exploratory/hard fusiony sides of Zappa as you could hope for – shoot, even the stage banter is priceless! Includes "Penguin In Bondage", "Pygmy Twylyte", "Village Of The Sun", "Don't You Ever Wash That Thing?", "More Trouble Everyday" and "Be-Bop Tango (Of The Old Jazzmen's Church)" and more. LP, Vinyl record album

"Mostly" live genius from Frank Zappa and the Mothers Of Invention – recorded at The Roxy with some studio additions – and the players include George Duke, Tom Fowler, Ruth Underwood, Walt Fowler, Ralph Humphrey and the other great players from this peak period! It's astonishing stuff – and as strong of a mix of the tightly rock-centric and exploratory/hard fusiony sides of Zappa as you could hope for – shoot, even the stage banter is priceless! Includes "Penguin In Bondage", "Pygmy Twylyte", "Village Of The Sun", "Don't You Ever Wash That Thing?", "More Trouble Everyday" and "Be-Bop Tango (Of The Old Jazzmen's Church)" and more. CD

One of the most iconic rock and roll shows of all time – the late 70s farewell to The Band, captured by Martin Scorcese in a famous film of the same name – and presented on record in a package that really lives up to the majesty of the moment! In the world of 2LP live sets of the 70s, the 3LP presentation gave the group even more space to stretch out and say their goodbyes to the world – while also opening the door up for a large lineup of guests who include The Staple Singers, Muddy Waters, Ron Wood, Van Morrison, Dr John, Bob Dylan, Ronnie Hawkins, and other well-chosen artists who allow the group to show off their roots and inspirations while also wrapping things up. Robbie Robertson produced, and the whole thing is pretty darn iconic from start to finish – on titles that include "The Last Waltz", "Up On Cripple Creek", "The Shape I'm In", "Down In South New Orleans", "Forever Young", "I Shall Be Released", "Rag Mama Rag", "Further Up The Road", "Dry Your Eyes", "Evangeline", and "The Weight". This 4CD box set edition nearly doubles the original 1978 release – including more tracks with Muddy Waters, Bob Dylan, Neil Young, Joni Mitchell, Van Morrison, Dr. John – plus other previously unreleased Band-only tunes, rehearsal pieces and more! CD

A legendary album from the great Gene Clark – a key part of that scattered legacy that really helped cement his individual genius after leaving The Byrds! Much of the record is a spare and intimate affair – with Gene's warm vocals accompanied by his own gently picked acoustic guitar, along with producer Jesse Ed Davis (who does a masterful job in the booth on this one) also on guitar. The tunes are also sweetened by waltzy basslines, and Byrds-y keyboard riffs by Ben Sidran, but Gene's wonderful vocals and his amazingly strong songwriting are obviously the biggest draws – not standard country or roots rock, and instead delivered with a sense of sophistication that's almost a genre unto itself. Titles include the amazing "For A Spanish Guitar" – plus "The Virgin", "With Tomorrow", "White Light", "Where My Love Lies Asleep", "1975", and a great reading of The Band & Bob Dylan's "Tears Of Rage". LP, Vinyl record album

Two classic albums from the great Gene Clark – back to back in a single set! First up is White Light – a key part of that scattered legacy that really helped cement his individual genius after leaving The Byrds! Much of the record is a spare and intimate affair – with Gene's warm vocals accompanied by his own gently picked acoustic guitar, along with producer Jesse Ed Davis (who does a masterful job in the booth on this one) also on guitar. The tunes are also sweetened by waltzy basslines, and Byrds-y keyboard riffs by Ben Sidran, but Gene's wonderful vocals and his amazingly strong songwriting are obviously the biggest draws – not standard country or roots rock, and instead delivered with a sense of sophistication that's almost a genre unto itself. Titles include the amazing "For A Spanish Guitar" – plus "The Virgin", "With Tomorrow", "White Light", "Where My Love Lies Asleep", "1975", and a great reading of The Band & Bob Dylan's "Tears Of Rage". Roadmaster is a warm, wonderful set of Gene Clark recordings from the early 70s – material that probably should have been issued as a proper album in the States back in the day, as sounds pretty much as solid to us as some of his great work in preceding years – but was issued only in Europe at the time! Roadmaster was pulled together from 1972 sessions that were essentially abandoned, but it's truly top notch Cali country rock featuring Byrds and Burrito Brothers in the sessions. Titles include "She's The Kind Of Girl", "Full Circle Song", "Roadmaster", "In A Misty Morning", "She Don't Care About Time", "Shooting Star", "Rough And Rocky", "One In A Hundred", "I Remember The Railroad" and more. CD

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". CD

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". LP, Vinyl record album

Elmer Gantry's Velvet Opera weren't the biggest group on the British scene of the late 60s, but they were certainly one of the coolest – as you'll hear on this massive collection that brings together all their key work of the time! First up is the self-titled debut album – stunner of a set from a group who should have been huge – especially given the sharpness and wit of this debut album! Elmer Gantry's Velvet Opera bring together all the best strands of up and coming Brit rock of the time – a bit of psych undercut with some bluesy elements, marked by a moddish smirk that really keeps the whole thing punched-up throughout – no overindulgence, no easy mark for a hit – just a very individual sensibility that few of the group's underground contemporaries could match! These guys come across with all the personality of The Who in Happy Jack/Magic Bus years – and have a similar use and distance of trippy elements of the time – almost tongue in cheek, but just because they find a way to shift between them and straighter rock so easily. Songs are all great, and really well-written – and apart from a version of Oscar Brown Jr's "I Was Cool", the set features original material that includes "Mother Writes", "Mary Jane", "Flames", "Lookin For A Happy Life", and "Walter Sly Meets Bill Bailey". Next is the group's second album Ride A Hustler's Dream – a set that maybe has the group bringing in more blues influences to the music at times, but mostly as a way to let both the guitar work and vocals get even fuller and strongly expressed – which means that when the psychedelic elements come into the mix, there's an even more powerful vibe than on their debut album too! Titles include "Black Jack Davy", "Ride A Hustler's Dream", "Honey By", "Anna Dance Square", "Depression", "Warm Day In July", and the very cool "Raga" – and a great remake of "Eleanor Rigby". 3CD set features the debut album in a rare promo-only mono mix, plus 34 bonus tracks that include "There's A Hole In My Pocket", "She Keeps Giving Me These Feelings", "The Painter", "And I Remember", "Talk Of The Devil", "Dreamy", "Volcano", "A Quick B", and lots more – including singles and BBC tracks too! CD

A surprisingly nice album from the better half of Steely Dan! This one kind of got cut out immediately when it was issued in 1993, but it's got a heck of a lot of charm – and given the success and style of the re-formed Steely Dan's Two Against Nature, this one sounds pretty great when we look back over our shoulder. And oddly, it's got some nice little modern soul arrangements that struck a strong note with the soul underground – and we can testify to the fact that the record was selling big with the stepper's scene in Chicago, even when it was stiffing in the pop racks elsewhere! Nothing fancy, but there's some nice moments, and with Walter Becker doing the production, it's kind of a Steely Dan album anyway. Titles include "Trans Island Skyway", "Countermoon", "Tomorrow's Girls", "On The Dunes", and "Snowbound". CD

One of Emmylou Harris's best loved albums, and for good reason – it's a major departure from the some of the more straightforward, if neo classic country of her late 80s and earlier 90s work, taking on a more atmospheric sound with producer Daniel Lanois. Lanois deserves credit for inspiring a new direction for Emmylou, but Wrecking Ball is her show – and of all the folk, country and roots-oriented artists Lanois worked with over the years, Harris is the one with a voice big enough fill the atmosphere, and intimate enough to pull it back down to earth. Includes "Where Will I Be", "Goodbye", "All My Tears", "Wrecking Ball", "Goin' Back To Harlan", "Blackhawk", "Orphan Girl", "May This Be Love" and "Waltz Across Texas". (Folk/Country, Rock) CD

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch". LP2 features Live In 1965 – Some of the earliest music ever from The Holy Modal Rounders – a rare live performance from 1965, recorded at the Chess Mate nightclub in Detroit, and featuring only the duo of Peter Stampfel and Steve Weber! The music here is a bit more folksy and a bit less trippy than some of the Rounders' later recordings, but it still shows a decidedly left-field approach – not just in the subjects of the tunes, but also in the way the guitar, banjo, and fiddle are used – almost as additional voices at times, instead of conventional folk instrumentation. Titles include "Crowley Waltz", "Black Eyed Suzy", "My Mind Capsized", "Fishin Blues", "Rum Mountain", "Random Canyon", "Skin Game", "Indian War Whoop", and "Flop Eared Mule". LP, Vinyl record album

The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. (Folk/Country, Rock) CD

The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. (Folk/Country, Rock) CD

The Incredible String Band are paired down to the core duo of Mike Heron & Robin Williamson for their third and possibly best album – the truly incredible Hangman's Beautiful Daughter – using the studio as a most impressive adjunct member of the group at this point! This is an extremely talented pair – each playing myriad instruments – sitar, organ, guitar, hammer dulcimer, harpsichord, gimbri, whistle, pipe, oud, mandolin, mouth harps and more. Previous vocal collaborator Licorice sings on one song, and Dolly Collins and David Snell contribute flute organ, piano and harp – but the main duos incredible way of layering their magic with multitracking in the studio the real masterstroke of the effort. Titles include "Koeoaddi There", "Witch's Hat", "The Water Song", "Swift As The Wind", "Nightfall", "Waltz Of The New Moon", "Three Is A Green Crown" and more. (Folk/Country, Rock) LP, Vinyl record album

More Kinks music than you could ever hope for in one package – a whopping 3CD set that brings together every bit of music associated with the landmark Village Green Preservation Society album! The original record is one of the best-ever British pop albums from the 60s – and it has the Kinks moving past their garage rock roots into a whole new realm of picture postcard pop perfection! The 15 songs on the original LP are the blueprint for closeted Brit postwar worry, anxiety, and disillusion – classics like "Do You Remember Walter?", "Picture Book", "Sitting By The Riverside", "Village Green", "All of My Friends Were There", and "The Village Green Preservation Society". This new CD moves past those 15 tracks to feature a total of 52 titles in all – including mono and stereo mixes of tracks on the record, alternate takes, remakes, and obscure cuts like "Groovy Movies", "Spotty Grotty Anna", "Days", "Mr Songbird", "Polly", and "Berkley Mews". Great stuff all around – and a dream for Kinks fans like us! CD

Very experimental work from this loose Canadian collective of the late 60s – but a set that's filled with some surprisingly cool touches too! The album's almost more of a "happening" in the studio at times – with free-flowing energy between jazz musicians, rockers, poets, electronocists, and more experimentally sonic scientists – shifting styles quickly from track to track, but occasionally hitting some straighter, funkier moments that are totally great – almost a more tripped-out version of some of the French electronique work we love so much from the 60s – and a record that's mindblowingly beautiful in its sense of freedom and creativity. The whole thing's a sonic trip through incredibly fresh territory – never too overindulgent, and beautifully balanced both in sound and execution. Titles include "Ode A L'Affaire", "J'Ai Perdue 15 Cents Dans Le Nez Froid", "Finale", "Viens Danser Le OK La", "Agnus Dei", "Desafinado", "She's Leaving Home", and "Intermezzo". LP, Vinyl record album

Joanna Newsom as richly lyrical, lushly arranged and weirdly beautiful as ever! Divers is the 5 years in the making follow up to her triple album Have One On Me, and if you found that one too thick a forest to take root in, this one's much easier to dive into – with 11 songs in 51 minutes – but it might be even greater in lyrical scope! As always, her distinctive voice is a very compelling instrument, and no other could convey the wordy brilliance of her songs. Recorded by Steve Albini and Noah Georgeson with clarity and immediacy, all the better for the diverse arrangements that range from light orchestal, to wispy folk, to anthemic, if largely acoustic art pop. At this point, if you've heard Joanna Newsom, you either "get it" or not. Our admiration grows with each effort, and we're pretty excited that an artist with a sound this far out of the ordinary can be as popular as she is. Includes "Anecdotes", "Sapokanikan", "Leaving The City", "Goose Eggs", "Waltz of The 101st Lightborne", "The Things I Say", "Divers", "Same Old Man", "You Will Not Take Heart Alive", "A Pin-Light Bent" and "Time, As A Symptom". CD

A Spanish album that brings together two classic early records from this great guitarist! First up is the self-titled John Renbourn – the first full album from acoustic genius Renbourn – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Next is Another Monday – one of Renbourn's most obscure records, and a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". (Folk/Country, Rock) LP, Vinyl record album

A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". (Folk/Country, Rock) CD

Music beyond description – a unique blend of disco, funk, avant garde, and dub – the wonderful world of the late Arthur Russell! Russell was a bass player by trade, but he was schooled in both classical and Eastern music forms – and brought an incredibly fresh vision to his work in New York in the late 70s and early 80s. To some, Russell was a groundbreaking disco pioneer – with an offbeat production style and unique conception of rhythm. To others, Russell was a performance artist and avant garde musician – working in circles that included Phillip Glass, David Byrne, and Robert Wilson. This mix of modes was very much a part of the post-disco, post-punk sound of New York at the time – and nobody summarized it (or allowed it!) better than Russell himself. This excellent set from Soul Jazz is one of the first to truly give him his due – and it brings together a large amount of his disco-related projects, plus a few more introspective numbers cut under his own name. The sound is incredible – unlike anything you could categorize – especially on the Russell-titled numbers – and as always with Soul Jazz, the whole thing's beautifully packaged, with rich notes on the music and the person behind it! Titles include "Go Bang (Francois K mix)" by Dinosaur L, "Wax The Van" by Lola, "Is It All Over My Face (Larry Levan mix)" by Loose Joints, "In The Cornbelt (Larry Levan mix)" by Dinosaur L, "Pop Your Funk" by Loose Joints, "Schoolbell/Treehouse (Walter Gibbons mix)" by Indian Ocean, and "Let's Go Swimming (Walter Gibbons mix)", "A Little Lost", "In The Light Of The Miracle", and "Keeping Up" by Arthur Russell himself! CD

The coolest collection of work we've ever seen from Nancy Sinatra – a package that goes way past her 60s hits to include a host of lesser-known gems, non-LP singles, rarities, and even a few unissued tracks as well – all presented in a lavish setting that's as vivid as the image on the cover! As you can guess, much of the magic here also comes from Lee Hazlewood, whose studio talents really allows Sinatra to find that special sort of sexy quality that she never seemed to have at the start of her recording career. The whole thing is a great addition to the too few Nancy Sinatra albums of top shelf quality – and titles include a previously unreleased duet with Lee Hazlewood on "I Just Can't Help Believing", the unissued tracks "Something Pretty" and "Do I Hear A Waltz" – and the cuts "Drummer Man", "Shades", "Easy Evil", "Ain't No Sunshine", "Kinky Love", "Sugar Me", "Dolly & Hawkeye", "This Town", "Tony Rome", "100 Yars", "See The Little Children", "Zodiac Blues", "Flowers In The Rain", "Are You Growing Tired Of My Love", "The Last Of The Secret Agents", and "The City Never Sleeps At Night". (Vocalists, Rock) CD

The coolest collection of work we've ever seen from Nancy Sinatra – a package that goes way past her 60s hits to include a host of lesser-known gems, non-LP singles, rarities, and even a few unissued tracks as well – all presented in a lavish setting that's as vivid as the image on the cover! As you can guess, much of the magic here also comes from Lee Hazlewood, whose studio talents really allows Sinatra to find that special sort of sexy quality that she never seemed to have at the start of her recording career. The whole thing is a great addition to the too few Nancy Sinatra albums of top shelf quality – and titles include a previously unreleased duet with Lee Hazlewood on "I Just Can't Help Believing", the unissued tracks "Something Pretty" and "Do I Hear A Waltz" – and the cuts "Drummer Man", "Shades", "Easy Evil", "Ain't No Sunshine", "Kinky Love", "Sugar Me", "Dolly & Hawkeye", "This Town", "Tony Rome", "100 Yars", "See The Little Children", "Zodiac Blues", "Flowers In The Rain", "Are You Growing Tired Of My Love", "The Last Of The Secret Agents", and "The City Never Sleeps At Night". (Vocalists, Rock) LP, Vinyl record album