A beautiful larger concept work from Max Richter – based on the writings of Virginia Woolf, which are read at three short points in the set – to introduce the kind of subtle sonic spectrums that we've really come to love in Richter's music! The album mixes together Max's own sounds on piano and modular synthesizer with the larger sounds of the German Film Orchestra, conducted by Robert Ziegler – plus shorter string quartet passages, and occasional solo cello, violin, and soprano voice – layered together in Richter's own studio, with that post-performance sensitivity that's made him one of the key forces transforming the sound of classical performance on record. Gillian Anderson reads some text on "The Waves", Sarah Sutcliffe makes an appearance on "Orlando", and the voice of Woolf herself is heard on "Mrs Dalloway" – but most of the album is instrumental. CD

Amazing! This is one of the coolest sets we've seen in years – and everything about it is fantastic, from the package right down to the triple-length set of music! The set features rare unreleased recordings from Raymond Scott's legendary Manhattan Research electronic music studios – originally set up in 1946, and home to some of Scott's landmark early work on non-acoustic music during the 50s and 60s. Far from being the sort of turgid, dark knob-twiddling that computer music later became in the academy, Scott's early experiments are filled with a sense of whimsy and joy – exported directly from his early cartoon-based work, and applied in a fantastic way to his evolving musical inventions! The LP edition comes in three separate sleeves, plus a great 8 page booklet of notes, in a brilliant graphic style that complements the package even further! Don't forget the music, though – because it's totally fantastic – and kind of reminds us of bits of Jon Appleton's Syntonic Menagerie, Pierre Henry's early Musique Concrete, and later punk-era DIY electronics. That doesn't even come close to pinning it down, though – and with 3 LPs worth of material, the scope of the work is amazing! LP, Vinyl record album

Very cool music from UK experimentalist Lori Vambe – an artist who works here on two very percussive albums that were issued on his own label back in the 80s, but with a style that's really unlike anything else we can think of! The music has a bit more punch than the "dreamtime" title might make you expect – but it's also not all drums, either – as instead Vambe has a way of using a variety of other instruments, including the stringed instrument on the cover, in a way that pulsates rhythmically with the percussion – all with a spare and haunting sound that's maybe a bit like some sort of post-punk expansion on the early ideas of Moondog! The set features the two full albums Drumgita Solo and Drumland Dreamland – the latter of which has a slightly fuller instrumental palette – and titles include "Un Minuto (Two)", "Going Home Boogie (One)", "Strumelody", "Drumsong (Three)", "Ydolemurd", and "Hum Drum Dring (Two)". CD

Very cool music from UK experimentalist Lori Vambe – an artist who works here on two very percussive albums that were issued on his own label back in the 80s, but with a style that's really unlike anything else we can think of! The music has a bit more punch than the "dreamtime" title might make you expect – but it's also not all drums, either – as instead Vambe has a way of using a variety of other instruments, including the stringed instrument on the cover, in a way that pulsates rhythmically with the percussion – all with a spare and haunting sound that's maybe a bit like some sort of post-punk expansion on the early ideas of Moondog! The set features the two full albums Drumgita Solo and Drumland Dreamland – the latter of which has a slightly fuller instrumental palette – and titles include "Un Minuto (Two)", "Going Home Boogie (One)", "Strumelody", "Drumsong (Three)", "Ydolemurd", and "Hum Drum Dring (Two)". LP, Vinyl record album

Suzanne Ciani has cut some sweeter sets over the years, but this album's definitely not one of them – as the whole thing is an early piece from the artist's career, recorded on the Buchla synthesizer, and based on the work of Charles Baudelaire! The core piece, "Flower Of Evil", features a recitation of a Baudelaire poem right into the Buchla – which then complicates and distorts the voice, as it mixes with these wonderful waves of analogue electronics – bubbling, flowing, and stretching out to create this moody landscape that really would have made the poet proud! The other three selections on the record are even more stark and spooky – still done on the Buchla, but with a vibe that's maybe even more in the mode of some of the Pierre Henry experiments from the same time. Titles include "Glass Houses" and "Token Spokes (parts 1 & 2)". (Sound Library, Out Sound) LP, Vinyl record album

All 12 parts of Glass'suite of pulsating modal minimalist music. The ensemble here is a sextet, with three electric organs and three reeds, plus voice. Like his other work of this era, the tones overlap and slowly unfold to reveal underlying patterns over the course of the piece. Far more interesting (to our ears at least) than his later operas for the latte-sipping set. CD

Back in the 70s, there were plenty of records that mixed together the Japanese shamisen with more contemporary sounds – but of them all, this set might well be one of the wildest – as it features two side-long tracks that mix the acoustic strings of the ancient instrument with a mix of moogy electronics and keyboards! Konae Imato handles the shamisen in a very classic style – with lots of raspy touches along the three strings – while Masashi Komatsubara delivers all these different sounds from the moog – sometimes very abstract, sometimes tuneful, sometimes very experimental – all of which makes for a wonderful sense of variety throughout the record! Hideki Matsutake (aka Logic System) was part of the album's creation too – and the record features the long tracks "Journey To Edo" and "The City Of Edo". LP, Vinyl record album

Roscoe Mitchell's working here with an expanded version of the Note Factory group – one that's a nonet lineup that features two bassists, two drummers, and two pianos – plus trumpet, guitars, and a variety of reeds from Roscoe. Additional string and woodwind players join the group at a few moments, and the range of tunes is really surprising – from straighter numbers that led Roscoe stretch out as a more traditional soloist, to freer tunes that hearken back to his roots. Titles include "Song For My Sister", "When The Whistle Blows", "Wind Change", "Count Off", "The Megaplexian", and "Step One Two Three". (Jazz, Out Sound) CD

A seminal set of recordings of material from Edgar Varese – key Robert Craft takes on three earlier compositions, and the debut of "Poeme Electronique", which was created at the 1958 Brussels World Fair! "Ionisation" hs a complex mix of percussion instruments, played by thirteen players – with a quality that's almost a key precursor to the music of Harry Partch. "Density 21.5" is a haunting piece for solo flute – filled with unusual tones and textures – and "Integrales" has a fuller orchestral presentation, and a nicely bombastic vibe, with woodwind tones and percussion colliding beautifully! That sound continues in "Octandre" – a 20s composition that shows just how far Varese was ahead of his time – as does "Hyperprism", from the same year, which is even more dramatic. "Poem Electronique" has a very different approach – all analogue electronics, used in an illustration of Varese's concept of "organized sound", but with a feel that's similar to the best musique concrete material of the 50s. LP, Vinyl record album