One of the most hard-hitting Latin albums from the 50s on RCA – a set released with jokey liner notes from Frank Jacobs of Mad, next to some Jack Davis cartoons – but a set that's got smoking percussion, great horns, and even some very cool use of vibes! LP, Vinyl record album
(Original mono pressing – nice and clean, and plays well. Cover has a bit of splitting on bottom seam, which has been taped.)
A great little record – and a prime example of the strong Jewish/Latin crossover that was going on in the late 50s and early 60s. The record features the kind of crack cha cha sound that was bringing couples into the Palladium from Long Island, but it's also touched with occasional yiddish bits, like snaking clarinet or choppy percussion. Far from being goofy, these elements actually add a rich shade of emotion to the work, and the result is an extremely complicated Latin session that sparkles with excitement. Titles include "Merengue Mania", "Serching", "Mambo A Bisel", "Sher Cha Cha", "Dates & Figs", and "Sirocco". LP, Vinyl record album
(Stereo pressing with deep groove. Cover has aging, minor seam splits, light surface wear, and a sticker mark.)
Killer Latin from South American drummer Frank Hernandez – easily the king of the scene on his side of the globe! Frank's taking a key cue here from the harder sound of the New York scene of the time – and the record's overflowing with great little tracks that mix together heavy percussion, sinister piano, and soulful chorus vocals that leap and dance along with the grooves. A few cuts are instrumentals, done with some great horn work in place – and the whole album's a cooker that can't be denied! Includes a great remake of "El Pito", plus "Dame Tu Carino", "Sabor A Miel", "Potpourri Judio", "Cafe", "Bombonchara", "Rumba Brava", and "Dulce Veneno". LP, Vinyl record album
(Limited pressing, on Deja Vu – heavy vinyl and cover! Cover has a tiny bump in one corner – but this is a great copy.)
Classic 50s work from vocalist Abbe Lane – and a record that's made all the better by some great arrangements from Tito Puente! Abbe's getting past the sexy tricks of other records here – and singing in a dusky tone that works perfect with Tito's tight, choppy, and highly percussive arrangements. The set's got a wonderful blend of Latin and torch – with tracks that include "Take It Easy", "Green Eyes", "The River Seine", "Babalu", "Pan, Amore & Cha Cha Cha", "Noche De Ronda", and "Whatever Lola Wants". (Vocalists, Latin)LP, Vinyl record album
(Gorgeous Japanese pressing, with insert and printed inner sleeve.)
Great stuff by Noro – featuring his haunting piano lines spun out over spare backing by percussion only, in a manner that you don't always find on his other recordings. A few tracks have larger orchestrations, but they're still pretty darn tight, and have a great hard sound to them. The set's a nice one, and was put out by the Latin branch of RCA in the early 60s. Titles include "Quien Sara", "Piel Canela", "Campanitas De Cristal", "Silencio", and "Serenata Ritmica". LP, Vinyl record album
(Mono black label pressing with deep groove. Cover has some surface wear, yellowing from age, and a small name in marker in back.)
(Early 70s US Arcano pressing. Cover has light ringwear, some edge wear, application wrinkles at the opening, a tiny peeled spot in front, and small splits in the seams.)
A great collaboration between Perez Prado and trumpeter Shorty Rogers – one in which Rogers' solos sparkle brilliantly over the top of Perez's tight Latin rhythms – all in a style that's as moody as it is evocative and rhythmic! Side one features the extended "Voodoo Suite" – a side-long track that builds nicely on rootsy Latin rhythms that are much freer than Prado's pop work of the 50s – and which features a growing jazz horizon at the edges, filled with players who include Bud Shank on alto and flute, Bob Cooper on tenor, Shelly Manne on drums, and Pete Candoli on trumpet – in a larger section underneath Shorty Rogers' solos. Side two features shorter tracks recorded a year later – a bit more in the standard Prado mode, but still with a really dynamic feel, and contributions from jazz players like Candoli and Rolf Erikson on trumpets, Willie Maiden on tenor, and Jay Hill on trombone. Titles include "Music Makers", "In The Mood", "St. James Infirmary", and "Jumpin At The Woodside". LP, Vinyl record album
(Mono black label pressing with deep groove. Cover has some surface wear, an ink stamp, and light aging.)
Perez Prado —
Patricia EP ... 7-inch RCA, 1958. Very Good+ (pic cover)...
Temporarily Out Of Stock
Titles include "Patricia", "Mood Indigo", "Pretty Doll", and "Whistling Rock". (Funky 45's, Latin)7-inch, Vinyl record
(Sleeve has light wear and aging, tiny splits.)
18
Tito Puente —
Best Of Tito Puente ... LP RCA, Late 50s/Early 60s. Near Mint- ...
Temporarily Out Of Stock
A great collection of some of Tito's best dancers for the RCA label – cut during the late 50s and early 60s, and featuring classics like "Ti Mon Bo" and "Ran Kan Kan", two of the cuts that really put Tito on the map! Other tracks include "Witch Doctor's Nightmare", "Almendra", "Tito Timbero", "Cao Cao Mani Picao", and "La Ola Marina". LP, Vinyl record album
(Mono pressing with deep groove.)
19
Tito Puente —
Dance Mania ... LP RCA, 1958. Very Good+ ...
Temporarily Out Of Stock
A burner of a set from Tito Puente – very well titled to suit the energy of the session! The tracks are all highly rhythmic numbers – short, but filled with jazzy horn flourishes and the kind of snapping rhythms that made the Puente group one of the biggest crossover favorites of the 50s. Tunes nicely mix up vocals with some more pronounced jazz soloing – getting a heck of a lot into a relatively small space, and really keeping up the energy of the record overall. Ray Barretto's on congas – and other players include Vincent Frisaura and Frank LoPinto on trumpets, Gerry Sanfino and Rafael Tata Palau on saxes, Ray Conception on piano, and Robert Rodriguez on bass. A few cuts have lead vocals – sung by Santos Colon – and titles include "3-D Mambo", "Hong Kong Mambo", "Mambo Gozon", "Saca Tu Mujer", "Varsity Drag", and "El Cayuco". LP, Vinyl record album
(Original mono pressing with deep groove and 1s stampers! Cover has a small top seam split, with heavy aging on the back. The front looks nice overall.)
This one's a bit subdued, but it's still classic RCA material by Tito – with a strong easy Latin vibe, of the sort that went down very big with the Catskills crowd. The record's got plenty of Cha Cha and Mambo Latin jazz tracks, most of which are covers, apart from the originals "Dancing Under Latin Skies", "Port Au Pleasure", and "Acapulco". LP, Vinyl record album
(Black label Living Setereo pressing with deep groove. Cover has light wear and a few small corner bends.)
21
Tito Puente —
Top Percussion ... LP RCA, 1958. Very Good+ ...
Temporarily Out Of Stock
One of the greatest Tito Puente albums from the 50s, and a spare percussion jam session that's right up there with his legendary Puente In Percussion album! The group features Mongo Santamaria, Bill Correa, Julito Collazo, and Enrigue Marti on percussion with Tito – and the only other additional sounds are some occasional vocals, and a pounding bassline. The set's extremely raw, with a very tight groove – and the sound is incredible – easily enough to make this one of Tito's best percussion dates ever! Titles include "Ti Mon Bo", "Elequana", "Bragada", "Alaumba Chemache", "Hot Timbales", and "Four By Two". LP, Vinyl record album
(Mono pressing with deep groove and 1s stampers! Cover has a half split top seam, with heavy aging on the back. The front looks nice overall!)
Great 60s material from Tito Puente – one of those key Tico sides that have him really changing his sound up for the decade, and working with a slightly leaner vibe than his RCA recordings a few years before! Tito's not in boogaloo mode here, but he's definitely got an ear towards some of the younger, small combos who were showing up on the scene – and hit this sharpness that was as if he were reborn again – a great move, even though as "the king", he could have rested on his laurels! Titles include "Batacumba", "Malanga Con Yuca", "Donde Vas", "Gata Miau, Miau", "Africa Habla", and the classic "Oye Como Va", one of Tito's all time greatest! LP, Vinyl record album
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