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(Soul, New Grooves) 12-inch, Vinyl record

The feather light, atmospheric beats and aural scenery we've come to expect from Kieran Hebden splinter out hard and heavy in the frentic opener "A Joy" on Everything Ecstatic – fair warning that Kieran's Four Tet isn't going to fall into realm of expectation without a fight! Kieren has dabbled in ambient jazz, post rock and Jay Dee-influenced hip hop beat craft on previous albums and singles, and he's running the gamut pretty well on this effort – managing to catch us off guard just when we're ready to settle into a groove. Tracks include "A Joy", "Smile Around The Face", "Sun Drums And Soil", "Turtle Turtle Up", "High Fives", "Sleep, Eat Food, Have Visions", ". . .You Were There With Me" and more. CD

The Blue Note debut of guitarist Charlie Hunter – a set that introduced Hunter's talents on the strings to a much larger audience at the time – and one that also really helped Blue Note get back into the business of funky jazz! The approach is nice and lean – a core trio with Dave Ellis on tenor and Jay Lane on drums – and at times, Hunter has a way of handling his guitar almost like an organ, which is a testament to his fresh approach to the instrument – a quality that continues even when a few moments feature some guest trombone or clarinet. Titles include a famous cover of "Come As You Are", plus the tracks "Bullethead", "Scrabbling For Purchase", "Fistful Of Haggis", "Greasy Granny", and "Elbo Room". (Jazz, New Grooves) LP, Vinyl record album

A decade since their previous effort, and 14 years since their previous masterpiece, Portishead returns with Third – and, oh, what a mindblowing third act. The first thing you'll realize about Third is that it's not Dummy Part 3 – a welcome and surprising trait – but it does take their earlier way with a spooky, brooding and ominous framework to new dimensions. Secondly, there's no obvious single – it's to be taken as a whole. Beth Gibbons's vocals are as soul wrenching as ever, and an overall stark, melancholic beauty connects Portishead '08 to the old stuff, but they go deeper. Some bits are quite minimalist, wringing emotion from a low strum, a distant chime, or a haunting bit of dissonance – other parts are more richly layered and even a bit jarring. Pulp cinematic aura, feedback textured psychedelia, haunting European pop, and traces of field recorded folk flavor the sound – they've dabbled in all of these elements before – but never with this particular feel. The sound of epiphany. How many acts in the pop realm create a whole new style with a classic album, and then pull off something nearly as great almost 15 years later, without ripping themselves off? Add Portishead to that small list. We'll call '08 early, this is the best pop album of the year. Titles include "Silence", "Hunter", "Nylon Smile", "The Rip", "We Carry On", "Deep Water", "Machine Gun", "Small", "Magic Doors", "Threads". CD

Fantastic work from one of the most compelling mainstream talents in recent years – an artist who can get wide fame and acclaim, yet keep on pushing the boundaries into fresh new cosmic territory! This album may well be Thundercat's masterpiece – not just a summation of all the ideas and areas he's explored in the past, but also kind of a re-filtering of other modes as well – including the more spiritual and jazz-based territory that he's moved towards, especially when working with others! Yet there's nothing here that's an easy copy of another style, or another's work – as the whole thing bristles with a personal newness that's wonderful – even when Thundercat is getting help from guests who include Kamasai Washington, Flying Lotus, Wiz Khalifa, Pharrell, and Kendrick Lamarr – as well as some especially nice work from AOR legends Kenny Loggins and Michael McDonald. Titles include "I Am Crazy", "3AM", "Rabbot Ho", "Bus In These Streets", "Lava Lamp", "Jethro", "Show You The Way", "Drink Dat", "Jameel's Space Ride", and "Tokyo". CD

Fantastic work from one of the most compelling mainstream talents in recent years – an artist who can get wide fame and acclaim, yet keep on pushing the boundaries into fresh new cosmic territory! This album may well be Thundercat's masterpiece – not just a summation of all the ideas and areas he's explored in the past, but also kind of a re-filtering of other modes as well – including the more spiritual and jazz-based territory that he's moved towards, especially when working with others! Yet there's nothing here that's an easy copy of another style, or another's work – as the whole thing bristles with a personal newness that's wonderful – even when Thundercat is getting help from guests who include Kamasai Washington, Flying Lotus, Wiz Khalifa, Pharrell, and Kendrick Lamarr – as well as some especially nice work from AOR legends Kenny Loggins and Michael McDonald. Titles include "I Am Crazy", "3AM", "Rabbot Ho", "Bus In These Streets", "Lava Lamp", "Jethro", "Show You The Way", "Drink Dat", "Jameel's Space Ride", and "Tokyo". LP, Vinyl record album

One of the principal albums in trip hop's ascension into the mainstream, and the bright, extroverted flipside to Portishead's darker vision of the late 90s scene. Mo Wax honcho James Lavelle's longstanding Unkle project got a massive makeover when DJ Shadow became the prime sonic architect for the Psyence Fiction LP. Shadow throws everything but the kitchen sink into the thing, working with a wide range of vocalists and collaborators from hip hop innovators (Kool G Rap, Mike D) to whiny alternative rockers (Richard Ashcroft, Thom Yorke). With a project as busy as Unkle, the law of subjectivity pretty much dictates that you're gonna love parts, and hate parts – but Shadow was so on top of his game at the time, he somehow manages to hold it all together. It may not be his best ever work, but Psyence Fiction certainly holds up, and it's an essential piece of the puzzle! Tracks include "Main Title Theme", "Guns Blazing", "Blood Stain", "Unreal", "Chaos", "Rabbit In Your Headlights", Lonely Soul", and more. LP, Vinyl record album

A fantastic trip through the archive with Volcov – even if most of the cuts here are a bit more recent than those that usually get archival status! And yet in a way, many of these cuts almost went to the archives directly – especially in this digital age for modern soul and club, where so many great singles and albums don't make it onto vinyl – and fade fast in the fast rush of new music hitting the internet. That's why we love collections like this so much – as Volcov's done a great job of grabbing the best bits from the past decade or so, and weaving them together as a strong reminder of how much wonderful soul music is being created on this planet – most of it still waiting to be discovered. There's a few older bits here, but most tracks are contemporary – and titles include "Caterpillar" by Rebirth, "All That Glitters" by Carleen Anderson, "Let The Music Play" by Collective Peace, "Spiraling Prism" by Ian O'Brien, "Ori Space" by Ron Trent, "Turn It Around (Eric Lau rmx)" by Ruth Koleva, "Planet Birth (Xantone Blacq rmx/Volcov edit)" by Intuit with Andy Bey, "Lawra (Volcov edit)" by Tony Williams, "Blue Room (Kaidi Tatham's shokazulu rmx)" by Quentin Kane & Simon Sheldon with TK Blue, "Finding The Peace" by Skymark, "I Put A Spell On You" by Honey Sweet with Cindy Mizelle, and "After Life (part 2)" by Harry Whitaker. (Funky Compilations, New Grooves) CD

Killer contemporary club from the Lumberjacks In Hell label – a European imprint, but one that owes plenty to the raw sound of the early years of American house! There's a very underground vibe going on here, and most cuts are stark, spare, and straight to the point – the best kind of club tracks that make just a little bit go a long way – thanks to thoughtful placement of key instrumental elements, and the occasional vocal flourish! 2CD version features one mixed CD, one unmixed – and titles include "Everyday" by Joanna, "Be Good To Me" by Frawl, "Over" by Krewcial, "Get To Know Me" by Seven Davis Jr, "Check The Flow" by Funk Butcher with Trim, "Goddess" by Ant La Rock, "Rabbit's Foot" by Beam Me Up, "Even The Stones" by Giovanni Damico, "Lord I'm Trying" by Tom Noble, "Jazz A Nova" by Boogie Nite, and "Neyt Life" by Reece Johnson. (Funky Compilations, New Grooves) CD

A great little collection that seeks to put the Bristol scene on the map – and to show the kind of inventive jazz the city's been offering up in recent years! The compilers aim to demonstrate that Bristol has as many newly-creative acts as the sort that have been bubbling up in London on labels like Brownswood – and the range of material here really shows a similar way of blending newer ideas and older execution – especially strong in the rhythm department, and with an effortless mixing of acoustic and electric modes. If you've been digging sounds from Comet Is Coming, Nubya Garcia, and Joe Armon-Jones, this set is a great place to take that interest further – on work that includes "Bergson" and "Jabba" by Waldo's Gift, "3.3 Encke Ups" and "Sea Of Apathy & Indifference" by Run Logan Run, "Flump (Ishamel Ensemble rework)" and "Grook" by Snazzback, "Owl" by Lyrebird, and "Bourdain" by Alun Elliott Williams. CD