A contemporary set, but one that's got a classic roots reggae vibe that goes right back to the 70s – right down to the classic style of featuring a dub version of a cut right after the vocals! Earl Sixteen has roots that go way back, and given the strength of his performance here, he can definitely claim the role of rightful ruler in the title – working with superb production from Zion I Kings, in a blend of older digital and dubby modes! Titles include "Jah Earth", "Jah Dub", "Rightful Ruler", "Rightful Dub", "Take Some Time", "Take Some Dub", "Find A Way", and "Find A Dub" – the last two of which feature guest work from Mr Williamz. LP, Vinyl record album

One of best ever albums by The English Beat – one that cemented their status as one of the most creative groups to come out of the ska revival scene! Wha'ppen has lots of fresh instrumentation and experimentation – but that's in service of some tight, insistent songcraft – and they never ever bury their their Caribbean influences. There's a bit more Afro Beat-inspired rhythms and some atmospheric underground pop touches, but it's still get plenty of the Jamaican style we loved about their earlier work, too – on a record that didn't get the acclaim it deserved at the time! Titles include "Monkey Murders", "I Am Your Flag", "Walk Away", "Get A Job", "The Limits We Set", "Dream Home In NZ", and "Drowning". (Rock, Reggae) CD

Stunning sounds from the first three years of Niney The Observer on record – a huge amount of rare singles from back in the day, served up in a double-length package that features 22 tracks on CD for the first time ever! The mix of modes here is incredible – and a real demonstration of that made creative genius that made Niney such an important force in the studio and in front of the microphone – as lots of these tracks have really unusual inflections, odd arrangements, and a way of putting over a weird sound that most folks think was only invented by Lee Scratch Perry! Instead, Niney maybe claims his own throne here with well-deserved credit that is spun out in the very detailed notes – next to fantastic tracks by Niney & The Observers, and lots more from The Sound Dimensions, Dennis Alcapone & Lizzy, Eric Monty Morris, The Hardy Boys, Max Romeo, The Virgins, Max Romeo, and others – stretched out over 47 cuts in all. CD

One of the ultimate moments from the legendary Lee Scratch Perry – the set of recordings that shut down the Black Ark studios – and which helped build a bridge to the European scene that would help keep Perry's music alive for the next few decades! The sound of the album is even more far-reaching than some of Lee's earlier recordings – opened up in a new freedom that's much more aimed at album-oriented styles – heard best on the album's long opening number "Bed Jammin", and spun out over some great numbers that really showcase Perry's incredible talents in the studio! Titles include "Untitled Rhythm", "Give Thanx To Jah", "Easy Knocking", "Who Killed The Chicken", "Babylon Cookie Jar A Crumble", and "Some Have Fe Halla". CD

A set recorded in both Jamaica and Trinidad, and one that shows a great combination of both locations – with straighter reggae cuts at some points, and some more Caribbean flavored club at others! The music has some of the message that you'd guess from the cover and title, but the overall vibe is lighter and more aimed at the dancefloor – with some especially great cuts that almost lean more towards a jazz/funk sort of vibe than some of the other island disco records of the time! One of these gems is the wicked "Let's Party", which has a massive bassline and some cool keyboard bubbles – and other cuts include "Foreign Journalists", "Burning Eyes & Hungry Bellies", "Dancing", "Music Is Music", "Song Of Love", and "Power Struggle". LP, Vinyl record album

White Boy reggae recorded at the height of the genre's climb to fame – at a time when a guy like Eric Clapton, or even worse, the silly-looking Johnny Wakelin, could put out a reggae record with confidence. Fortunately, Johnny's real claim to fame is the great novelty number here – "Black Superman" – a huge worldwide hit, and a pretty great little number about Muhammad Ali. The rest of the record's in a similar vein – not really bad, just pop reggae sounding, or proto disco grooving. Titles include "You Got The Bug", "Cream Puff", "In Zaire", "Me I'm A Capricorn", and "Sleep On Baby". (Soul, Reggae) LP, Vinyl record album

A great collection of soulful rocksteady gems – and one that really hints at its approach with the use of "cover" in the title! Many of the tunes here are reworkings of American soul tracks – most not major hits, which makes them even cooler cover versions – and shows just how deep a love of soul music influenced the Jamaican scene in the 60s! Tracks are from a variety of classic labels – Trojan, Doctor Bird, Treasure Isle, and others – and titles include "Just A Mirage" by The Uniques, "If I Didn't Love You" by Eric Monty Morris, "Whatcha Gonna Do" by The Techniques, "Something You've Got" by Lee Perry, "Trying To Reach My Goal" by Alton Ellis, "Charade" by Roland Alphonso, and even a surprising take on "Je T'Aime Moi Non Plus" by Harry J All Stars! LP, Vinyl record album

A key style in Jamaican music during the 70s – the mode of the DJ, which often featured a toaster speaking over more familiar tunes – adding spoken bits and new lyrics in the process, in a mode that many claim was a key influence on the birth of hip hop! The relationship between the two forms isn't exactly a straight line – but the approach is somewhat similar – a way sharing enthusiasm about the music and grooves, by adding in new verbal aspects that take things in a whole new direction. And given that toasting tracks were often not as played as straighter vocal numbers, there's plenty here that's new and fresh – a very specific and unusual take on the 70s years of reggae, and one that takes you way past the hits. Titles include "Mava" by Dennis Alcapone, "Monkey Spanner" by Dave & Ansel Collins, "Fire Corner" by King Stitt, "Sunday Dish" by Early B, "We Hot" by Charlie Chaplin, "Tighten Up Skank" by Dillinger, "Blackman's Time" by I Roy, "Buttercup" by Winston Scotland, and "Home Guard" by Mikey Campbell. CD