A repackaged version of the album Que Mango – a later album, but one that still features Les doing some great Latiny bits – heading up the 101 Strings ensemble, for a sweeping and groovy kind of sound! The whole album's very similar to some of Les' Capitol work from the early 60s, but has a slightly more modern twist – including the use of electric bass underneath the arrangements, which creates a really nice gently loping groove! One of Les' best – despite the late date – and with tracks that include "Jungle Montuno", "Que Mango", "Bocha Chica", "Affair In Aruba", and "Tropicando". Very groovy, baby! LP, Vinyl record album

The frenzied piano of Carmen Cavallaro gets a nice does of Latin rhythms on this set – and the set's a great example of the way that cocktail piano and Latin were strongly linked in the New York scene of the 50s! Carmen's style here is certainly different than that of Joe Loco, Noro Morales, or others who skirted the same territory – but the difference is also not that great, and it was Cavallaro's earlier sense of drama and color that often helped inspire piano work in players who followed. The rhythms are especially great here too – not straight Latin all the time, but a nice mix of inventive and exotic touches from bass and percussion that really liven things up, and make the tunes come across with modes that are quite different than their familiar readings. Titles include "Dolores My Own", "Frenesi", "Andalucia", "Maria La-O", "Perfida", "Adios", and "Poinciana". LP, Vinyl record album