Tremendous work from a trumpeter who was taken from us all too soon – the legendary Fats Navarro, an important early voice in the sound of bop! The album's a short one, but every track is a gem – as Navarro blows beautifully in groups led by Bud Powell, Tadd Dameron, and Howard McGhee – always with this balance between sweetness and bite that's totally wonderful – an undeniable influence on later hardbop trumpeters to come, served up here with a sense of phrasing and economy that's still very powerful after all these years! Titles include "The Squirrel", "Lady Bird", "Our Delight", "The Chase", "Dameronia", "Double Talk", and "52nd Street Theme". LP, Vinyl record album

Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep Talk", "Air Ship", "What Is The Name Of That Song?", and "Job Mob". Very early eighties, very downtown scene. CD

A tremendous set from Jamaican trumpeter Roy Burrowes – a musician who's never been as recorded as often as he should, which is what makes this lost live set so special! The set was recorded live in Paris at the start of the 80s – with Burrowes on trumpeter, in a group that also features Mal Waldron on piano – at a time when he was doing some really wonderful work on the European scene, at a level that's almost a new wave of spiritualism in his music – which really seems to bring out the best in Roy! Also great is reedman Richard Raux – who plays some soulful tenor and soprano sax that works wonderfully alongside Burrowes – on long titles that include "Old Compton Street", "Seagulls", "Jamaica", "Searching", Going Back Home", "Symphony In Blues", and "Hard Talk". CD

Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep Talk", "Air Ship", "What Is The Name Of That Song?", and "Job Mob". Very early eighties, very downtown scene. LP, Vinyl record album

A fantastically frenetic electric combo from the Norwegian scene of the 70s – one who clearly draw inspiration from some of the more dynamic prog acts on the UK scene from a few years before, but who deliver the goods with a vibe that really returns the instrumental energy to jazz overall! There's some very sharp reed work on the record – served up by Svend Undseth on saxes, flutes, and even a bit of clarinet – matched with really dynamic work on piano and keyboards from Frode Holm – a player with the best energy of the Scandia scene of the time. Thorsten Dulsrud plays some mighty heavy drums, Harald Salater bangs it on bass, and Undset also adds in a bit of guitar work too – on long titles that include "Fragmomentum", "Street Talk", "Summer Poem", and "Sun Walk". LP, Vinyl record album

A very tight early session by the great organist Larry Young! The album's quite different than Young's later Blue Note work – more in-the-pocket soul jazz, but filled with the expansive sensibility that would later have him take off for the heavens. The biggest example of this tendency is the track "Talking Bout JC" – a cut dedicated to John Coltrane (who Young used to jam with, although sadly never on record!), recorded more famously later on Blue Note, but still sounding pretty hip here in an early take. The group on the set is a quartet that includes guitarist Thornel Schwartz and tenorist Bill Leslie (with whom he cut an album for Argo, under the name of Lawrence Olds) – and other tracks include "Gettin' Into It" (which is 15 minutes long) and "Groove Street". CD

Excellent work from Chicago reed player David Boykin – a much more straight ahead album than some of his earlier work, but done with an edge that keeps it in the ranks of the AACM tradition that has informed much of Boykin's music from the start. Boykin is on sax and clarinet – and the rest of the group includes Josh Abrams on bass, Nicole Mitchell on flutes, Jim Baker on piano, and Isaiah Spencer on drums – grooving together in an angular modern bop approach that recalls some of Roland Kirk's most adventurous work of the 60s, touched with traces of the more soulful side of the Chicago avant scene. Titles include "Niki's Bounce", "Jacuzzi", "Virgo", "Sunset", "Stalking The Cat", "Sunrise", "Antimatter", and "Jiffy Pop". CD

Three great albums in one package! Steam is a later set from Archie Shepp and a real lost gem – quite different from his earlier works, especially the better known late 60s sessions – and a surprisingly nice album that runs through some truly excellent longer takes – filled with warmth and tenderness you wouldn't expect! Steam was recorded in early 1976, in a stripped down setting, with Cameron Brown on bass and Beaver Harris on drums. The group wonderfully rolls through Ellington's "Solitude", Shepp's "Steam", and the epic "A Message From Trane", a tremendous number written by the great Cal Massey – and Shepp plays both tenor and piano on the record. CD reissue includes bonus tracks not on the original album – "Ah Leu Cha" and "52nd Street Theme". Lover Man is an overlooked treasure from his years as a straight jazz musician – a time we come to appreciate more and more as the years go by! The Shepp heard here is one who's still got all the raw tone and bite of the old days, but also finds a way to swing things on a set of familiar standards – so that he's cutting these great raspy lines out of tunes you might already know – but which are taking on a whole new life in the process. The small combo also features Dave Burrell on piano – another player who could go out, but instead here hangs inside, yet uses all the knowledge of his reach to keep things interesting. A few of the tracks feature vocals from Anne Lowman – with Shepp alongside on tenor – and the rest of the group features Herman Wright on bass and Steve McCraven on drums. Titles include "Brand New World/Breaking A New Day", "My Funny Valentine", "Stars Are In Your Eyes", "Lush Life", and "Yesterdays". Something To Live For is a set of standards from Archie Shepp – but one that's done in a much less traditional way than you might expect – that new standard of returning to roots, but doing them differently that Shepp first began in the 70 – and which really colored the rest of his recording career in a really strong way! Shepp plays tenor, but also vocalizes on many tracks – almost more talking than singing at times, with a raspy, almost bluesy style – but not blues at all – an element that's warmed up by the sparkling trumpet and flugelhorn of Eddie Henderson, whose role in the lead is equally as important as Archie! The rest of the group features John Hicks on piano, George Mraz on bass, and Idris Muhammad on drums – all players who make great contributions in more subtle ways – on tunes that include "You're Blase", "California Blues", "My Foolish Heart", "A Flower Is A Lovesome Thing", and "Something To Live For". CD

Great later work from Abbey Lincoln! The album Talking To The Sun is something of a comeback set for Abbey Lincoln – an extremely powerful set from the early 80s, and one that helped set the tone for some great albums to come! Abbey's working here in a bold style that includes a fair bit of original material – done in collaboration with alto saxophonist Steve Coleman, whose edgey tone really adds a lot to the record! There's a sense of voice here that takes us back to Abbey's bold experiments with Max Roach in the early 60s – a righteous tone that effortlessly mixes politics and art, yet which never forgets its key mission of music. The set includes original compositions "The River", "Talking To The Sun", "People On The Street", and "Prelude/A Wedding Song" – plus a nice take on the Mercer/Mancini number "Whistling Away The Dark". On the second two records, Abbey Lincoln takes on the legacy of Billie Holiday – in a strong live set recorded with a small group at the end of the 80s! The setting's a bit more relaxed here than on some of Abbey's other albums of the period – a bit looser and sometimes more languid, but only in the best sort of ways to get at the moodiness of Billie Holiday's approach to the tunes. A few numbers seem to bristle with a bit more of that Abbey Lincoln sense of pride – that righteous legacy that runs straight from Billie's classic "Strange Fruit" – but overall, the spirit of Holiday's more traditional approach definitely guides the performance. The group's a quartet – with Harold Vick on tenor – and titles include "For All We Know", "No More", "Gimme A Pigfoot", "God Bless The Child", "For Heaven's Sake", and "Don't Explain". (Vocalists, Jazz) CD

Includes the songs "Green Eyes", "Let Me Off Uptown", "Kick It!", "After You've Gone", "Rockin' Chair", "Armour", "Stop! The Red Light's On", "Watch The Birdie", "The Walls Keep Talking", "Skylark", "Bolero At The Savoy", "Thanks For The Boogie Ride", "Keep 'Em Flying", "Pass The Bounce", "Ball Of Fire", "Harlem On Parade", "Knock Me A Kiss", "Barrelhouse Bessie From Basin Street", "That Drummer's Band", "Murder He Says", "Bop Boogie", "Watch Out", "Swiss Lullaby", and "Why Fall In Love With A Stranger". CD