A really fantastic issue of this seminal jazz publication – one that has a great cover feature on our hometown hero, drummer Makaya McCraven! As usual with We Jazz, the whole package is as great as the cover – page after squarebound page of great photographs and images, almost more of a book than a magazine – with more features that include a rare interview with Sonny Rollins done by Ashley Khan, a new column by Mats Gustafsson, and more articles on Eric Dolphy, Adolphe Sax, Amina Claudine Myers, and Ronald Snijders – plus more on Bength Frippe Nordstrom, Rosanna & Zelia, the We Jazz Festival, and the Jazz Room Record label – all with great photos too. There's a nice section of record reviews too – and a photo essay on the new Puristamo record pressing plant in Helsinki at the end! Magazine

Guitarist Mary Halvorson is on the cover, getting all the much-deserved attention that her recent burst of creativity warrants – and as always, the beautiful magazine is overflowing with other articles that really help push our understanding of jazz and other cosmic music! There's additional features on drummer Pierre Courbois, composer Tyshawn Sorey, musical sculptor Bob Ruthman, and clarinetist/electronics wizard Jeremiah Cymerman – plus a look at the Pi Recordings label, the Odysseus music festival, jazz joints in Tokyo, the Motvind label, and the future of jazz eductation – along with page after page of thoughtful record reviews and commentary. As with other issues, this one is more of a book than a magazine – squarebound, full color, and very nicely done! Magazine

This issue's titled after a classic album from the great Horace Tapscott, and features a wonderful article on the man himself inside – plus great feature on Isaiah Collier, our hometown hero on saxophone – destined to become one of the greatest players in jazz over the next few years! There's plenty more too – a look at Gogo Penguin, Matthew Halsall, Tigran Hamasayan, and the jazz scene in Istanbul – plus a second visit to jazz joints in Tokyo, a look at deeper listening modes – and more on Bill Frisell, Spring Heel Jack, and Esa Pethman! As always, the presentation is wonderful – beautiful images and art – and the whole thing is squarebound, like a book, almost no ads and full of color throughout! Magazine

That's the great Joe Henderson on the cover, and this issue is titled after one of his greatest albums – a great indication of all the jazz-based goodness you'll find within! In addition to a long cover feature on Joe, the issue also has articles on the International Anthem label, jazz spots in Tokyo, ESP Records, the scene in Lisbon, vibist Joel Ross, pianist Mal Waldron, and a rethinking of smooth jazz too! As with previous issues, the presentation is fantastic – more book-style than magazine – square bound, with lavish color photos and images throughout – and lots of other great features too! Magazine