The album that really put Sarah Vaughan on the map – a killer set that really showed how sultry jazz vocals could sound in the postwar years – never overtone, nor torchy-cliched – but right on the money, with a sense of grace and poise that few others can match – even after all these decades! Tracks include "Black Coffee", "After Hours", "Street Of Dreams", "My Reverie", "I Cried For You", "Deep Purple", and "Just Friends". (Vocalists, Jazz) LP, Vinyl record album

Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a small combo mode, and are often the most interesting, because Sarah opens up with a looser feel than on some of the more "respectful" big group tracks. Titles on this first volume include "In A Sentimental Mood", "I Let A Song Go Out Of My Heart", "I'm Just A Lucky So & So", "Solitude", "Day Dream", "Lush Life", "All Too Soon", and "In A Mellow Tone". (Vocalists, Jazz) LP, Vinyl record album

A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for Vaughan, and which helps the album live up to its hi-fi promise! Wilkins arrangements have a bit of a Basie bounce at times, but never overwhelm Sarah's vocals – and Jimmy Jones is also on the set, handling the piano lines. Titles include "An Occasional Man", "Oh My", "Soon", "How High The Moon", "It Shouldn't Happen To A Dream", and "Maybe". (Vocalists, Jazz) LP, Vinyl record album

A pretty obscure Sarah Vaughn album – and a nice one! The album's got Sarah singing with arrangements by Hal Mooney, who'd done work for her before in a more standard way, and who here is opening up a bit, at times almost hitting a groovy late 60s mode. Players in the group include Bob James (who also arranged a few numbers), Phil Woods, Benny Golson, and Freddie Hubbard – and titles include "The Man That Got Away", "Alfie", "For Every Man There's A Woman", "Jim", and "My Man". (Vocalists, Jazz) LP, Vinyl record album

Totally wonderful live work from Sarah Vaughan – a Berlin performance that takes off strongly from the grooviest styles of her mid 60s work on Mercury – but with an approach that's maybe even more unfettered overall, given the live setting of the material! Sarah's voice is incredible – working with an amazing demonstration of that famous range that made her such a key force in transforming jazz vocals during the postwar years – always swinging, but with all these inflections that really show just how much she'd developed her voice as an instrument during the 60s. Backing is from an unusual trio – Johnny Veith on piano, Gus Mancuso on bass, and Eddy Pucci on drums – players who really fit the groovy nature of the material – titles that include "On A Clear Day", "Passing Strangers", "I Cried For You", "A Lot Of Livin To Do", "And I Love Him", "Fly Me To The Moon", "The Sweetest Sounds", "What Now My Love", "Time After Time", and "I Had A Ball". (Vocalists, Jazz) LP, Vinyl record album

The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". (Vocalists, Jazz) LP, Vinyl record album

A great album on Mercury – one with a gentle groove, but at a level that really lets Sarah Vaughan expand to the full subtle power of her voice! Titles include "It Happened Again", "You Ought To Have A Wife", "Never", "Edge Of The Sea", "C'Est La Vie", "Don't Let Me Love You", "The Second Time", and "Fabulous Character". (Vocalists, Jazz) LP, Vinyl record album

One of Sarah Vaughan's first albums of Latin-tinged tracks – showing the roots of her interest in Brazilian music that would develop even more fully into the 70s. The record features a large group arranged and conducted by Frank Foster – with a host of jazz soloists, plus Latin percussion by the likes of Willie Bobo, Jose Mangual, and Willie Rodriguez. Titles include lively versions of "Jive Samba", "The Boy From Ipanema", "Mr Lucky", "Quiet Nights", and "Moment Of Truth". Tasty stuff – and very groovy! (Vocalists, Jazz) LP, Vinyl record album

A rare oddity – and a surprisingly nice record! Sarah Vaughan sings the words of Pope John Paul II – but set to groovy arrangements by Francy Boland, conducted by Lalo Schifrin! This trio of secular talents helps make the album much nicer than you'd expect – an unusual later project from Gigi Campi! (Vocalists, Jazz) LP, Vinyl record album

The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite that lack, though, the grooves are very much in the best Basie mode – full of soul and searing horn lines – at a level that makes the album one of Sarah's liveliest from the time! Players include Thad Jones and Joe Newman on trumpet, Al Grey on trombone, Frank Foster and Frank Wess on tenor, and Freddie Green on guitar – and Ronnell Bright handles the piano, instead of Basie. Titles include "Darn That Dream", "Smoke Gets In Your Eyes", "Doodlin", "Just One Of Those Things", "No Count Blues", and "Missing You". (Vocalists, Jazz) LP, Vinyl record album

A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins – filled with famous trumpet solo work by Clifford Brown, during his last few years on the planet - plus tenor from Paul Quinichette, flute from Herbie Mann, and piano from Jimmy Jones. Sarah's vocals are incredible – curving, turning, and lilting with a tremendous amount of jazz-based inflection – and titles include "Lullaby Of Birdland", "April In Paris", "September Song", "He's My Guy", and "I'm Glad There Is You". (Vocalists, Jazz) LP, Vinyl record album

A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins – filled with famous trumpet solo work by Clifford Brown, during his last few years on the planet - plus tenor from Paul Quinichette, flute from Herbie Mann, and piano from Jimmy Jones. Sarah's vocals are incredible – curving, turning, and lilting with a tremendous amount of jazz-based inflection – and titles include "Lullaby Of Birdland", "April In Paris", "September Song", "He's My Guy", and "I'm Glad There Is You". (Vocalists, Jazz) LP, Vinyl record album

A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins – filled with famous trumpet solo work by Clifford Brown, during his last few years on the planet - plus tenor from Paul Quinichette, flute from Herbie Mann, and piano from Jimmy Jones. Sarah's vocals are incredible – curving, turning, and lilting with a tremendous amount of jazz-based inflection – and titles include "Lullaby Of Birdland", "April In Paris", "September Song", "He's My Guy", and "I'm Glad There Is You". (Vocalists, Jazz) LP, Vinyl record album

(Vocalists, Jazz) LP, Vinyl record album

Titles include "Paradise", "Time On My Hands", "Make Yourself Comfortable", "Honey", and "It's Magic". (Vocalists, Jazz) LP, Vinyl record album

Very nice jazz-oriented material that has Sarah working with Jimmy Jones, one of her best accompanists, or John Malachi, who was in Billy Eckstine's band at the same time Sarah was with the group. All the tracks have nice small combo instrumentation – and Sarah keeps things nice and warm vocally, free to get a bit more intimate than usual in the album's casual setting. Titles include "All Of Me", "Lover Man", "Polka Dots & Moonbeams", "Prelude To A Kiss", and "You Hit The Spot". (Vocalists, Jazz) LP, Vinyl record album

A hip album from Sarah Vaughan – one recorded with great jazz backings from Ernie Wilkins, and featuring a young Cannonball Adderley as the main soloist! The addition of Adderley's alto definitely brings a swinging sound to the set – a sense of soul that's even deeper than usual for Vaughan, and which helps the album live up to its hi-fi promise! Wilkins arrangements have a bit of a Basie bounce at times, but never overwhelm Sarah's vocals – and Jimmy Jones is also on the set, handling the piano lines. Titles include "An Occasional Man", "Oh My", "Soon", "How High The Moon", "It Shouldn't Happen To A Dream", and "Maybe". (Vocalists, Jazz) LP, Vinyl record album

Recordings from 1947 by Barry Ulanov & His All Star Metronome Jazzmen, with Fats Navarro on trumpet, John LaPorta on clarinet, Charlie Parker on alto, Allen Eager on tenor, Lennie Tristano on piano, Billy Bauer on guitar, Tommy Potter on bass, and Buddy Rich on drums, with Sarah Vaughan on vocals; plus three tunes recorded in 1948 at the Royal Roost by Tadd Dameron & His Orchestra with Allen Eager and Wardell Gray on tenor, Curley Russel on bass, and Kenny Clarke on drums. LP, Vinyl record album

Spiritual jazz both old and new – a collection that really gets past the obvious sides of the genre, and brings together a range of unusual work from the 70s onward! The tracks here are a great antidote to the well-traveled territory of labels like Impulse or Strata East Records – and are mostly from lesser-known sources that include tiny indies from the 80s, and a few ground breaking imprints from recent years! There's definitely a vibe here that holds strongly in the spirit of John Coltrane, Pharoah Sanders, and other innovators from the end of the 60s – but the sound is especially fresh given the obscurity of the tunes. Titles include "For Our Souls" by Doug Hammond, "Amazona" by Francisco Mora Catlett, "The Mystery Of Man" by Sarah Vaughan, "Better Than That" by Nomo, "Gol E Gandom" by Lloyd Miller, "Motherless Child" by Brother Ah, "A Love Supreme" by Dwight Trible, "Why" by Woody Shaw with Carter Jefferson, "Rwanda" by Francis Bebey, "Come Sunday" by Stanley Cowell, and "En El Amanecer Del Tiempo". (Funky Compilations, Jazz) LP, Vinyl record album

Great work from the early years from Billy Eckstine – including one track with Billy on trumpet! Band members include Fats Navarro on trumpet, Gene Ammons and Budd Johnson on tenors, Leo Parker on baritone, and Art Blakey on drums! The set also features some vocals from Lena Horne and Sarah Vaughan too! (Vocalists, Jazz) LP, Vinyl record album