Diviniti sings on both cuts here – adding in some mighty soulful vocals! "Shine" is a great clubby groover from a few years back – and definitely showcases the warmer side of dancefloor work that Shuya Okino has been bringing to the world since his days in Kyoto Jazz Massive – a wonderfully uplifting tune! The flipside's a great take on Shuya's excellent "Sun Will Rise" anthem – again with excellent vocals from Diviniti! (Funky 45's, New Grooves) 7-inch, Vinyl record

A wonderful reworking of a wonderful record – as Root Soul take on all the tracks from Shuya Okino's Destiny record – and delivery them with an old school funky club sound! The instrumentation is great – live and very spontaneous, with an energy that takes us back to vintage Salsoul or some of the best Philly club work of the 70s – or a bit like Brand New Heavies at times, especially on the tracks that feature N'Dea Davenport on vocals! That great singer appears on three of the album's excellent tracks – alongside other work from Navasha Daya, Diviniti, and Pete Simpson – who each get a few tracks too. Titles include "Destiny", "Still In Love", "Look Ahead", "Let Nothing Change You", "Deep Into Sunshine", "Holding You Loving You", and "Sun Will Rise". LP, Vinyl record album

There's never been a better bit of throwback dancefloor fodder ever! Sure, these guys were blaring out of every cheap radio at the time, and it was just about impossible to walk into a shopping mall without hearing "Groove Is In The Heart" for about 5 years after the album came out – but to us, that was a great thing, and the record represents one of the high points in pop music of the past few decades. Thanks to some skillful sampling by Towa Tei, the group were grounded in a rich history of funk, house, disco, soul, and Brazilian influences – all of which they managed to blend with a postmodern perfection that other groups could only ever dream of! The big hits are certainly very familiar, but the whole album's a delight – and tracks include "Who Was That?", "Smile On", "Try Me On . . . I'm Very You", "World Clique", "ESP", and "Good Beat". This great expanded 2CD edition includes a full CD of remixes, too – 26 tracks in 2CDs! Given that the weird mixes and extrapolations of tunes by the group were such a big part of their larger sound, the extra material really helps get a full picture of the album's greatness! (Soul, New Grooves) CD

A record that forever changed the role of the DJ and turntable when it was dropped on the world – certainly not the first record to feature an artist building sound out of a mixture of old records and his own creation, but definitely one of the most hyped and most exposed over the years! For some reason, Shadow was able to find a way to take all the skills that hip hop DJs had been developing for 20 years, mixing them with some of the darkness of the European production scene – and then getting a wider audience to really appreciate both his own talents, and all the other inspirations that drove him – something that still seems to resonate all these many years later, as Shadow opened the door for many others to appreciate all the sounds that we'd been loving in the underground! And despite all his later work, this classic full length set might still be his best – a well-deserved classic, with titles that include "Building Steam With A Grain Of Salt", "The Number Song", "Changeling", "What Does Your Soul Look Like (pts 1 & 4)", "Mutual Slump", "Organ Donor", and "Midnight In A Perfect World". (Hip Hop, New Grooves) LP, Vinyl record album

Cosmic soul from Danish singer Astrid Engberg – an artist with a voice that's already great on its own, but sound seven better amidst the album's slightly spacey, slightly jazzy instrumentation! The record has a very contemporary vibe – as although Astrid's vocals could work in an old school soul setting, they seem even better here with the moody electric crackle of the backings – sometimes served up by just a trio, but featuring guest work from the great string master Miguel Atwood Ferguson on a number of tracks – and other appearances from Moo Latte, Maria Dybbroe, and Tobias Wiklund as well. Titles include "Spirits Came Told Me", "Chains", "Loving Contemplation", "I Should Care", "Adaptation", "Body Follows Body", and "Blue Rise & The Fall". LP, Vinyl record album

Fantastic sounds from Flying Lotus – an artist who just keeps on pushing past any conventional expectations, to a point where his music is almost a genre unto itself! The record's got this very tripped-out sort of vibe – very much in keeping with the image on the cover – and while many others are exploring this territory of late, few ever even get close to the right sort of mix that's going on here – subtle elements of soul, funk, jazz, hip hop, and maybe a million other influences – all flowing through the double-length space of the set, as it Flying Lotus redefines the sound of soul in the modern age. The set's got guest work from Thundercat, Shabazz Palaces, David Lynch, George Clinton, Anderson Paak, Little Dragon, Solange, and others – and titles include "Post Requisite", "Takashi", "Spontaneous", "More", "Burning Down The House", "Actually Virtual", "Find Your Own Way Home", "The Climb", "Debbie Is Depressed", "Black BAloons Reprise", and "Land Of Honey". CD

Fantastic sounds from Flying Lotus – an artist who just keeps on pushing past any conventional expectations, to a point where his music is almost a genre unto itself! The record's got this very tripped-out sort of vibe – very much in keeping with the image on the cover – and while many others are exploring this territory of late, few ever even get close to the right sort of mix that's going on here – subtle elements of soul, funk, jazz, hip hop, and maybe a million other influences – all flowing through the double-length space of the set, as it Flying Lotus redefines the sound of soul in the modern age. The set's got guest work from Thundercat, Shabazz Palaces, David Lynch, George Clinton, Anderson Paak, Little Dragon, Solange, and others – and titles include "Post Requisite", "Takashi", "Spontaneous", "More", "Burning Down The House", "Actually Virtual", "Find Your Own Way Home", "The Climb", "Debbie Is Depressed", "Black BAloons Reprise", and "Land Of Honey". LP, Vinyl record album

The classic sound of Funkadelic, reworked by a key selection of contemporary talents from the Detroit scene – but never in a way that wrecks the originals at all! Unlike other remix projects, which might break up the music to a point that you can hardly recognize the original grooves – this set does a wonderful job of maintaining all the integrity of the famous funky recordings by the group, while also letting some artists from the group's hometown also include a few of their own contributions too – all in ways that really expand the original vision of the music, while keeping things in a funky soul vein all the way through! Given all the greateness of Detroit grooves in recent years – from that city's very fertile underground of producers and musicians – the sound here is still even more amazing than we expected, and the album's a very fitting one to be issued on the Westbound label. The set's double-length, and for good reason too – and titles include "Music 4 My Mother (Underground Resistance mix)", "Sexy Ways (Recloose disco flip)", "Get Your Ass Off & Jam (Marcellus Pittman rmx)", "You Can't Miss What You Can't Measure (Alton Miller mix)", "Super Stupid (Dirtbombs version)", "Music For My Mother (Andres Wo Ahh Ay voc mix)", "Cosmic Slop (Moodymann mix)", "Be My Beach (Mophono & Tom Thump)", "Let's Make It Last (Kenny Dixon Jr edit)", "Let's Take It To The Stage (Amp Fiddler @Ya mix)", "Undisco Kidd (Gay Marvine edit)", "Looking Back At You (Ectomorph stripped & dubbed)", and "Standing On The Verge (Anthony Shake Shakir & T Dancer rmx)". (Soul, New Grooves) CD

A record that really helped push guitarist Ronny Jordan over the top – a set that took that sharp, clean sound that made him the 90s heir to the funky Grant Green sound – and updated it nicely with some help from DJ Krush! The record is one of the most successful blends of jazz and hip hop from the time – one of the few that really gets things right, and which knows when to lean into soul as well – and is maybe a key part of an early legacy that would later flourish in Blue Note projects from artists like Madlib and Robert Glasper! Titles include the killer "The Jackal (the illest mix)", which has Dana Bryant delivering a very hip spoken part – plus "S**t Goes Down (but I phunked up mix)", "Love I Never Had It So Good", "Season For Change (dawn of the season mix)", "Bad Brother (how ya like my wheel mix)", and a great remake of "So What (tuff n smooth mix)". (Jazz, New Grooves) LP, Vinyl record album

An insanely wonderful set from Sean Khan – maybe the greatest music he's done since his early classics with the SK Radicals! This album really takes us back to a time when music from London was completely fresh and exciting, and cosmically soulful, too – and Sean's got help from some great singers on the record who also date from that era – including the mighty Omar, plus Sabrina Malheiros, and vocalist Heidi Vogel of Cinematic Orchestra! All three of these artists really flesh out the sound of the record – and make it every bit as much of a soul record as a set that's awash in all the great reed touches and jazzy bits we'd expect from Sean. Andy Noble's also on the record, playing some wonderfully warm piano lines – and the overall instrumentation has more acoustic elements than before, which makes for a very righteous vibe throughout! Titles include "Dance For Little Emily", "Muriel", "Samba Para Florence", "Sister Soul", "What Has Jazz Become", "Trane's Shadow", "Don't Let The Sun Go Down", and "Fire Within" – plus bonus remix tracks "Don't Let The Sun Go Down (4Hero rmx)", "Samba Para Florence (Henry Wu rmx)", and "Things To Say (Ben Hauke rmx)". CD

Not a slow burner, but a real cooker – served up here by a sweet London combo with a great mix of spiritual jazz and sweeter soul! Sean Khan leads the group, and plays some mighty sharp-edged alto and soprano sax – and other instrumentation includes Fender Rhodes, bass, and drums – often used in ways that follow Khan's lead on the instrumental tracks – but with a smoother, warmer feel on some of the numbers that feature female vocals in the lead! These cuts have a soulfulness that takes us back to the best years of the London scene – and they really sound great next to the instrumental numbers, which have a sharper feel overall – making for an album that's got a much richer voice than usual for this type of set. Titles include "Fluxman", "Piny Annie", "What Is Jazz", "El Presidente", "Black Narcissus", and "Castro De Castro". CD

Maybe the most ambitious album from Myele Manzanza to date – a set that's exploding with contributions from a great range of guests – singers who include Omar, Rosie Frater Taylor, China Moses, and Wallace – next to a great array of keyboard work from Lewis Moody! Myele handles drums and percussion, plus a bit of keys – but the sound of the record is more soul than before, and definitely in the post-jazz mode of other recent work on the London scene – co-produced and mixed by Moody, with tracks that include "Gone Up In Flames", "Silencing The Sun", "wasted Time", "Unfold", "Crisis & Opportunity", and "Falling Fast". (Jazz, New Grooves) LP, Vinyl record album