Two sweet sets from Hiroshima – back to back on a single CD! First up is the self-titled first album from Hiroshima – a group who took the 70s experiments in Japanese fusion right into the American mainstream – with a wonderful blend of jazz and soul, and a production style that was never too polished or commercial! The group's led by reedman Dan Kuramota – who plays both sax and flutes, including a bit of Japanese wooden flute – which gives the record a few slight "Eastern" touches a times, although the overall vibe is strongly in the best soulful fusion of the period! In keeping with that approach, there's a bit of vocals on the record – sung in English with a soulful vibe – on titles that include "Lion Dance", "Da Da", "Taiko Song", "Holidays", "Never Ever", and "Kokoro". Odori is a wicked blend of jazz and soul from Hiroshima – a group who've got the smooth blend of styles we love in some of the import-only fusion dates that were coming from Japan in the late 70s! The group's got a few light touches that emphasize their Pacific roots – including light flute lines and touches of koto and shamisen, but often used in more subtle ways than on earlier Japanese albums that mixed these rootsy elements with jazz – and the overall vibe here is one that's got plenty of appeal to fans of crossover fusion from the time, especially the kind with a strong current of soul! There's a bit of vocals on the record, too – and titles include "Winds Of Change", "Odori", "Echoes", "Cruisin J-Town", "Fortune Teller", and "Shinto". CD

Incredible rare jazz from the Japanese scene of the 70s – all hand-picked by DJ Muro, one of the coolest talents on the contemporary scene in Tokyo! The set's a bit of a shift from other collections of this nature – as it focuses a bit more on tracks that are funky than those that are spiritual – yet also includes those that have some very cool, hip Japanese touches – at a level that's hugely different from American jazz work of the time! The selection of cuts is great – and rather than offer a completely diverse dozen, Muro does a great job of focusing in on a few key acts – most of whom have not hit the reissue market strongly in recent years. Titles include "Hanagasa Odori", "Sakura Sakura", "Soran Bushi", and "Yagi Bushi" by Tadaaki Misago & Tokyo Cuban Boys; "Nanbu Ushioi Uta", "Saitara Bushi", "Souma Nagareyama", and "Asadoya Yunta" by Kifu Mitsuhashi & Kiyoshi Yamaya; "Seijinshiki (Adult Day)" by Toshiyuji Miyama & His New Herd; "Tabaruzaka" by Katsuya Yokoyama & The Million Pops; and "Fuku Jobutso Part 1 (Muro edit)" and "Osorezan (Muro edit)" by Kiyoshi Yamaya & Contemporary Sound Orchestra. 2CD set also features a full continuous mix of the music by Muro on the second CD! (Funky Compilations, Jazz) CD

The US debut of Italian tenorist Piero Odorici – a player who gets off to a tremendous start, thanks to help from the Cedar Walton trio! Walton's warm, rich tones grace the record right from the very first note – giving it a soulfulness that's a perfect foil for Odorici's well-blown tenor lines! But Piero also brings a lot to Walton, too – as his presence here makes for one of the most focused Cedar Walton albums in years – a set that's got all the dynamic energy of his best recent trio dates, yet which also benefits strongly from the added tenor voice too. Titles include "Casadias", "Tin Tin Deo", "Native Son", "Willie's Groove", and "If I Should Lose You". CD

A landmark pairing of two Chicago avant players at the start of the 80s – and one that shows that the city had plenty going on, even away from the AACM! The set brings together the older Hal Russell – still an underground secret in the city – and the younger Mars Williams, who was just starting out here, but would soon rise to fame in the NRG Ensemble, and on decades of other recordings and alliances in the Windy City. There's a mix of instrumentation that really shows the open-minded sense of improvisation that Russell helped encourage in the younger Generations – and Hal plays drums, C melody sax, cornet, vibes, toy horns, and "lots of other stuff" – with Mars Williams playing tenor sax, slide whistles, bells, newspapers, and "lots of other stuff" too! Titles include "Carnal Concupiscence", "Is This Virginia", "Odoriferous Flambeaus Of The Paranymphs", "Eftsoons", and "Noise Command Blast 1". LP, Vinyl record album