One of the first international collections to showcase the genius of Francisco Fellove Valdes – a singer and percussionist who first rose up on the scene in Havana in the 50s, but who made an undeniably strong contribution to the Mexican scene of the late 50s and early 60s – with the sort of material showcased in this set! Fellove's got a very unusual style of singing – influenced a bit by scatting in jazz, but also given more of the prouder, louder calls that you'd hear on an Afro Cuban jam session – a great balance with the heavy percussion and jazzy instrumentation used on these tracks, almost all of which were recorded for RCA down in Mexico. The track selection is wonderful, and the notes do a great job of introducing the world to this sometimes-overlooked figure in Latin music – presented here with 21 tracks that include "Mango Mangue", "Baile Mi Rumba", "Te Quiero Corazon", "El Yoyo", "San Jose", "Alejate De Mi", ""Mata Siguaraya", "Baile El Minuet", "Baila Mi Guapacha", and "Guapacheando". CD

Earthy vocals and plenty of percussion – a wonderful set of parranda tracks from Betsayda Machado, who works here with a tight combo that really sends her vocals over the top! On her own, Betsayda would be enough – a singer with the expressive qualities of older giants, such as Omara Portuando – but backed here with lots of percussion and chorus vocals from the other members of the group, the tunes have this raw energy that grabs the listener right away – and keeps burning strong with a very timeless vibe throughout! Titles include "Gaviota", "Alae Alao", "Sentimiento", "Oh Santa Rosa", "La Situacion", "Borracho De Aguardiente", and "Pueblo De Fiesta". (Global Grooves, Latin) LP, Vinyl record album

A really cool record, and one that uses the Cuban tres in a style that's nicely different than more traditional modes – often blending it with some of the hipper small combo Latin elements that had popped up on the New York scene in the mid 60s, which gives the instrument a very different energy overall! Mita handles the tres wonderfully here – electrified on most cuts, which almost creates the same sort of feel as those cool boogaloo records that Arsenio Rodriguez recorded in the 60s – not faithfully traditional at all, which is really the appeal! As with so many Mag Records productions from the period, there's all sorts of wonderfully offbeat elements going on – yet they never get in the way of the burning Latin grooves of the set, as you'll hear on cuts that include "Mango Mangue", "Arecibo", "Compay Chifuco", "Mita Descarga", "No Aguanto Mas", "Descarga En Botella Y Huiro", and "El Yo Yo". LP, Vinyl record album

A mid 70s cracker from Pacheco – salsa with a mix of traditional influences, in a mode that follows shifts of other Latin acts at the time, yet still keeps things in the lean grooves you'd expect from Pacheco! The album is is first in many without Pete "El Conde" Rodriguez on vocals – but that aspect's more than taken care of by lead singer Hector Casanova, who follows Pacheco well into this slightly shift in a new direction. Many tracks on the set are upbeat and lively, and titles include "Mango Mangue", "Prestame Los Guantes", "Las Muchachas", "El Chivo", "Simani", and "El Faisan". LP, Vinyl record album

The first album on Fania Records – and a massive album that showcases Pacheco's new style – a shift from his earlier charanga grooves to a more solidly percussive style, with lots of timbales and trumpet! The album's a key turning point in 60s New York Latin – and still crackles with all the youthful energy it had back in the mid 60s. Pete Rodriguez is on vocals, and tracks include "El Kikiriki", "Fania", "Dakar, Punto Final", and "Como Mango". Nice cover, too – with Pacheco playing timbales in front of a big cannon! LP, Vinyl record album

A 2CD tribute to the mighty Eddie Palmieri – one that's filled with some of his best work from the 60s and 70s! The 30 track collection features work from Eddie's key early years at the Alegre and his amazing mid period years on Tico – plus a few standout tracks from other labels like Coco and Barbaro, which stand as proof that Palmieri was always improving his groove as the years went on. The musical portrait here is a really amazing one – an evolution of sound that few other Latin musicians can match, served up with a great package that includes writings on Eddie's career and music. Titles include "Chocolate Ice Cream", "Ay Que Rico", "Palo De Mango", "Justicia", "Tema La Perfecta", "We've Loved Before", "Resemblance", "Cuidate Compay", "Azucar", "Cafe", "Si Echo Palante", "Lazaro Y Su Microfono", "Nada De Ti", "Una Rosa Espanola", "La Verdad", and "La Malanga". CD