The record's definitely a nostalgia blitz, but one that has a very strong grounding in the 80s! Benjamin Herman plays saxophone throughout – but in a setting that's very new wave, post-punk, and no wave as well – lots of sharp reed lines colliding with frenetic work on bass, guitar, and keyboards – all with a vibe that makes you feel like you maybe stumbled onto some hip performance spot on the New York downtown scene in 1982! Yet despite the bombast and other instrumentation, Herman is actually pretty amazing on his solos – coming up with all these great sounds that really push the boundaries of the instrument – on titles that include "Chancelot", "One For Deelder", "Captain Zorg", "Zaat", "Hornin Out", and "Asman Graves". LP, Vinyl record album

A killer classic from Moodymann, aka Kenny Dixon – a record that's perfectly in that new wave of Detroit sounds that helped push things past the early years of techno in the Motor City, while still holding onto the stark, spare sound that made the city such a different scene than Chicago! Tracks are nice and lean, and have a cosmic energy that's still as important now as it was back in the late 90s when Moodymann first dropped these tracks – future forward, with qualities that also resonate strongly with changes that were taking place in London – on mostly instrumental tracks that include "Mahogany Brown", "On The Run", "Sunshine", "Radio", "Joy Part 3", "Black Sunday", "Stoneodenjoe", and "Me & My Peoples Eyes". LP, Vinyl record album

Comet Is Coming are one of those groups who are almost a genre unto themselves – certainly part of the rich criss-crossing of styles that has been taking place on the London scene of the past decade or so – but also a trio who've found a way to forge forward and hold the world at bay with a record like this! At the core, the approach is simple – tremendous tenor work from Shabaka Hutchings, drums from Betamax, and keyboards from Danalogue – the latter two of whom are equally important as producers, in the way they take the live performance at the core, and work it into so many other shifting shapes and sounds! Hutchings' solos are always kept mostly intact, which makes for a beating soul to the record, and a nice link to previous generations of jazz – on titles that include "Pyramids", "Tokyo Nights", "Technicolour", "Code", "Lucid Dreamer", "Atomic Wave Dance", "Mystik", and "The Hammer". (Jazz, New Grooves) LP, Vinyl record album