A groundbreaking early album from guitarist John McLaughlin – a set that's a bit different than his more famous work of the mid 70s – with maybe a more avant approach, and a lot more bite as well! The set's really an equal collaboration, rather than just a McLaughlin session – although it's become known as such, since the guitarist is the most famous musician – amongst a fantastic lineup that includes John Surman on reeds, Karl Berger on vibes, Dave Holland on bass, and Stu Martin on drums – all working in a freewheeling mode that's a lot like some of Surman's Trio records on the Dawn label from the same time! Surman is especially great here – adding in soulful currents at some spots, freer lines at others – and it's great to hear the tones of McLaughlin's guitar balanced against Berger's vibes. Titles include "Glancing Backwards", "Earth Bound Hearts", and "Where Fortune Smiles". LP, Vinyl record album
(Mid 70s US pressing. Cover has a cut corner, some ring and edge wear, round sticker spot, and some peeling from index label removal at the top left corner.)
Early recordings by Dollar Brand – recorded in London in 1965, playing solo on a batch of tunes dedicated to two big influences – Duke Ellington and Randy Weston – and also featuring a number of his own compositions. Titles include "Pye R Squared", "Knights Night", "Mood Indigo", "On The Banks Of Allen Waters", "Little Niles", and "Resolution". LP, Vinyl record album
Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les on sublime Fender Rhodes, as things build slowly with this really spiritual current that comes from the addition of Yusef Lateef on reeds, Cornell Dupree and David Spinozza on guitar, Corky Hale on harp, and both Bernard Purdie and Alphonse Mouzon on drums! The track is loose, but builds into some great funky moments – almost a keyboard version of electric Miles Davis at the time, but a lot more soulful. And side two continues the heavy keyboard vibe – with a killer remake of Les' classic "Beaux J Poo Poo" and a similar "Poo Pye McGoochie", both with the kind of choppy funky grooves Les laid down with Eddie Harris a few years prior! LP, Vinyl record album
(1841 Broadway label pressing. Cover has ring wear with a peel spot in the middle, light surface wear, small top seam split.)
Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les on sublime Fender Rhodes, as things build slowly with this really spiritual current that comes from the addition of Yusef Lateef on reeds, Cornell Dupree and David Spinozza on guitar, Corky Hale on harp, and both Bernard Purdie and Alphonse Mouzon on drums! The track is loose, but builds into some great funky moments – almost a keyboard version of electric Miles Davis at the time, but a lot more soulful. And side two continues the heavy keyboard vibe – with a killer remake of Les' classic "Beaux J Poo Poo" and a similar "Poo Pye McGoochie", both with the kind of choppy funky grooves Les laid down with Eddie Harris a few years prior! CD features a long bonus track – a live version of "Compared To What", which originally appeared on the Doldinger Jubilee album from 1975. CD
An amazing package – and a dream come true for all of us at Dusty Groove – as the set features a ton of never-issued material from one of our favorite albums ever, by one of our favorite trumpet players of all time! Lee Morgan was really on a run when he stepped into the Lighthouse club in July of 1970 – soaring with a new sense of spirit that was captured on his final records before his too-early death – set loose here in a live setting that has Morgan and the group bristling with a new sort imagination on all sorts of extended performances! The Lighthouse was the home of cool jazz performances back in the 50s – but here, the locale is completely transformed – thanks to work from Lee on trumpet, Harold Mabern on piano, Jymie Merritt on electric bass, Mickey Roker on drums, and the great Bennie Maupin on tenor, flute, and bass clarinet – all rolling out with energy that's a lot more Strata East than Blue Note! The original 2LP set was expanded to a 3CD version in the 90s – but this massive collection brings together all the tremendous work from the performances – all of it completely essential, thanks to the sense of variety and inventiveness on the long solos that make up the tracks. Titles include versions of "Speedball", "Yunjana", "I Remember Britt", "Absolutions", "Something Like This", "The Beehive", "Neophilia", "Pyeote", "Aon", "416 East 10th Street", "Nommo", and the coolest version of "Sidewinder" you'll ever hope to hear. Newly remastered – with over four hours of never-heard music! CD
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