A trio of fantastic albums from Christian Scott – all packaged together! First up is Ruler Rebel – a fantastic step forward for trumpeter Christian Scott Atunde Adjuah – an artist who takes on a new name with this recording, and a vibrant new sound as well! Scott still plays trumpet, but he also works with some electronics and effects, too – in a group that mixes acoustic elements from piano, flute, and percussion with electric work on Fender Rhodes and guitar – all in a sound that's swirlingly soulful, and as enigmatic as you might expect! The music reaches back to some deeper roots, but reworks the sound completely with lots of contemporary elements – and Scott's trumpet takes on a new sort of majesty in the setting – maybe hitting the promise we first saw in his music years back, but with even more focus here. Titles include "Encryption", "The Coronation Of X A Tunde Adjuah", "The Reckoning", "Ruler Rebel", and "New Orleanian Love Song". Next is Diaspora – a set that has Christian Scott really opening with a new sense of pride and power after adopting the Atunde Adjuah name – and blowing here not just on trumpet, but also "reverse flugelhorn", sirenette, and siren – and also using some sonic architecture to open up and expand his sound! Rhythms are a compelling mix of drum programs and acoustic percussion – peppered with work on alto, Fender Rhodes, bass, guitar, and drums – in this groove that's much more sharp-edged and sonically compelling than most other projects of this nature. Titles include "Lawless", "Our Lady Of New New Orleans", "IDK", "Desire & The Burning Girl", "Completely", "No Love", and "The Walk". Last is Emancipation Proclamation – part of Scott's brilliant trilogy that has him reworking his sound even more than before – using his horn in both acoustic and electric settings, and mixing with bits of funk and deeper musical currents – all at a level that's vaguely in the territory of Don Cherry in the 70s, but served up with a vibe that's very much Christian's own! Rather than be buried in the mix of percussion, Fender Rhodes, and other horns here – Scott seems to be set free, and really opens up with both the space of his solos, and the style of his phrasing – which is even more personal than before. The other players are great, too – a shifting lineup who retain the same bristling energy throughout – on titles that include "Ashes Of Our Forever", "The Emancipation Procrastination", "AvengHer", "Cages", "New Heroes", "Videotape", "The Cypher", "Michele With One L", and "Unrigging November". (Jazz, Neo Soul) CD

The genius of Terry Callier – remixed! One of the greatest things to happen to Chicago soul legend Callier in recent years was his discovery by a host of cutting edge producers and DJs on the European scene – important talents who took his work to a whole new audience, by fusing Terry's original grooves with some more ambitious rhythmic progressions, keyboard lines, and other studio touches. And while you might fear that such knob-twiddling would muddy the waters and dampen Callier's spirit, such was not the case – as work in this vein only seemed to inspire Terry further, to stretch out his wings and reach new musical horizons. The tracks on this set offer a number of recent Callier recordings, remixed by the cream of the current UK and European scene – all as proof of how great this format is when applied to Callier's work. Titles include "Monuments Of Mars (Hopper mix)", "Running Around (Fug city mix)", "Love Theme From Spartacus (4 Hero No Skins mix)", "Sierra Leone (Block 16 mix)", "Darker Than A Shadow (Mitchell & Dewbury mix)", "Love Theme (Zero 7 rmx)", "Imagine A Nation (Funky Lowlives mix)", and "Just My Imagination (Tom Findlay & Keeling Lee mix)". (Soul, Neo Soul) CD

A set with maybe the most striking cover image that Monday Michiru's given us in years – and a record that really delivers on that promise, too – filled with really captivating tunes that represent a new high level in Monday's already-high career! There's a depth and maturity to the record that we never would have guessed when we first fell in love with her music – and we thought she was already pretty darn deep way back then – as Monday delivers hers vocals alongside musical complexity that takes strong advantage of the many great guest jazz musicians in the lineup – players who include Misha Tsiganov and David Kikoski on Fender Rhodes, Gil Goldstein on piano, Lew Tabackin on flute, and Steve Wilson on soprano sax. But at the center of it all is Monday – far more a jazz singer in recent years than the soul artist of her start – but balancing the spirit of both worlds beautifully, and with command of her vocal instrument that's completely stunning! Where most singers seem to get a bit more casual about their craft over the years, Michiru's just continued to master her natural instrument with a fantastic range and wonderfully expressive quality. Titles include "Ombre Of Time", "Pivot", "Cycles", "The Sound", "Ringo Oiwake", "Hope Pretend To Sleep", "Rise Above", "Life", and "Gossamer's Touch" – plus "Untethered", which features some great guest work from Ursula Rucker! LP, Vinyl record album

Maybe the most fantastic record to date from the hands of Adrian Younge – a project done in collaboration with Ali Shaheed Muhammad, and one that features guest appearances from some of the musical giants who first inspired Dusty Groove many years Back! The core energy of the set comes from Younge and Muhammad – who are in a similar funky soul groove as their previous Midnight Hour recording serving up a blend of jazz and soul in a mode that clearly draws a lot of 70s inspiration, but which also has this very fresh, contemporary energy too. Yet there's also a strong difference here once each of the guests step into the mix – a stellar lineup that features alto from Gary Bartz, Fender Rhodes from Marcos Valle and Joao Donato, flute from Brian Jackson, drums from Ivan Mamao Conti, and Hammond B3 from the great Doug Carn – all players who really up the jazz ante for the record, and make the whole thing sound even deeper than most of Younge's other recordings. Titles include "Distant Mode", "Nancy Wilson, "Down Deep", "Apocaliptico", "Jazz Is Dead", "Hey Lover", "Nao Saia Da Praca", and "Conexao". (Deep Funk, Neo Soul) CD

Maybe the coolest album so far in the Red Hot series – even amidst the unique Sun Ra subgroup – as the album's the brainchild of Meshell Ndegeocello, and comes together with all the complex soulfulness of her own recent albums! Back in the 90s, Meshell was a great but more mainstream soul artist – and over the years, she's developed into a really fascinating talent – one able to reach out with a complex blend of jazz, funk, and soul elements – woven into patterns that are always very much her own – a musical legacy that the great Sun Ra might have appreciated! Ndegeocello leads a very diverse lineup here – playing bass and keyboards, and singing a bit – next to other players who include longtime Arkestra giant Marshall Allen on alto and EWI, plus Immanuel Wilkins on alto, Christopher Bruce on guitar, Darius Jones on saxes, Daniel Mintseris on keyboards, and Justin Hicks, Pink Siifu, Kenita Miller, Nio Levon, and Hanna Benn on vocals. The album channels Ra's spirit through territory that's very much Meshell's own – and titles include "Yet Differently Not Mars Hall", "El Soul The Companion Traveler", "The World Of Shadow", "Reproductive Manatees/Sunny Said Up", "Bedlam Blues", "#9 Venus The Living Myth", and "Departure Guide Of The 7 Sisters". (Jazz, Neo Soul) LP, Vinyl record album

The most sophisticated album to date from this wonderful musician – a set that has Sly5thAve working with a large ensemble of players who shift along from track to track – delivering a very righteous reading of his core musical ideas, at a level that feels even more powerful than anything else he's ever given us! Many know Sly as a soulful production talent – but here, he's showcasing himself more as a composer/arranger – mixing jazz with larger instrumentation, yet all still set to funky beats and rhythms that tie the whole project to his roots. The whole thing is a huuuuge step forward for the artist – as Sly5thAve plays saxes, flute, bass clarinet, and keyboards – with a huge lineup of players on trumpet, tenor, keyboards, trombone, bass, flute, and other instrumentation too. Two tracks have vocals – sung by MacKenzie on one cut, and Kyle Rapps on another – and titles include "Water Suite", "Liberation", "No No No", "Exodus", "Monoxide", "Proverbs", and "Actin Whyte". LP, Vinyl record album

A really genre-transforming record from Thundercat – music that opened the door to a whole generation of experiments on both sides of the Atlantic in years to come! Flying Lotus is a key musical partner here, and the record moves effortlessly between soul and funk, jazz and cosmic currents – nodding at a few moments to hip hop and other contemporary styles, but always with that visionary approach that's made Thundercat such a force to reckon with over the years! And yes, there had been other attempts to hit this territory in the decade before – but this is one of the few records that really feels like it's getting the approach right, and moving the needle forward – thanks to tracks that include "We'll Die", "Tron Song", "Seven", "Oh Sheit It's X", "Without You", "Life Aquatic", "Tenfold", and "Heartbreaks + Setbacks". (New Grooves, Neo Soul) LP, Vinyl record album

London's Total Refreshment Centre has been one of the world's hippest musical venues in recent years – a fantastic showcase for all the sorts of groundbreaking, genre-busting work that's been happening in the city – as well as host to some equally free-thinking artists from around the globe! There's not set styles here – music moves easily between jazz, soul, funk, hip hop, and some more cosmic styles at times – similar to the energy of the International Anthem label's more inventive projects – one of whom appear on the set. Many of these artists have not gotten the full exposure they're due, either releasing material on small labels or just online – and it's wonderful to have all this material pulled together in such a great statement on the forefront of jazz in the 2020s! Titles include "Closed Circle" by Byron Wallen, "Visions" by Soccer 96 with Kieron Boothe, "Crescent (city swamp dub)" by Jake Long, "Eloquence" by Matters Unknown with Miryam Solomon, "Isa"by Zeitgeist Freedom Energy Exchange with Noah Slee, "Black" by Neu Grafik with Brother Portrait, and a nice reworking of the Stanley Cowell classic "Plight" by Resavoir. (Jazz, Neo Soul) CD

Moor Mother's an artist who just keeps on getting more and more interesting with each new release – definitely in a genre that's completely her own – one that lives up to the spirit of west coast underground pioneers in recent decades – and, as with those artists, seemingly finds a sonic space that none of us knew existed! Under her real name, Camae Ayewa, Moor Mother has roots in musical education in the world of higher learning – and here, she's managed to draw together many strands of that experience into a voice that's not only all her own, but completely organic and laidback too – a mixture of hip hop, soul, spoken word, and some of the jazzier currents promised in the title. Nearly every single track features a collaboration – artists include Nicole Mitchell, Melanie Charles, Jason Moran, Wolf Weston, and many others – and titles include "Woody Shaw", "Ode To Mary", "Umzansi", "Golden Lady", "Blame", "Blues Away", "Dust Together", "Arms Save", "Barely Woke", "Rap Jasm", and "Joe McPhee Nation Time Intro". (Neo Soul, Neo Soul) CD

Jamila Woods already blew us away with her debut – but this second set has the singer ready to take on the world with a huge step forward in her style! Jamila caught us almost by surprise when she first emerged – a Chicago soul singer who wasn't on our radar, and who already had this fully-formed, completely unique style – but here, she embraces legacies of past musical and cultural inspirations, folding them into a instrumental settings created almost completely on her own, and which are topped by these shape-shifting lyrics that really live up to their references. The album shows a powerful, personal, and completely self-contained approach to the music – something that many of Jamila's contemporaries can hardly match – and titles include "Miles", "Baldwin", "Basquiat", "Eartha", "Giovanni", "Zora", "Betty", "Frida", "Sun Ra", and "Octavia". CD