Why Not -- Now Sound — LPs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Now Sound — LPs

XLounge, exotica, bachelor pad, instrumental pop, and Hi-Fi gems!

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Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Charlie Fox And The Ring Of SoundAll ... LP
Current, Late 60s. Near Mint- ... Out Of Stock
Clearly an attempt to cash in on the cool stripped-down sound of late 60's instrumental groups like The Brass Ring. Why? Well, because the group's called "Ring Of Sound", and because the model on the cover is sitting on a Merry Go Round horse, holding a brass ring on the flesh of her left thigh, right below the very short hemline of her dress. Not that that's a problem, though, because the sound is very groovy, very much like the Brass Ring, with cool covers of pop tracks done by a "modern" group that has lots of organ, electric guitars, saxes, and a good tight sound. Cuts include "Mas Que Nada", "Turn Down Day", "Where Is Your Laughter", "Sign Of The Times", and "Ring Of Sound". LP, Vinyl record album

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Jackie GleasonJackie Gleason Presents That Moment ... LP
Capitol, Late 50s. Near Mint- ... Out Of Stock
Jackie Gleason's soundtrack for "that moment" of love, lust, whatever. Like a lot of his stuff from this period, not totally spot-on for the specified act (at least we'd never try to make "that moment" happen with this stuff), but it's still pretty great lush orchestral stuff, with big waves of romantic sound. Tracks include "Lilacs In The Rain", "On The Sentimental Side", "Why Was I Born", "I Thought About You", "That Sentimental Touch", "The End Of A Great Affair", and "A Cottage For Sale". LP, Vinyl record album
 
Partial matches: 1
Partial matches3
CD, LP, Vinyl record album cover art
Paul SmithCascades – New Liquid Sounds ... LP
Capitol, 1954. Very Good+ ... $7.99
Some sweet Liquid Sounds from pianist Paul Smith – one of the grooviest players to recorded for Capitol Records in the 50s! At some level, Smith has a sound that really prefaces lots that would go on in the west coast scene of the 60s – an approach to jazz that's still somewhat composed, but which has a breezier feel than most of the other players of his time – openly swinging with a lightness that's mighty nice, in ways that never get too stiff or stodgy. Think of this one as a precursor to Verve Records grooves from a decade later – and you'll see what we man – as Paul's piano moves nicely with guitar from Tony Rizzi, flute from Julie Kinsler, alto from Ronny Lang, and clarinet from Abe Most and Willie Schwartz. Titles include "Little Slam", "The Gnat", "Betsy Moo", "No Trump", and "Why Shouldn't I". (Jazz, Now Sound) LP, Vinyl record album
(Original turquoise label pressing. Cover has surface wear.)
 
 
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