That's "Take Ten", not "Take Five" – a great title cut that echoes
Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/
Desmond collaborations for RCA – A sublime showcase not just for
Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El
Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together".
(Mono pressing with deep groove, 1s stampers. Cover has clear tape on all seams, surface wear & aging.)