The classic debut of Air – one of the fresher avant pop albums of the late 90s to say the least, and one of the best since then, too! Perhaps the greatest achievement here is how they deftly layer such broad influences of the preceding few decades – from soaring string film schools, to nascent electronic pop, to fusiony jazz keyboards and much in between and beyond – into a wholly original vibe all Air's own that's as breezy today as it was at the end of the 90s. Includes "La Femme D'Argent", the standout classic "Sexy Boy", "All I Need", "Kelly Watch The Stars", "Talisman". "Remember", "You Make It Easy", "Ce Matin La", "New Star In The Sky" and "Le Voyage De Penelope". (Rock, New Grooves) CD

The classic debut of Air – one of the fresher avant pop albums of the late 90s to say the least, and one of the best since then, too! Perhaps the greatest achievement here is how they deftly layer such broad influences of the preceding few decades – from soaring string film schools, to nascent electronic pop, to fusiony jazz keyboards and much in between and beyond – into a wholly original vibe all Air's own that's as breezy today as it was at the end of the 90s. Includes "La Femme D'Argent", the standout classic "Sexy Boy", "All I Need", "Kelly Watch The Stars", "Talisman". "Remember", "You Make It Easy", "Ce Matin La", "New Star In The Sky" and "Le Voyage De Penelope". (Rock, New Grooves) LP, Vinyl record album

Sublime future jazz from Alex Attias – one of the key forces in the cosmic London scene of the 21st Century, stepping out here in a long-awaited full-length set that served up the full complement of his talents! As you'd expect from Alex, there's plenty of snapping beats and spacey keys on the set – an extrapolation of 70s funky jazz, into the spacier and headier realm that's been explored by Attias and the best of his contemporaries on recent singles. But over and above the high quality usual, there's also a farther-reaching set of rhythms and modes of expression going on here – as Alex uses the freedom of the full-length to work in modes that are sometimes subtler, sometimes more experimental – occasionally just grooving instrumentally, but also getting plenty of help from guest stars that include Vanessa Freeman, Jessica Lauren, Bembe Segue, Colonel Red, and Mark De Clive-Lowe. Tracks include "Help Me", "Closer To Me", "Future Jazz", "In The Jungle", "Back Home", "Everchanging Times", "Darker Side Of Light", "Angels", "Confusion", and "Transformation". CD

Badbadnotgood have always been pretty damn great, actually – and never better than on album IV – a remarkable step forward for the group! As ever, they take inspiration from some of the best prog, jazz, funk (and proggy jazz funk...they blend) of the 70s and beyond, but weave it into fairly distinctive and genuinely fun modern sound. It's built to last, too –we're sure be able to come back to their work in a couple decades and it'll still work! IV finds them with the confidence to trade in some fairly subtle, smoothed out moments between to more boisterous ones, and they're more dexterous in the instrumentation – especially in the horns, keys and percussion – but some great vibes, strings, flute and more when the mood calls. Includes the great vocal track "Time Moves Slow" with Sam Herring of Future Islands, "And That, Too", "Lavender", "IV", "Chompy's Paradise", "Structure No. 3", "Cashmere", "Hyssops Of Love" and more. LP, Vinyl record album

Fantastic stuff by one of the few groups whose music is actually as compelling as their name! Apart from the soundtracky vibe you might expect, there's actually a fair bit of real jazz in the mix here – a refreshing change from looped and sampled instrumentation, and an aspect that gives the record incredible depth and soul. The best tracks features solos on soprano sax, electric and acoustic piano, vibes, or trumpet – and the album works great together as a shifting palette of post-Miles, post-Coltrane soundscapes. Titles include "Channel 1 Suite", "Durian", "Night Of the Iguana", "Diabolus", "Kalima", and "Bluebirds". LP, Vinyl record album

A classic set from one of the best groups of the downtempo generation – and one of the few whose work we still turn to all these years later! The Dining Rooms move in the same space as early Kruder & Dorfmeister or Mo Wax, but also bring in some jazzier elements at times too – just the smallest kernels of the sorts of sounds that would later land them on Schema Records – but used in really nice ways, to give their music a lot more depth than most of their contemporaries. Titles include "Chorus Of Flames", "Sei Tu", "Pure & Easy", "Invocation", "Cosi Ti Amo", "Luzy", "Maria", and "False Start". CD

A very cool blend of live jazz instrumentation and beats – served up here with contributions from some mighty hip players on the British scene! Peter Franks plays live drums and adds in loops, basslines, and keyboards – but the soloists are what really make the album great – as the set features tenor from Nat Birchall on two tracks, plus harp from Amanda Whiting, flute from Rachel Crennell, and keyboards from Marc Rapson and Robert Mitchell. The two part "Creativity" features a hip spoken passage from Gordon Wedderburn, and the rest of the set is instrumental – with titles that include "Days Ahead", "Alone Together", "From The Heart", "Dream In Colour", "Train To Kyoto", and "Were You Ever Here". (Jazz, New Grooves) LP, Vinyl record album

A sublime mix of tunes put together by Jazzanova to celebrate the 5th anniversary of their groundbreaking radio show – one that features 6 completely exclusive tunes, plus a wealth of other great bits from a variety of different artists! The vibe here is laidback and mellow, yet still plenty soulful – almost in the Secret Love territory explored by Jazzanova in earlier years, but with a fair bit more electricity overall, and a really global sort of consciousness in the soulful vocals on the tunes! Even when things get a bit abstract, they're still plenty funky – and there's a crisp, crackling sensibility that unites all the different tracks in the mix. 20 tracks in all – including "Just A Lil Lovin" by Jazzanova & Outlines, "In The Remix (Starship interpretation)" by Capital A, "Candlelight" by Wahoo, "Or At Least" by The Slapped Eyeballers, "Excelsior" by Ame, "Intermission" by Soulphiction, "Flashback (Jazzanova's mashed bag)" by Fat Freddy's Drop, "Skitsophrenic (part 2)" by Leroy & Darnell, "Nowhere (Atjazz Astro Black mix)" by Clara Hill, "My Vision (Dixon edit)" by Agora Rhythm, "Sun Of A Beach (London mix)" by Pharoah Roche, "Beatzeps" by Jaslopski, "Step Off" by Arken, "I Just Wanna Sing For You" by Norman Weeks & The Revelations, "So Long" by Nicola Kramer, and "No Memory Of Time (reggae version)" by Eva Be with Joe Dukie. CD

An insanely wonderful set from Sean Khan – maybe the greatest music he's done since his early classics with the SK Radicals! This album really takes us back to a time when music from London was completely fresh and exciting, and cosmically soulful, too – and Sean's got help from some great singers on the record who also date from that era – including the mighty Omar, plus Sabrina Malheiros, and vocalist Heidi Vogel of Cinematic Orchestra! All three of these artists really flesh out the sound of the record – and make it every bit as much of a soul record as a set that's awash in all the great reed touches and jazzy bits we'd expect from Sean. Andy Noble's also on the record, playing some wonderfully warm piano lines – and the overall instrumentation has more acoustic elements than before, which makes for a very righteous vibe throughout! Titles include "Dance For Little Emily", "Muriel", "Samba Para Florence", "Sister Soul", "What Has Jazz Become", "Trane's Shadow", "Don't Let The Sun Go Down", and "Fire Within" – plus bonus remix tracks "Don't Let The Sun Go Down (4Hero rmx)", "Samba Para Florence (Henry Wu rmx)", and "Things To Say (Ben Hauke rmx)". CD

A compelling take on Afrobeat modes – served up by a group who mix lots of beats and keyboards in with live production, then serve up a leaner style on the classic mode! There's still plenty of horns in the lineup, and two singers who give the music some focus too – but the core energy is very different than groups who go for a more standard approach to 70s territory – almost cosmic at points, given the use of keyboards – and a very fresh take on the groove! Jorge Queijo handles the percussion and production – and the group features two alto saxes, two baritones, a trombone, and even a tuba – on titles that include "Bourgeois", "Execrable", "No More War", and "Pray For Love & Sex". LP, Vinyl record album

The sound of tomorrow, today – served up here with the genius of Brownswood Records – a company who've been one of the most forward-thinking in modern music for quite a few years! Brownswood is run by longtime DJ Gilles Peterson – whose ears are always amazing for picking out sounds that blow our mind – especially when it comes to up-and-coming artists, of the sort who are getting some great exposure here! As with previous volumes, there's a genre-blending mix of soul, jazz, and other styles going on – on cuts that include "Catastrophe" by Tadi The Great, "To Be A Woman" by Plumm, "Voyager One Lost" by Seigfried Komidiashi, "Twice" by Ceeow, "Rough Of The Felt" by Nowsm, "Good & Low Key" by Victoria Jane, "Keeping On" by Jericho Noguera with Buddy Analogue, "Crinje" by Zenel x Plumm, and "Like Summer" by Shirkers x Ceeow. LP, Vinyl record album