Bold rays of sunlight from Orquesta Akokan – a contemporary group, but one who recorded this set in Havana's legendary Egrem Studios – which is part of the very classic vibe throughout! There's plenty of younger Latin combos that have been serving up old school modes in recent years – but Orquesta Akokan are easily one of the best, and mix in plenty of inspiration from descarga sessions to the album – using their instrumentation with all sorts of fantastic jazzy flourishes on the saxophone and trumpet parts, while percussion, bass, and piano never stop moving in the rock-solid rhythm department! There's a bit of vocals on the set, but much of the energy is instrumental – on titles that include "Guajira Del Mar", "El Inflador", "Mi Conga Es De Akokan", "16 Rayos", "Llegue Con Mi Rumba", and "Fiebre De Mambo". LP, Vinyl record album

Forget the white dudes on the cover – as the set's a very hip one from Perez Prado – featuring a hard new groove in "La Chunga" – and other nice originals too! LP, Vinyl record album

Wonderful early work from Ray Barretto – proof that he was one heck of a hip cat, even at the start! The album's got an approach to Latin jazz that's certainly informed by the charanga sound of the New York scene in the early 60s – but one that's also opened up a bit more to new ideas – bits of bossa nova, heavy percussion, and some odd instrumental twists that really make the album sparkle! There's some haunting violin work on one track, a bit of odd organ on another, and a very playful mix of flute, piano, and percussion throughout. The great Jose Combo Silva plays tenor on the date – and other players include Jose Canoura on flute, Alfredito Valdez on piano, and El Negro Vivar on trumpet. Ray's on congas, bongos, and timbales – and titles include "Sugar's Delight", "Carnaval", "Descarga La Moderna", and "Summertime". (Funky 45's, Latin) 7-inch, Vinyl record

A true revolution in Cuban music – not the familiar cha cha and pachanga modes of the pre-Castro years, but instead the huge wave of fresh styles and combinations that sprung up in the years to come! The tracks here aren't the kind of Cuban sounds that are locked in time by the all-star representations of the scene that circle widely – and instead, this music represents the younger, more experimental side of the scene – continually creating new styles and hybrids during the 70s and 80s, even at a time when most of the records weren't making it out to the world at large! Make no mistake, there's certainly elements of older Afro Latin rhythms, and Latin jazz instrumentation – but those are blended with new approaches to rhythm, instrumentation, and the overall role of the musicians and singers – on tracks that will really open up your ears. Gilles Peterson helped put the package together for Soul Jazz – and the whole thing's got the same hybrid hallmarks as his more recent recording forays in Havana – with cuts that include "Cancion Con Todos" by Grupo De Experimentacion Sonora Del Icaic, "Hast Las Cuantas" by Grupo Monumental, "Luna Wanestain" by Emiliano Salvador, "Te Quiero Porque Te Quiero" by Pablo Milanes, "Un Lamento Heco Cancion" by Los Reyes 73, "Dacapo" by Raul Gomez, "La Patica" by Paquito D'Rivera, "Rompe Cocorioco" by Juan Pablo Torres, "Mi Ritmo Caliente" by Juan Formell & Los Van Van, "Chequere Son" by Grupo Irakere, "El Son Del Campeon" by Conjunto Rubavana, and "Con Cadencia Y Con Dulzura" by Las D'Aida. CD