Very cool original package of one of Zorn's great recordings for the Parachute label. Composed for a large ensemble that includes David Moss, George Lewis, Eugene Chadbourne, Tom Cora, and Bill Horvitz, the music is a weird mish mash of group events, solo events, and various duo-trios with the individual players. This is the kind of thing that made Zorn a legend when he was a wee lad with a honking alto, and it's proof that he had a vibrant career that begun with brilliant ideas of his own, and not just interpretations of his favorite composers and artists. (Jazz, Out Sound) CD

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A very cool electronic soundtrack for this obscure early 80s slasher film – music that's a lot more complex and sensitive than the usual sounds used for slashers – with a style that reminds us of some of the hippest late 70s music on the Sky Records label! Eric Feremens comes from a relatively similar place – working here on self-built synthesizers, tailored specially to produced these wonderful sounds and tones – not tinny commercial keyboards, but much more thoughtful electronic elements that make the music way more appealing than just its use in a film. In fact, this is one of the few soundtracks of its type that could stand alone as a batch of spacey electronics – far from the schlocky images on the screen. Titles include "Harbour Fight", "Persecution", "Lady", "Hippy Song", and "Beat". (Soundtracks, Out Sound) LP, Vinyl record album