One of the most righteous albums to come out of the Kingston scene in the early 70s – a set that's driven by the new spirit of the Rastafarian generation, but which also pushes the music much more than some of the commercial efforts of the time! The style of the music here is almost to mainstream reggae what spiritual jazz was to 70s funk – richer, deeper, more thoughtful, driven by message, and carried forth through instrumentation and production – a heady brew cooked up by Lloyd Charmers in the studio, with work from Willie London on guitar, Lloyd Parks on bass, and Charmers himself on organ, piano, and lots of earthy percussion. Of course, the vocals of Ras Michael are the real driving forces of the record – again very different than any mainstream singers, as he stretches out on these long, hypnotic tracks that include "Run Come Rally", "Seventy Two Nations", "Zion Land", and "Know How You Stand". This killer 2CD version features a full bonus CD – 22 more Lloyd Charmers dub tracks from the mid 70s, all of which have never been on CD before! CD

One of the most righteous albums to come out of the Kingston scene in the early 70s – a set that's driven by the new spirit of the Rastafarian generation, but which also pushes the music much more than some of the commercial efforts of the time! The style of the music here is almost to mainstream reggae what spiritual jazz was to 70s funk – richer, deeper, more thoughtful, driven by message, and carried forth through instrumentation and production – a heady brew cooked up by Lloyd Charmers in the studio, with work from Willie London on guitar, Lloyd Parks on bass, and Charmers himself on organ, piano, and lots of earthy percussion. Of course, the vocals of Ras Michael are the real driving forces of the record – again very different than any mainstream singers, as he stretches out on these long, hypnotic tracks that include "Run Come Rally", "Seventy Two Nations", "Zion Land", and "Know How You Stand". LP, Vinyl record album

There's no stopping the double-dee jay power of Clint Eastwood and General Saint – as they pair together here on a classic album that's every bit as great as their Two Bad DJ set! The mix of voices trading back and forth is wonderful, especially over the laidback rhythms of the set – bridging some early digital modes with a warmth that comes from the way the pair interact – almost more down to earth than a solo dee jay might have, as the duo have a conversational vibe that gets past occasional hyperbole in the solo format. Also interesting is the way the pair can update older themes with a very contemporary vibe – in a set list that includes "Rock With Me", "Vote For We", "Nuclear Crisis", "Shame & Scandal", "Stop Jack", "True Vegetarian", "Everything Crash", "Monkey Man", and "Happy". LP, Vinyl record album

The Soul Jazz Dynamite series goes 100% dancehall – with this massive collection of rare cuts and classic material from the past 25 years – plus some new numbers! You know that you can depend on the reverent Soul Jazz compilers to deliver a better overview than any other label, and Dancehall Style covers the breadth wonderfully! It features the dub dancehall style of King Tubby and other pioneers such as Michigan And Smiley, Dillinger and Early B, and modern variations of later practitioners such as dub steppers Digital Mystikz, electro dancehall groovers such as Ladybug, and much more. A killer set from Soul Jazz! Volume 2 includes 11 tracks: "Assault Rifle" by Fat Eyes, "Governor General" by Pompidou, "Weed And Grabba" by King Baucho & Beenie Man, "Fade Out" by King Tubby, "Jah Lick We" by Michigan & Smiley, "Police And Bad Boy" by Wayne Wonder, "Billie Jean" by Shinehead, "Give It To Me" by Cecille and more. LP, Vinyl record album

A really unique selection of Japanese reggae tracks from back in the day – and work that's very different than sounds from both the underground scene in Kingston, and the big wave of reggae hits on the major labels! The pace of many of these cuts has them moving in almost a lovers rock sort of mode – easygoing, warm, and with lots of soulful touches – often served up with instrumentation that echoes some of the city pop generation as well, although maybe a bit more down to earth, given the genre! You might almost think of these tunes as city pop reggae variants – mostly with female singers in the lead – and titles include "Hittin Me Where It Hurts" by Marlene, "Johannesburg" by Junko Yagami, "Coffee Break" by Miharu Koshi, "Tsukikage No Nagisa" by Miki Hirayama, "Music" by Chu Kosaka, "Lazy Love" by Izumi Kobayashi, and "Tenkini Naare" by Lily. (Japanese, Reggae) LP, Vinyl record album