A strong debut effort from one of the finer British roots acts – the mighty Aswad, a group who were big on the UK shores, but never got the same sort of international circulation as their peers Steel Pulse! Like many UK groups of the time, Aswad are nicely self-contained, different than the producer-driven aesthetic of Jamaican music – playing and writing their own material, and really coming across with a unified vibe as a result! Vocals and instrumentation are excellent throughout – and titles include "Can't Stand The Pressure", "Ethiopian Rhapsody", "I A Rebel Soul", "Natural Progression", "Red Up" "Ire Woman", and "Back To Africa". Features two bonus tracks – "Three Babylon", and "Three Babylon (dub mix)". LP, Vinyl record album

The first Bob Marley album on Island Records – and the start of a really legendary run that would not only transform reggae in the 70s, but the rest of popular music as well! Chris Blackwell's partially at the helm on production, but the album was mostly recorded in classic Kingston studios – Randy's, Dynamic, and Harry J's – and retains the same vibe as some of Marley's earlier work, but with more of the forward-thinking vision he brought to his time at Island. Bunny Livingston lays down some excellent percussion on the set – and rhythm is from the team of Aston and Carlton Barrett on bass and drums. Titles include the classic "Stir It Up" – plus "Slave Driver", "Kinky Reggae", "High Tide Or Low Tide", and "Concrete Jungle". Very cool 3LP/12" edition – comes in a box, with new notes and rare photos! LP2 features a rare live set recorded in London at the Paris Theater in 1973. LP3 features more unreleased tracks – eight from the sessions, including Jamaican alternative and extended versions of "Slave Driver", "Stop That Train", "No More Trouble", "Stir It Up", "400 Years", and "High Tide Or Low Tide" – and the bonus 12" single features three more unreleased live tracks from 1973! LP, Vinyl record album

Bob Marley dubs from the Island vaults – most of which were never released in the album format before this set! It's very well done, with a tight collection of numbers that feature spaced out, tripped up and otherwise echoey, dubby versions of the iconic Marley songbook! The original versions are as classic as can be, so it's actually a pretty sweet, fresh surprise the have them compiled as top notch dubs all these years later. Includes "Roots, Rock, Dub", "Is This Love Dub", "Lively Up Your Dub", "Three Little Birds Dub", "Crazy Baldhead Dub", "Waiting In Vain Dub", "One Love/People Get Ready Dub", "She's Gone Dub", "Smile Jamaica Version" and more. LP, Vinyl record album

One of the best-selling albums ever from Bob Marley – a classic collection of work from his all-too-short career – and one that's gone onto become as famous as Marley's individual records themselves! The collection really allows all the classics to resonate strongly, in a track order that opens them up even more – and the package also features a live track, and a production with Lee Perry too. Titles include "Get Up Stand Up", "Exodus", "Stir It Up", "Easy Skanking", "No Woman No Cry (live)", "Punky Reggae Party", "Satisfy My Soul", and "Redemption Song". LP, Vinyl record album

A stone 70s classic in the Island Records catalog – proof that although the label was scoring big with some of their superstar acts, they still had a great ear out for groundbreaking reggae material! The mighty Max Romeo works here with Lee Scratch Perry in the studio – who gives him fantastic support, at a level that opens up really righteous currents in his music – a fantastic blend of the roots reggae spirit of Romeo and the studio genius of Perry! Romeo's soulful inflections matched perfectly to the dark, swampy Black Ark grooves – on titles that include "War Ina Babylon", "Chase The Devil", "Stealin'", "One Step Forward", "Smile Out Of Style", "Uptown Babies", "Tan And See", "Smokey Room", and "Norman". LP, Vinyl record album

The great Michael Smith departed this planet all too soon, yet managed to leave behind this righteous gem from the early 80s – a set that's got superb production from Dennis Bovell and Linton Kwesi Johnson, and a vibe that's very much like the best work of the latter! Smith's as much a poet as Johnson, but also works a lot more slang into his words – giving the record a very down to earth, on the streets sort of vibe – one that's certainly hinted at by the title. The production is great – clear and clean, yet never commercial – hardly the stuff of big reggae hits on Island at the time, with a selection of message-oriented tunes that include "Picture Or Picture", "Roots", "Mi Feel It", "Black N White", "It A Come", "Long Time", "Trainer"- and "Give Me A Little Dub Music". LP, Vinyl record album

An incredible lost slice of music from the young Bob Marley – an unissued set of recordings done at the Capitol Studios in LA, at a time when the Wailers were just beginning to rise in global power! The session came at an unusual moment for the group – they had come to the US to tour with Sly & The Family Stone, and were fired because the audiences were not yet ready for their groove – leaving the group a bit astray in California. But an opportunity arose to record at Capitol, a performance that was also filmed – and the result is this amazing set of tracks that captures Bob and the group at a level that's even different than their massive Island Records sets to come. There's a current of funk running through a number of these tracks, and a lean groove that's wonderfully soul-drenched throughout – not just in Marley's vocals, but in the overall performance of the rest – a tight sextet that includes Peter Tosh, Joe Higgs, Aston Barrett, Carlton Barrett, and Earl Lindo. Titles include "Rastaman Chant", "Midnight Ravers", "Put It On", "Stop That Train", "Get Up Stand Up", "You Can't Blame The Youth", "Slave Driver", "Duppy Conqueror", and "Burnin & Lootin". LP, Vinyl record album

Pre-Island Records material from Bob Marley and The Wailers – and a set that really focuses on the strong harmony modes that made the group so great! Bob's lead is still wonderful, but the way the voices come together is tremendous – echoing American soul styles, but with a righteous vibe that already points the way towards the direction Marley would take in just a few short years! Even more familiar rocksteady rhythms have a lot more bite here – produced by Leslie Kong, with great guitar from Lyn Taitt amidst backings from the Beverley's All Stars – all to elevate the vocals of Marley, Peter Tosh, and Bunny Wailer. And despite the "best of" title, the set is all unique LP material – with titles that include "Soul Captives", "Caution", "Stop The Train", "Soul Shake Down", "Do It Twice", "Back Out", and "Soon Come". LP, Vinyl record album

A set recorded in both Jamaica and Trinidad, and one that shows a great combination of both locations – with straighter reggae cuts at some points, and some more Caribbean flavored club at others! The music has some of the message that you'd guess from the cover and title, but the overall vibe is lighter and more aimed at the dancefloor – with some especially great cuts that almost lean more towards a jazz/funk sort of vibe than some of the other island disco records of the time! One of these gems is the wicked "Let's Party", which has a massive bassline and some cool keyboard bubbles – and other cuts include "Foreign Journalists", "Burning Eyes & Hungry Bellies", "Dancing", "Music Is Music", "Song Of Love", and "Power Struggle". LP, Vinyl record album

Fantastic sounds from the years before reggae became the international sound of Jamaica – music from the island nation's jazz scene, which was at the crossroads of so many different styles of music – jazz from the north, Latin rhythms from Cuba and Puerto Rico, and a fair bit of other Caribbean sounds too – all of which filter through the wonderful collection of music on the set! The title breaks down the different genres featured – but there's often a surprisingly unified feel to the whole record too – one that stands partly as a testament to the musical strengths of all the performers involved! In the days before Trojan and Studio One, Federal Records was an important Jamaican label – and did an especially great job of capturing some of the sounds that were part of that nation's club culture and resorts in the 60s. Titles include "Angelima" and "Like Falling In Love" by Ernest Ranglin, "Profile Cha Cha" and "Rhumbina" by Cecil Lloyd & The Starline Troubadors, "Estrellita" and "I Love Paris" by The Lennie Hibbert Combo, "Tis Wonderful" by Eric Grant, "Linstead Market" by Baba Motta & Ernest Ranglin, "Wheel & Turn Me" by Bertie King, "Go Fife Go" by Count Owen, "Mango Walk" by Bertie King & Ernest Ranglin, "String Of Pearls" by Auldey Williams & His Orchestra, "Solas Market" by Baba Motta, and "Monday Monday" by Winston Turner Quintet. LP, Vinyl record album

Another round of Studio One butter from the folks at Soul Jazz! By this point you're well informed about the status of Coxsone Dodd's Studio One operation as the cornerstone of so much Jamaican music, and Soul Jazz has approached the catalog from just about every angle, covering nearly all the bases before landing here on this dub set. The sly Island grooves are stripped down to their bare essentials, then given a tasteful bit of dubby gloss at the hands of Sylvan Morris, for a massive collection that'll rule your stereo like Studio One rocked the sound systems back in the day. 17 tracks in all, wrapped in a nice package that includes interviews with Morris and Dodd, and fully annotated as to which numbers the rhythms were originally cut as the backing for. Includes "Bionic Dub", "Sky Rhythm", 'Taurus Dub 2", "Hooligan", "Dub Rock", "Hi Fashion Dub", In Cold Blood Version" and "Feel The Dub". LP, Vinyl record album

Aahh, sweet lover's rock, and all from Studio One no less! Whether you're looking to set the mood for a late night rub up, or just want to cool out to some mellow island vibes, this batch of easy rockin' lover's numbers cut under the supervision of Coxsone Dodd is just the ticket. You get sweet soulful numbers from Studio One stalwarts, plus a number of nice tracks by some lesser known stars in the Studio One galaxy, and as you'd expect from a Soul Jazz set, it's wrapped up quite nicely. 18 tracks in all, including "I Don't Know Why" by Delroy Wilson, "Touch Me Baby" by Myrna Hague, "Darling I Need Your Loving" by John Holt & The Paragons, "Ten To One" by The Mad Lads, "Reggae Magic" by Jackie Mittoo, "Too Long Will Be Too Late" by Freddy & Jenny, "Let Him Try" by Alton Ellis, "Don't Wait For Me" by Albert Tomlinson, "Got To Be Sure" by Horace Andy, "Ready To Learn" by the Heptones, 'We're All Alone" by Doreen Schaefer and more! LP, Vinyl record album

A seminal set from Linton Kwesi Johnson – the record that maybe pushed him over the top, and really marked him as one of the strongest new voices in reggae at the end of the 70s! Linton's a poet, not a singer – but his style is also more focused and clear in comparison to some of the dee jay material of the generation, which not only helped to get his messages across very strongly, but also open ears to his music that might not have otherwise been listening to material of this nature. Of course, it also helped that the set was issued by Island Records at a time when it seemed they could do no wrong – but the record is definitely Johnson's own, as he wrote both the words and music, and produced with some great help from Dennis Bovell on mixing. Titles include "It Noh Funny", "Sonny's Lettah", "Independent Intavenshan", "Fite Dem Back", "Reality Poem" and "Forces of Vicktry", plus "Want Fi Goh Rave", and "Time Come". This set features a bonus LP of dubs and mixes, and added artwork too! LP, Vinyl record album

A wealth of rare work from Jamaican studio genius Bunny Striker Lee – unusual cuts and unreleased material – all of it a further testament to his legendary ear for a mindblowing sound! These aren't half-baked cuts, or material that deserved to fall to the cutting room floor – because the style is years ahead of its time, and put together with techniques and styles that are still pretty darn revolutionary after all these many years! Some tracks have a strong vocal presence, others are more instrumental – and in addition to Lee's famous flying cymbals technique, there's lots more going on here too – including some totally cool space age sounds. Unreleased tracks include "Bell Road Rock" by The Aggrovators, "Joe Frazier" by Tommy McCook, "Go Jah Jah Pickney" by Linval Thompson, "No Man Is An Island" by Johnny Clarke & Horace Andy, "Bunny Lee & King Tubby's Dubplate Special" by Cornell Campbell, "Life Of My Own" by The Raver, "Look How Long Nyabinghi Calling You" by Linval Thompson, "King Tubby's Vs Arrows Dubplate" by Cornell Campbell, "Jamaican Fruit Of African Roots" by Lennox Brown & Sheila Richards, "No Babylon Shall Escape In This Time" by Johnny Clarke, and "Every Knee Shall Bow" by Ronnie Davis. LP, Vinyl record album

Very cool work from Mighty Sparrow – a calypso set, but one cut at a time when the music was fading from the mainstream – which allows Sparrow to keep things nice and raw, and deliver lyrics that have the same sort of bite as some of the best island sounds from the early days! Many tracks here are originals, and Sparrow also delivers some cool covers too – all with jazzy instrumentation that echoes some of the styles of early mento, as saxes come into a blend of romping piano, percussion, and the singer's own guitar. Titles include "Unto Negro", "English Diplomacy", "Tattoo Woman", "Jack", "Under My Skin", "El Reloj", and "Big Bamboo". (Global Grooves, Reggae) LP, Vinyl record album

The third volume in this wonderful series – and like the other volumes, a record that really lives up to its name! The groove here mixes together 70s roots in disco and reggae – and comes up with a cool contemporary blend that's mighty nice – held together through top-shelf production from key French talents who include Mato and Patchworks – in a groove that's nicely unified throughout! Many tunes are covers and remakes – the set includes great versions of songs by Herbie Hancock, Rolling Stones, Donna Summer, and others – but all done in these very fresh new ways that are completely unique. Titles include "Feel Like Makin Love" by The Dynamics, "Disco Illusion" by Taggy Matcher, "Melt The Night (Mato reggae rmx)" by Lucas Arruda, "Miss You (ext disco version)" by The Dynamics, "Shake It Dub (ext 12" version)" by 7 Samurai, "Cantaloupe Island" by Taggy Matcher, "Movin In The Right Direction" by Mato, and "Loev To Love You Baby" by Rosemary Martins. (New Grooves, Reggae) LP, Vinyl record album