... LP, Vinyl record album

Music from Dave Toop, Cleveland Watkiss, the Jason Rebello Trio, Slow Fuse, Snowboy, the Jazz Renegades, Steve Williamson, the James Taylor Quartet and the Kick Horns. CD

Music from Soundscape, Count Basic, Diferenz, Gota, Reminiscence Quartet, Slowly, Reminiscence Quartet, Disjam & Exodus Quartet. CD

Music from Chris Standring, Michael McEvoy, Nigel Wallace-Price, Camelle Hinds, Duncan Millar, Brian Tarquin, Duboniks, and Ollano. CD

(Neo Soul, New Grooves) CD

The original version of this groundbreaking bit of funky soul – the first British recording of the Brand New Heavies album, heard here with original vocals by Jay Ella Ruth – who was replaced on the record for the more famous US recording! Ruth's got a jazzier style than N'Dea Davenport, the singer better known with the group – and her work on the set is in keeping more with the rare groove/jazz funk underground from which the group emerged – sweetly singing in a classic 70s style that works perfectly with the combo's excellent instrumentation! The album's all massive all the way through – and cuts include "Dream Come True", "Stay This Way", "Ride in the Sky", and "Gimme One of Those". (Neo Soul, New Grooves) LP, Vinyl record album

An album that came out early in the career of the Brand New Heavies, and one that brings together a whole host of tracks from the early years of the group – rare material that never made it on their albums, and which resonates strongly with the wickedly sharp vibe of their first album! There's plenty of classic jazz funk modes going on here, from the group who helped bring the mode back into favor at the start of the 80s – and the set features vocals on a few tracks from different singers – including Jay Ella Ruth, Linda Muriel, and Jan Kincaid – who expand the sound past the usual N'Dea Davenport groove. Tracks include "Never Stop" (unreleased version), "Country Funkin", "Reality", "Rest Of Me", "Day At The Seaside", "Dream Come True" (1988 version), and "Mother's Tongue". Great stuff, with loads of killer cuts! (Neo Soul, New Grooves) LP, Vinyl record album

You may not know the name of Dicky Continental, but you might recognize his work as drummer Rich Thair in Red Snapper – stepping out here on a solo project that takes the groundbreaking sound of that legendary group and really pushes it further! Things are maybe more abstract at times here, but no less funky – as once the clouds of sound at the start of a track begin to part, funkier beats come into the mix and really move things ahead – all in a nicely evolved version of that moodier territory that Red Snapper gave us many years back! Jo Sims adds in soulful vocals to two cuts – "Make Them Disappear" and "Split" – and other cuts include "Simon Says", "Honeysuckle", "Evolution 2", "Graveyard Of Ambition", "Hammersmith", and "Chico Flores". CD

You know it's hot when the record kicks off with a fat Bobbi Humphrey/Larry Mizell loop! Early Ashley Beedle, mostly sample based acid jazz grooves, much of it downtempo. Includes the original version of "Blacker", plus "NYX2", "Gangstalene", "Uschi's Groove", "And It Goes Like This", "MCF 2870", "Valley Of The Afro Temple" and "Grovers Return". CD

A monumental piece of funk – and a record that came into the world at a time when it seemed like just about everyone had forgotten how to play real funky music! This set's the US version of the first album by London scenesters The Brand New Heavies – and although it came out in the states 2 years after the UK set, it's essentially the same record – just featuring new vocals by singer N'Dea Davenport in place of the original vocalist Jay Ella Ruth. Davenport's vocals transported the group from indie acid jazz obscurity into the US soul charts in a way that nobody ever expected – and the resulting album is a stone classic that's filled with excellent cuts like "Ride In The Sky", "Never Stop", "Dream Come True", and "Stay This Way". Great stuff all around – and one of the few classic soul albums of its generation! (Neo Soul, New Grooves) CD

The first of Branford Marsalis' two LPs to venture into the "acid jazz" or "hip hop crossover" genre, however you choose to look at it. Fortunately, he gets a helping hand from Premier on a number of cuts. Includes "Breakfast At Denny's", "Some Cow Fonque", "Some Sh*t At 78 BPM (The Scratch Opera)", "Hotter Than Hot" and "The Black Widow Blues". (Hip Hop, New Grooves) CD

The group's first, with production courtesy the great Gary Katz, who's put a fine touch on many Steely Dan LPs. While we were a bit dismissive of this effort at the time, it's kind of become a bit of a watershed in retrospect, the high water mark for the American Acid Jazz scene, if a bit commercial, and definitely a nice portrait of the mid 90s NYC scene, with loads of great players from all over the spectrum. Titles include "El Gollpe Avisa", "Buddah Head", "Nerd", "Balimka", "Rentstrike", and "Saturday Afternoon". CD

The first-ever full length album from vibist Max Beesley – and a much-needed expression of some of the deeper ideas that he's always had in his music! Max was an artist who first started making waves during the earliest years of acid jazz on the UK scene – but like the best of his contemporaries, he's really grown a heck of a lot since then – to a point where he's able to deliver a cinematic funky jazz masterpiece like this – a record that's got plenty of his own great work on vibes, amidst heavy drums, funky basslines, and sweet keyboards – all set up in larger arrangements that have a sense of majesty we never would have expected in Beesley's music! Titles include "Saturn's Dust", "We'll Always Have Yesterday", "Fire", "Sergio's Bag", "Ice", "Snake Oil", and "Zeus". CD

The first-ever full length album from vibist Max Beesley – and a much-needed expression of some of the deeper ideas that he's always had in his music! Max was an artist who first started making waves during the earliest years of acid jazz on the UK scene – but like the best of his contemporaries, he's really grown a heck of a lot since then – to a point where he's able to deliver a cinematic funky jazz masterpiece like this – a record that's got plenty of his own great work on vibes, amidst heavy drums, funky basslines, and sweet keyboards – all set up in larger arrangements that have a sense of majesty we never would have expected in Beesley's music! Titles include "Saturn's Dust", "We'll Always Have Yesterday", "Fire", "Sergio's Bag", "Ice", "Snake Oil", and "Zeus". LP, Vinyl record album

Good EP from these guys – good in that it features less of the lame vocals and raps that wreck some of their records, and instead concentrates on some of their great instrumental sounds. Plus there's some nice remix work by folks like Nobukazu Takemura and Palm Skin Productions, both of whom ad some nice touches to the Silent Poets own brand of Japanese acid jazz. Tracks include "Going Home (original & Child's View mix (Nobukazu Takemura))", "Shalom (Palm Skin Production mix)", "Answer", "Elements", "Children Of The Future (Turnpike Blues mix)", "Reverse", and "La Vie (Morocan Mood mix)". CD

A nice nice compilation of funky club and acid jazz tracks from the early 90s – back in the days when Dorado could be trusted to put out some of the most exciting and most soulful music of all the new British labels. There's a wide range of stuff on here, but the price is right, and there should be enough tracks to keep anyone happy. 13 cuts in all – including "Secret Place" by Jhelisa, "Soul Thing" by Ute, "Learn The Words" by Mesh Of Mind, "Kaleidoscopic Summer (King Tubby Revisited)" by Outside, "Tik Tok (Come On)" by Cool Breeze, "It's A Cool World" by Cool World Ensemble, "The Revolution Was Postponed Because Of Rain" by Brooklyn Funk Essentials, and "Qui (Flying Flute Inst)" by Schkoonk Heepooz. CD

A pretty nice mix of tunes that falls under the retro lounge/bossa and acid jazz side of things – put together by the folks in 45 Dip, and featuring 2CDs worth of material groovy enough to make any party chill out with a solid soul vibe. The overall presentation is in that trendy Hed Kandi mode – but that also means that you're getting a good portion of semi-hit tunes at a nice low price, all in one sexy package. Titles include "What Do People Do All Day" by Aim, "Epoca" by Gotan Project, "Twilight Reservation" by Tim Love Lee, "Sweet Revenge" by Bobby Trafalgar, "Coming Out Of The Sky" by Space Hoppa, "Crazy Lounge" by Yasmine Tamara, "Beach Boy" by Disjam, "Tippy Tippy Toe" by Crackpot, "Green Tomatoes (wild turkey mix)" by 45 Dip, "East Side Story" by Soul Drummers, "Zambumba" by Zuco 103, "Carnaval Do Sao Vincente (LP mix)" by Cesaria Evora, and "Saturday Morning TV" by Sam Paglia. 29 tracks on 2CDs! CD