Think the Germans had the market cornered on dark-edged electronics in the 70s? Guess again, because this mid 70s gem from Frenchman Philippe Besombes easily rivals the most progressive work of the Kraut scene of the time! The album's a collaboration with Jean-Louis Rizet – and features both artists duetting on a variety of analogue electronics – sometimes in a melodic way, but often in more experimental modes that are quite textural at times – and which stand as a key link between initial German electronics in the 70s, and some of the murkier British uses of the instrument a few years later. Titles include "Synthi Soit-Il", "Haute Pression", "Evelyse", "Armature Double", "Lundi Matin", and "Montelimar". (Rock, Out Sound) CD

Brilliant work from the modernist underground late 50s Paris! Andre Hodeir was one of the city's best-known jazz composers and arrangers at the time – a key part of the postwar scene, and its development into its own style away from strictly American sounds. Hodier's working here with a great batch of French players that include Martial Solal, Roger Guerin, Pierre Gossez, and Pierre Michelot – plus the then-French resident Kenny Clarke. The music swings much more than on other sessions of this type, and works extremely well throughout at blending tight jazzy lines with very "out there" concepts – especially in a way that we never really see in 50's recordings like this. Christine Legrand is on vocals, and although this was years before the Swingle Singers did their thing, and especially before they went onto do avant garde material by Berio, she's got these insane vocals here that are simply astounding. Tracks include "Jazz Et Jazz", "Trope A Saint-Trop", "Jazz Cantata", and "Osymetrios". Very good stuff, and unlike anything else we can think of! (Jazz, Out Sound) LP, Vinyl record album

Amazing solo work on cello from Okkyung Lee – material recorded after a particularly difficult stretch in 2020, as Lee was initially trapped in Korea, away from her instrument – then returned to the darkness of New York during its worst months of struggle! Yet despite that time leading up to the recording, the session actually feels like one with a new sense of optimism and exploration – all these fresh ideas for expression on the cello, at a level that make this record unlike any other we can think of – especially as there are many moments when the source of the music feels very unfamiliar, which are then balanced by more straightforward notes. Titles include "Burning", "Lorelei", "Drifting", "Mountains", "Grey", and "Pisces". (Jazz, Out Sound) CD

Very cool music from UK experimentalist Lori Vambe – an artist who works here on two very percussive albums that were issued on his own label back in the 80s, but with a style that's really unlike anything else we can think of! The music has a bit more punch than the "dreamtime" title might make you expect – but it's also not all drums, either – as instead Vambe has a way of using a variety of other instruments, including the stringed instrument on the cover, in a way that pulsates rhythmically with the percussion – all with a spare and haunting sound that's maybe a bit like some sort of post-punk expansion on the early ideas of Moondog! The set features the two full albums Drumgita Solo and Drumland Dreamland – the latter of which has a slightly fuller instrumental palette – and titles include "Un Minuto (Two)", "Going Home Boogie (One)", "Strumelody", "Drumsong (Three)", "Ydolemurd", and "Hum Drum Dring (Two)". CD