A very cool album put out by the Muzak corporation to promote their world-wide takeover of all sonic spaces! It seems strange that Muzak would actually produce a record – but we're happy they did, as the cover has a cool abstract painting, some great notes, and a few photos of Muzak musicians and scientists at work! Tracks include "The Happening" by Sid Bass, "Amy's Theme" by Phil Bodner, "Where's The Melody" by George Siravo, "Sunday Will Never Be The Same" by Charles Grean, and "It Must Be Him" by Dave Terry. Wild! (Sound Library, Now Sound) LP, Vinyl record album

Amazing! This is one of the coolest CDs we've seen in years – and everything about it is fantastic, from the package right down to the double-length set of music! The set features rare unreleased recordings from Raymond Scott's legendary Manhattan Research electronic music studios – originally set up in 1946, and home to some of Scott's landmark early work on non-acoustic music during the 50s and 60s. Far from being the sort of turgid, dark knob-twiddling that computer music later became in the academy, Scott's early experiments are filled with a sense of whimsy and joy – exported directly from his early cartoon-based work, and applied in a fantastic way to his evolving musical inventions! Plus, the whole thing's packaged in this super-cool hardcover book, with a whopping 140 pages of notes, photographs, old advertisements, and interviews – all done in a brilliant graphic style that complements the package even further! Don't forget the music, though – because it's totally fantastic – and kind of reminds us of bits of Jon Appleton's Syntonic Menagerie, Pierre Henry's early Musique Concrete, and later punk-era DIY electronics. That doesn't even come close to pinning it down, though – and with 2 CDs worth of material, the scope of the work is amazing! (Out Sound, Now Sound) CD

A very cool set from electronic pioneer Ruth White – a record that was originally issued as part of the avant modern series on Limelight, and which has a very different vibe than some of her more easygoing albums! The first half of the set features the long piece 7 Trumps From The Tarot Cards – with very dark, very abstract electronics that really have White matching the energy of Pierre Henry at times – and by that, we mean Henry's moodier, less groovy work that was also being issued on Limelight at the same time! The second half of the record features Pinions – a suite of tracks done for a dance performance based on "symbolic flight" – and for the music, White is maybe a bit more tuneful at times, but still really open to exploring some of the farther, moodier territory in the world of analog electronics. (Out Sound, Now Sound) CD

Beautifully crazy moog material from Ruth White – an artist who could sit on both sides of the moogy fence – approaching the instrument with a bit less of the pop styles of her contemporaries, but in ways that are still plenty darn compelling over the years! Most of the work here is of classical origin, but Ruth also adds in some additional electronics that further abstracts the tunes – and titles include "The Ball" by Bizet, "The Snow Is Dancing" by Debussy, "Gymnopedie No 1" by Satie, "The Flight Of The Bumblebee" by Rimsky-Korsakov, and "Anvil Chorus" by Verdi. Most tracks are in shorter, groovier versions! (Out Sound, Now Sound) CD