Features Graham Haynes on cornet and flugelhorn, Nicky Skopelitis on sitar and guitars, and Bill Buchen on tablas, log drum, water drums, and gamelan. CD

(Global Grooves, Jazz) CD

The boldest set so far from up-and-coming vibist Chien Chien Lu – a set that's got a deeper feel and darker energy than some of her previous records – thanks in part to key use of the great Jeremy Pelt on trumpet! The album features a piano-less quartet – with Richie Goods on bass and Allan Mednard on drums – and both Lu and Pelt haver plenty of room to open up and soar on the long tracks on the set – pushing things strongly on original material that really shows Chien Chien starting to grow a lot as a writer, too! The whole thing is great – a new chapter in the career of a musician we're sure to be hearing from for years to come – on titles that include "Just Listen", "Full Moonlight", "Boulangers Variation", "Hsiu Chin", "Chun Yi", and "Special Things" CD

Jack McDuff on organ – with Andrew Beals on alto, Jerry Weldon on tenor, and John Hart on guitar. CD

A one-off project recorded back in 2009 with Ornette Coleman on alto sax! CD

A cheesy cover, but a rock-solid set of work from the mighty Eric Alexander – who seems to be stretching out even more here than before! Alexander's always been a hell of a straight ahead talent on the tenor, but here he's almost hitting a few more modern modes at times – not "out" in his soloing, but a bit more free thinking in the overall construction and execution of the tunes – willing to change things up a bit in the rhythms, and give the record even more freshness than we might have expected. Alexander's easily one of the greatest living talents in jazz recording today – and we're already huge fans of his work – but he's won us over even more with this set, and a few of the chances he takes on some of the tunes. The group's a well-matched batch of regulars – including Jim Rotondi on trumpet, David Hazeltine on piano, Nat Reeves on bass, and Joe Farnsworth on drums – and titles include "The Temple Of Olympic Zeus", "Someday We'll All Be Free", "Lucas Too", "Blues For David", "I'm Gonna Laugh You Right Out Of My Life", "I'll Keep Loving You", and "Dave's System". CD

One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/Actuel avant sessions than Blue Note in the 60s – and titles include "Steps", "Enter Evening (Soft Line Structure)", "Unit Structure/As Of A Now/Section", and "Tales (8 Whisps)". CD

A really cool later album from the great Jack McDuff – nicely stepping out from some of the multi-keyboard modes he forged for Chess Records in the 70s, and still working with a combo here that he calls the Heating System! The group has some key all-star talent – including work from Joe Farrell on saxes and Phil Upchurch on guitar – but it's also noteworthy in that it features early work from Garrick King on drums, a player who was perfect for the sort of rhythms that McDuff forged in the 60s with drummer Joe Dukes! Jack himself handles a variety of key, plus organ – and there's some soulful fusion elements in the mix too, including a bit of vocals – giving the record a feel that's a lot like some of the Charles Earland work for Columbia at the same time. Titles include "Say Sumpin Nice", "Night Fantasies", "Pocket Change", and "Tunisian Affair". CD

Nicole Mitchell is in very different territory here than on some of her more spiritual albums – something you might have guessed from the cover, which signals another great chapter in Mitchell's shift into science fiction territory on some of her other projects! At some level, Nicole's working more here almost as a writer of speculative soundscapes instead of a jazz musician – blowing a variety of flutes, and adding in some vocalizations – next to the original Vivo electronic system employed by Fabio Paolizzo – whose dark tones and dystopic elements really shape the sound of the set! Titles include "Perils To Beauty", "A Baby Jellyfish", "Replicas", "The Birth", "Transformation Of A Simple Life Form", "Make Fertile", "Wings", and "Apotropaic". CD

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A soulful little album from saxophonist Grant Stewart – one that's made even better by the appearance of Eric Alexander on two of the tracks in the set! The core group here features guitar, piano, bass, and drums – with Stewart in the lead, blowing tenor in a deep-toned way that clearly draws on the legacy of Hank Mobley, but which also moves around with a leaner, more fluid sensibility at times. The ballads and mellower numbers are often the best – especially the album's great title reading of "Estate" – but the uptempo tracks move along in a nice hardbop mode too, and titles include "Carving The Rock", "Soul Station", "Jacqueline", and "Cool Struttin". Alexander guests on the titles "3 For Carson" and "Systems" – making for a nice twin-tenor frontline! CD