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Jazz — CDs

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

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Possible matches: 2
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CD, LP, Vinyl record album cover art
Albert Ayler with Don CherryEuropean Recordings Autumn 1964 Revisited ... CD
Hat Art/Ezz-Thetics (Switzerland), 1964. New Copy 2CD ... $18.99
A huge 2CD set – one that features important European work that saxophonist Albert Ayler recorded with trumpeter Don Cherry! CD1 brings together six tracks from Albert Ayler's Hilversum Radio sessions from 1964 – plus an additional three tracks recorded in Denmark a few months earlier! The first six titles are a famous performance by a famous group set loose on a European tour in 1964 – Ayler on tenor, Don Cherry on cornet, Gary Peacock on bass, and Sunny Murry on drums – recorded in The Netherlands for a small audience in a Dutch radio studio! The setting is a wonderful one – a mix of the live freedoms that would really let Ayler stretch out – especially when playing overseas – but recorded with the clarity of some of his studio albums for ESP – that sharp-edged sound that really highlights the groundbreaking style of his playing! The rest of the group here is equally great, and Murray is completely freed up from rhythm at points, to fly beautifully with the rest – on titles that include "Angels", "CAC", "Infant Happiness", "Ghosts", and "No Name". The same group performs on the final three tracks – recorded in Copenhagen for Danish Radio, with an equally great level of clarity – on "Saints", "Spirits", and "Vibrations". The interplay between Ayler and Cherry is especially great – echoing the latter's material with Ornette Coleman, but with a different sort of edge! CD2 features amazing live material from 1964 – work that was recorded at the Club Montmartre in Copenhagen, right around the same time that Albert Ayler recorded his album for Debut Records – and a set that has his quartet in even more firey formation overall! The tracks are long, and Ayler is completely unbridled – at a level that really shows not only how much of a leader he was to the American avant underground, but what an inspiration he was to the European free scene too – who could only help but take a big cue from his work here on tenor! The group also features equally wonderful work from Don Cherry on cornet – sounding quite different than when with Ornette Coleman – plus bass from Gary Peacock, whose dark tones really set the mood – and drums from Sunny Murray, who is also at an explosive point in his career. The material is remastered wonderfully, with permission from Albert Ayler's estate – and titles include "Mothers", "Saints", "Vibrations", Spirits", "Children", and a shorter "Spirits". CD

Possible matches2
CD, LP, Vinyl record album cover art
TribeHometown Detroit Sessions 1990 to 2014 ... CD
Strut (UK), 1990/1995/2014. New Copy ... $14.99 15.99
A return to greatness for the legendary Tribe Records scene in Detroit – an underground movement that gave us some spiritual jazz classics in the 70s – then kept on making wonderful music at an even more underground level as the years went on! This set is a collection of work from three rare recordings issued during that time – all on CD only, and representing a maybe even more obscure side of this legacy than the Tribe albums of the 70s! First up is trombonist Phil Ranelin – heading up a group that includes Wendell Harrison on tenor and Marcus Belgrave on trumpet – two key Tribe partners from the early years – really stretching out on the titles "He The One We All Knew" and "Freddie's Groove", both recorded in 1990. Next is material from a 1995 performance led by pianist Harold McKinney – a set that's got an incredible depth of imagination and soul, almost as much as Harold McKinney's work of years back! The group is a wonderfully hip one – with former Tribe artists Wendell Harrison on tenor and clarinet and Marcus Belgrave on trumpet – plus additional players who include Kiane Zawadi on trombone, Reggie Workman on bass, Francisco Mora on percussion, and Jimmy Owens on trumpet. There's a bit of vocals, but never that much – and most tracks are long and open – freely exploratory, but never too far out or avant-styled – just soulful and spiritual, in the true Tribe Records tradition! Titles include "Wide & Blue", "The Slave Ship Enterprise", "Juba", "Libra Ahora", and "Conjure Man". Last is a set of tracks recorded in 2014 by keyboardist Pamela Wise – a record that really carries forward the Tribe Records spirit from the 70s! The overall approach is a bit more contemporary, but the set's still got all the best feel of a classic indie album from the underground – played and penned by Wise in close collaboration with reedman Wendell Harrison, a frequent partner of Pamela's on a variety of projects, and one of the driving forces of Tribe back in the day! Wise plays both acoustic and electric keyboards, and sometimes sings just slightly – although most of the album is instrumental – and in addition to Harrison's work on tenor and bass clarinet, the album features trumpet, guitar, and lots of percussion. Titles include "Ode To Black Mothers", "Hometown", and "Marcus Garvey". CD
 
 
 



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