A legendary bit of Latin from the New York scene of the 60s – recorded by a host of youthful players working under the direction of percussionist Montego Joe! The group's name is a contraction of "Harlem Youth" – a program in which all players participated, as part of an effort to get kids involved in music uptown – spearheaded by Montego Joe, whose guidance in the set is greatly appreciated! There's a strong Latin Soul vibe running through the set – but one that's different than Joe's other work, a bit more rootsy at times, given all the percussion in the lineup – but warmed up nicely with bits of guitar, trumpet, and alto sax. The album's filled with great groovers – including the classic "Welcome To The Party", and the amazing "Oua-Train" jazz cut, which has a slightly spiritual feel. Other tracks include "Feed Me Good", "Barrets Bag", "Tico", "Ngoma", and "Santa Cruz". CD

A record that's every bit as groovy as you might guess from the title – served up by one of the most unique combos to record for Colombia's Discos Fuentes in the 70s! Afrosound certainly have plenty of rhythms and sounds that resonate with their contemporaries at the top of the South American scene – but they also use rootsier percussion, and served up a rawer sound too – definitely bringing back some West African modes, after that scene had an earlier influence from the world of Afro-Cuban music! There's some especially cool keyboards that get all weird and distorted – like electric guitar on some Peruvian records – balanced with plenty of live, loud percussion – on titles that include "Banana De Queso", "Baila Felipe", "Negua", "Ponchito De Colores", "Carruseles", "Zaire Pop", "Rapsodia Del Chinito", "Me Voy De La Vida", "Salsa Con Tabaco", and "La Negra Saramuya". LP, Vinyl record album

A blistering album of Latin funk – a set that's got a lean vibe but a very classic sound – one that's put together in the same mode as the excellent run of funky 45s from the long-running Original Gravity label! Nestor Alvarez is Neil Anderson – who handles drums, guitars, keyboards, percussion, and plenty more too – layered in with contributions from funky horn combo The O'Gees, and added keyboards, trumpet, trombone, and flute – depending on the cuts. And despite the one man activity at the core, the sound is very live, and very real – especially as the presence of the others really expand out the groove – and make the whole thing feel like a fresh take on the late 60s world of Latin soul and Latin jazz! Titles include "Joanna", "Un Bucanero Mas", "Original Gravity (parts 1 & 2)", "Melting Pot", "En Candela", and "El Ladron En La Noche". (Deep Funk, Latin) LP, Vinyl record album

A series of performances dedicated to the memory of Cuban singer Bola De Nieve – featuring only piano for accompaniment of the vocals, and very dynamic singing overall! Titles include ""Dejame Recordar", "No Ejes Que Te Olvide", "La Flor De La Canela", "Messie Julian", "Mama Perfecta", "Ay Amor", and "Espabilate". LP, Vinyl record album

Proof that hard Latin didn't always happen on the uptown scene – and a self-titled cooker from this legendary combo from Brooklyn! The record's a killer all the way through – done with some very deep, dark trombone that colors the session like the best of Johnny Colon's material from the late 60s – inflected with some brighter salsa moments in the rhythms, but all very focused and tightly held together by the rhythms! In addition to the trombone, the piano is especially nice – and other instrumentation includes a bit of organ and plenty of percussion. Most numbers have vocals – and titles include "Guaguanco De Puerto Rico", "Perdicion", "En Las Tumbas", "Rain", and "Sueltame Ya". LP, Vinyl record album

An incredible collection of records – a series of albums that forever changed the sound of Latin music around the world! These five sets were all cooked up in the changing Cuban scene at the start of the 60s – where musicians were getting looser and freer, with a sound that was quite different than the tighter big bands of a few years before – strongly influenced by changes in American jazz, including the jam session mode that was big on record during the 50s! In a way, these sides are an answer to that – as they feature all-star musicians coming together on long, more spontaneous tracks – often in smaller combos with heavy influence on rhythm, and lots of work from the key soloists on the dates. Each record has a different leader, but often some of the same musicians – and there's some especially great work on trumpet and tenor by other members of the group – at a level that went on to influence the small combo sound of artists like Joe Cuba, the grooves of the Latin Soul/boogaloo scene, and even the all-star American groups like the Alegre All Stars and Fania All stars in years to come. Records 1 and 2 feature leadership by Julio Gutierrez, record 3 is led by Nino Rivera, record 4 (the most famous) is led by bassist Cachao, and record 5 is led by flautist Fajardo. Great box set – all CDs in small LP-styled sleeves with original art – alongside a 96 page booklet of notes and photos! CD

The frenzied piano of Carmen Cavallaro gets a nice does of Latin rhythms on this set – and the set's a great example of the way that cocktail piano and Latin were strongly linked in the New York scene of the 50s! Carmen's style here is certainly different than that of Joe Loco, Noro Morales, or others who skirted the same territory – but the difference is also not that great, and it was Cavallaro's earlier sense of drama and color that often helped inspire piano work in players who followed. The rhythms are especially great here too – not straight Latin all the time, but a nice mix of inventive and exotic touches from bass and percussion that really liven things up, and make the tunes come across with modes that are quite different than their familiar readings. Titles include "Dolores My Own", "Frenesi", "Andalucia", "Maria La-O", "Perfida", "Adios", and "Poinciana". (Now Sound, Latin) LP, Vinyl record album

Supposedly the end of Willie Colon's early "crime" career – as the title and cover imply that he's finally been brought to trial! Don't worry about Willie being beaten down, though, because the music on the album is every bit as fierce and powerful as ever – and features a number of long tracks that really stretch out in a highly percussive groove! The group's great – with Jose Mangual on bongos, Joe Torres on piano, and Milton Cardona on conga – as well as Hector Lavoe still in the lead on vocals. Titles include "Aguanile", "Pan y Agua", "Seguire Sin Ti", "Timbalero", "Pirana", "Ah Ah O No", "Si La Ves", and "Sonando Despierto". LP, Vinyl record album

A rare set with a very unusual vibe – as the group features vocal harmonies that seem to echo Cuban and Mexican modes of the 60s, but set to grooves that are much more in keeping with their Peruvian roots! There's some especially great electric guitar in the mix – of the sort you'd hear on chicha cuts, but used with a stronger vibe overall – especially when some solos soar out as the vocal step aside – and the rhythms of the record are raw and rootsy, with an edge that's very different than Latin vocal groups were using anywhere up north at the start of the 70s! The whole thing is filled with plenty of fresh sounds and unusual groovers – and titles include "Me Voy A Monsefu", "Sandungueate", "Oye Mi Son", "El Tic Tac", "Flaca Y Despeinada", "Compay Gallo", and "Yo Me Voy De Aqui". LP, Vinyl record album

A soul jazz Latin classic – one that matches the searing tenor work of Eddie Lockjaw Davis with the hard-hitting conga of a young Ray Barretto! The core group of the set is a soul jazz one – with Lockjaw blowing over rhythm by Lloyd Mayers on piano, Larry Gales on bass, and Ben Riley on drums – plus a small added trumpet section on a few tracks. Ray comes into the mix with some really tight percussion on the bottom, aided by a few other players at times – kicking up the tunes and giving them a lot of fire – something that Davis seems to really respond to in his horn. Thanks should also be given to arranger Gil Lopez, who put together the overall sound of the set – and the album's a hard groover all the way through, filled with Latin jammers like "Wild Rice", "Jazz-a-Samba", "Guanco Lament", "Afro Jaws", and "Tin Tin Deo". (Jazz, Latin) LP, Vinyl record album

One of the most obscure salsa albums to come out of the Colombian scene in the 70s – a set that features top-shelf instrumentation from members of Fruko's combo, and vocals from singer Jacky Carazo! Jacky's got a great approach that almost seems to echo the Latin soul generation at times, but with vocals that are all in Spanish – and which are really well-suited to the soaring grooves of the group – who deliver some especially tight horns over the well-crafted piano, bass, and percussion at the core! The record's got all the charms of the best Fania work of the time, but a nicely different vibe too – in part because of the wider sense of rhythm on the Colombian scene. Titles include "El Despertar", "Alma", "Mi Canto", "El Negro Bembon", "Donde Sta Donde Sta", "Mi Cumbia", and "El Baile Del Raton". LP, Vinyl record album

Some of the finest Peruvian grooves of the 60s and 70s – served up by three different groups headed by reedman Nilo Espinosa, plus a few other combos as well! Nilo's got a way with a groove that's totally unique – a bit soul jazz a times, influenced by bossa at others, and sometimes even moving into sweet electric fusion – always with a very pronounced sense of rhythm that makes nearly all of his numbers into the kind of groovers that can easily traverse the globe far from their roots in the Peruvian scene! The package features work from the mid 60s Los Hilton's, the early 70s Bossa 70, and the mid 70s Nil's Jazz Ensemble – the last of whom have been favorites for years with crate-diggers, due to their use of electric keyboards and very tasty drums! Titles include "Here Come The Hilton's" and "Sherezade" by Los Hilton's; "El Gato", "Think", "Get Out Of My Way", and "Las Mariopsas" by Bossa 70; "Reflexiones", "Summer Love", "Hard Work", "Looking For A Blues", and "Somos Nada" by Nil's Jazz Ensemble; "El Bueno El Feo Y El Malo" by Nilo Espinosa Con Los 007; "Light My Fire" by Charlie Guerrero; "Gotas De Miel" by Nilo Espinosa Y Orquesta; and "People Got To Be Free" by Charlie & Many. (Jazz, Latin) CD

A collection of recordings by Dizzy's second band, with Dave Burns, Elmon Wright, Matthew McKay,and Ray Orr on trumpets, Ted Kelly and Bill Shepherd on trombones, John Brown and Howard Johnson on alto, George Nicholas and Joe Gales on tenor, Cecil Payne on baritone, and Kenny Clarke on drums. (Jazz, Latin) LP, Vinyl record album