A wonderfully hard-to-categorize album from the start of the 80s – a Mexican record that mixes folkloric roots with electronic instrumentation – but all in a way that sounds much more ancient than you'd expect for the time! The fusion of modes here is wonderful – almost at a level that reminds us of some of the Graeme Revell experiments of the mid 80s, or some of the more organic electronics from Japan – as the whole thing feels a lot more acoustic than electric, with a wonderful blend of woody sounds, percussion, and other great elements. Titles include "In Altepetal Tonal", "I Pan In Xiktli Metztli", "Xochiyaoyoloh", and "Ketzalkoatl Yauh Miktlan". CD

A really top-shelf album from Justo Betancourt – a perfect illustration of the power of his vocals at their height! The set's got a really classic 70s salsa feel – a horn-heavy groove that almost effortlessly flows from a combo of strong players, topped by majestic vocals from Justo – stretching out soulfully with these wonderful inflections, timings, and turns that go far beyond the simple lyrics of the tunes. The record's almost a casebook study in the way that the Fania singers of the 70s could be completely expressive without resorting to any sort of over-emotive cliches – a new level of Latin masculinity in song, served up here with impeccable arrangements by Javier Vazquez. Titles include "Pa Bravo Yo", "Psicologia", "Oyeme Cantar", "Guaguanco Ta Moderno", "Adios Felicidad", "Catano", and "Una Audiencia Muerta". CD