Joe Loco was one of the most amazing early Latin piano talents, and in an album like this, you can really hear him go to work in a savage way! On this set, Joe moves all over the keys in a number of different ways – from heavy left-handed stride playing, to light and lovely jazz soloing, to hard and rhythmic Latin grooving. The backing is spare, with mostly conga and bongo behind Joe, so you hear his amazing piano work right up front, in a way that doesn't always happen on other albums of his. Titles include "El Baion", "Gee", "Why Don't You Do Right", and "Don't Be That Way". LP, Vinyl record album

Beautiful spare sounds from Noro Morales – and an album that really lets you hear his amazing work on the piano! Most of the album simply features Noro's playing, backed by bass and percussion, and no other orchestration – a really stripped-down setting that's even more spare than the usual Latin album of this nature! The album's very mellow – but has a good late night Latin groove throughout – thanks to this pronounced bassline that really grabs up the bottom end of the sound spectrum – leaving Noro to work on the keys up top. Titles include "Flores Negras", "Tres Palabras", "Tiempos Viejos", "Silencio", "Perfume De Gardenias", and "Palmeras". LP, Vinyl record album

Great stuff by Noro – featuring his haunting piano lines spun out over spare backing by percussion only, in a manner that you don't always find on his other recordings. A few tracks have larger orchestrations, but they're still pretty darn tight, and have a great hard sound to them. The set's a nice one, and was put out by the Latin branch of RCA in the early 60s. Titles include "Quien Sara", "Piel Canela", "Campanitas De Cristal", "Silencio", and "Serenata Ritmica". LP, Vinyl record album

A great collaboration between Perez Prado and trumpeter Shorty Rogers – one in which Rogers' solos sparkle brilliantly over the top of Perez's tight Latin rhythms – all in a style that's as moody as it is evocative and rhythmic! Side one features the extended "Voodoo Suite" – a side-long track that builds nicely on rootsy Latin rhythms that are much freer than Prado's pop work of the 50s – and which features a growing jazz horizon at the edges, filled with players who include Bud Shank on alto and flute, Bob Cooper on tenor, Shelly Manne on drums, and Pete Candoli on trumpet – in a larger section underneath Shorty Rogers' solos. Side two features shorter tracks recorded a year later – a bit more in the standard Prado mode, but still with a really dynamic feel, and contributions from jazz players like Candoli and Rolf Erikson on trumpets, Willie Maiden on tenor, and Jay Hill on trombone. Titles include "Music Makers", "In The Mood", "St. James Infirmary", and "Jumpin At The Woodside". LP, Vinyl record album

An incredible album of Latin funk – the only-ever record from this west coast combo headed by the legendary Benny Velarde! Benny's a name that you might recognize from earlier, straighter Latin dates for Fantasy – or for countless studio work during the 70s – but here, he's really got a talent for a funky 70s groove – and manages to hit a unique space that's somewhere between conventional funk, west coast Latin, and some of the hippest blacksploitation grooves of the time! The album also features some under-credited work from Lalo Schifrin – who was tied to the project somehow (Velarde claims that the record was killed by MGM upon release because of a feud with Lalo) – but never really fully credited in the notes. There's a definite link here with some of Schifrin's funkier soundtrack of the period – a great blend of jazzier elements and headier 70s funk – all served up with a tightness that has made the record one of our favorite funky treasures for years! Titles include "The Ghetto", "Latin Slide", "Who You Fooling", "Road Runner", "Soul Sauce", "Cocoa Leaf", and "Move Your Hands". LP, Vinyl record album

A killer collection of work from the legendary Pucho & The Latin Soul Brothers – one of the coolest, grooviest groups to record in the 60s – and one who equally touched the worlds of soul, jazz, and Latin at the time! The group have a really special blend here – a groundbreaking way of pulling together all the best sounds happening uptown – some of the soul jazz currents you'd expect from their placement on Prestige Records, some of the crossover soul influence that was taking place in Spanish Harlem, and even some of the funky currents that were showing up in the indie 45 underground of the late 60s. Many of these tracks emphasize that last side with work from the great Pazant Brothers – who were a key part of Pucho's group – as was Neal Creque, a killer pianist who'd later go onto make great records of his own. There's also some key use of electric bass, which kicks these tracks strongly from the bottom – and the 17 track CD is filled with gems that include "Shuckin N Jivin", "Swamp People", "Dateline", "Big Stick", "Swing Thing", "Soul Yamie", "Something Black", and "Strange Thing Mambo". CD

Some of Ricardo Ray's earliest work – recorded in New York in the mid 60s, after Ray had "arrived" from the Puerto Rico scene! The set's actually got a groove that points the way towards the famous Ray sound of years to come – a style that has traces of older mambo modes, but which also extends out in a bold, proud, pre-salsa style with plenty of great lead vocals from Bobby Cruz. There's some great descarga elements in the mix too – tight rhythms with loads of jazzy instrumentation that really makes the record cook. Highlights include the jazzy "El Mulatu", the slamming descarga "Viva Richie Ray", the "monkey twist" "Brother Ray", and the shing-a-ling number "Mambo Jazz"! LP, Vinyl record album