Beautifully free alto work from Byron Allen – a player who really shines brightly on this rare session for ESP Records – one of the few ever cut under his own name! Allen's got a style that's right up there with the 60s best from Ornette Coleman or Marion Brown – able to move ... read moreCD
Gene Ammons —
Boss Tenor ... CD Prestige/OJC/ZYX (Germany), 1960. Used ...
Out Of Stock
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... read moreCD
(German pressing.)
Albert Ayler —
Bells/Prophecy ... CD ESP/ZYX (Germany), 1964/1965. Used ...
Temporarily Out Of Stock
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the ... read moreCD
Seminal ESP work from Albert Ayler – a unique session done as a soundtrack to a short (and weird!) film from experimental director Michael Snow! The lineup is a bit different than some of Ayler's other ESP albums – and features Don Cherry on trumpet and cornet, John Tchicai on alto, ... read moreCD
One of the strange lost Chet Baker sessions from the mid-60's, recorded (we've always thought under duress) for Prestige, and at a time when he really wasn't recording that much straight jazz. Baker plays fluegelhorn, and he's backed by a fairly soulful combo that includes George Coleman on tenor, ... read moreCD
(Out of print.)
Chet Baker —
Cool Burnin' ... CD Prestige/ZYX (Germany), 1967. Used ...
Out Of Stock
A very strange and unusual chapter in Chet's career – an album that was recorded as a part of a marathon session that Chet did under the guidance of his 60s manager – issued across other records that include Groovin, Smokin, and Comin On – all of which were leased to Prestige, but ... read moreCD
Some obscure but great 60s work by Chet Baker – and one of 5 albums recorded under the guidance of Richard Carpenter, best known as the author of "Walkin", but also Chet's manager at the time. The record's got a lot more soulful feel than some of Chet's other work – thanks to ... read moreCD
An obscure session that Chet recorded in the mid 60's with a rhythm section from Detroit that includes the Kirk Lightsey, Herman Wright, and Roy Brooks – and that features some firey playing by George Coleman on tenor. Tracks include "Rearin' Back", "Grade A Gravy", and ... read moreCD
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... read moreCD
(CONDTION NOTE: booklet pages are separated and held together with tape.)
A classic album of avant percussion – even if the title's a bit misleading! The Milford Graves Percussion Ensemble is mostly just Milford Graves himself, playing on drums, bells, gongs, and shakers – joined on this early album by Sunny Morgan, who also plays drums and bells on the set ... read moreCD
Keystone bop indeed – a smoking little set from Freddie Hubbard, recorded during his great back-to-basics years of the early 80s! The tracks here are all quite long, and informed by a strong sense of hardbop – but they also open up with some sharper, more modern moments at times – ... read moreCD
Amazing stuff – even if we do hate the way it's packaged! This long-overdue CD brings together 2 of the rare rare rare albums that organist Trudy Pitts cut for Prestige in the late 60s, along with her husband, drummer Bill Carney, and guitarist Pat Martino. If you don't know Trudy, she's ... read moreCD
An incredible album by avant saxophonist Charles Tyler – and one of his most unique albums ever! Tyler's playing here in a wild setting – alto sax mixed with three stringed instruments, one cello and two basses – which makes for a very unusual sound. The album's got a deep, dark ... read moreCD