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Joe Harriott Edit search Phrase match

 
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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
Joe HarriottFormation – Live 1961 ... LP
Jazz In Britain (UK), 1961. New Copy ... $29.99 About October 15, 2022
... LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Joe HarriottFree Form & Abstract Revisited ... CD
Hat Art (Switzerland), Early 60s. New Copy 2CD ... Out Of Stock
A pair of legendary albums from the mighty Joe Harriott – a player who emigrated to England in the 50s, then set the scene on fire in the following decade! First up is Free Form – the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of tracks that prove that Harriott was advancing the jazz avant garde in England as much as players like Ornette Coleman and Cecil Taylor were advancing it in America. Despite the "free form" of the title, the tracks are more "new thing" – somewhat structured, with a rhythmic approach that's still a little straight, but solos that go nice and outside. Joe's overall conception is a beautiful mix of angular thinking with freely expressed soulful emotion – and the record's one that ranks up there with the 10 most groundbreaking of the 60s! The group's about as fantastic as you could ever expect from England at the time – with Shake Keane on trumpet, Pat Smythe on piano, Coleridge Goode on bass, and Phil Seamen on drums – and titles include "Formation", "Coda", "Abstract", "Straight Lines", and "Impression". Next is Abstract – one of the legendary sets of avant garde jazz by the British alto genius Joe Harriott – an artist who was sometimes billed as the British Ornette Coleman – a reputation he definitely earns with the groundbreaking quality of this album! The conception is bold right from the start – strongly rhythmic, but at a level that's different from Coleman's music – with some deeply emotional undertones to the solos (which also include work from Shake Keane on trumpet!) – and occasional modal elements that also bring in some spiritual elements to work perfect with the breakout solos. The group also features crack rhythm work from Pat Smythe on piano, Coleridge Goode on bass, and Phil Seaman on drums – and the track list includes "Subject", "Shadows", "Tonal", "Oleo", "Pictures", "Idiom", "Compound" and "Modal". CD

Exact matches3
CD, LP, Vinyl record album cover art
Joe HarriottJoe Harriott – Chronology Live 1968/1969 ... CD
Jazz In Britain (UK), Late 60s. New Copy ... $16.99 22.98
Unreleased work from alto genius Joe Harriott – two different slices of material from a very under-recorded point in his career! The first five tracks feature Joe in that back to basics mode he was hitting at the time – working in a unique group that features Kenny Wheeler on trumpet and flugelhorn, Pat Smythe on piano, Ron Mathewson on bass, and Bill Eyden on drums – all players who are very open to modern ideas, but who also keep things on more of a groove here – with only a bit of the freedom that Harriott was bringing to his music a few years before! And yet there's still a great tension that makes the set great – swinging jazz mixed with modernism – on titles that include the Horace Silver tunes "Down & Out" and "Psychedelic Sally", plus "WSIMC", "Chronology", and "Shadows". The remaining two tracks on the set feature Joe in a very different setting – the large group of Harry South – the kind of mod jazz in 60s London, working here with a superb lineup that also features Kenny Wheeler and Ian Hamer on trumpets, Ray Warleigh on alto and flute, and Tubby Hayes and Alan Skidmore on tenor saxes! Tunes include the very swinging "Themeology" by South – plus a richly full take on "My Man's Gone Now". CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Joe HarriottJoe Harriott Swings High ... CD
Cadillac (UK), 1967. New Copy ... $14.99
A fantastic lost slice of work by one of the greatest modern jazz forces on the British jazz scene of the 60s – Jamaican-born saxophonist Joe Harriott, known for his groundbreaking avant jazz sessions and his experiments with Indian classical music! The sound here is quite different than those two better-known aspects of Harriott's career – and represents a return to the hardbop style he was using in the late 50s, when first making waves on the London scene. However, that's not a bad thing at all – as the album's overflowing with modern jazz undercurrents, and almost has a fresh post-Mingus approach to the horn parts and rhythm progressions. The quintet includes trumpeter Stu Hamer, drummer Phil Seaman, bassist Coleridge Goode, and pianist Pat Smythe – all well-suited players for Harriott in such a mode, and working here in a style that recalls the first great moments of British jazz from the late 50s. Titles include "Strollin South", "Just Goofin", "Time For Love", "The Rake", "Blues In C", and "Tuesday Morning Swing". CD
(Newly remastered by Gearbox!)
Also available Joe Harriott Swings High ... LP 28.99

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Joe HarriottJoe Harriott Swings High ... LP
Cadillac (UK), 1967. New Copy (reissue)... $28.99 34.99
A fantastic lost slice of work by one of the greatest modern jazz forces on the British jazz scene of the 60s – Jamaican-born saxophonist Joe Harriott, known for his groundbreaking avant jazz sessions and his experiments with Indian classical music! The sound here is quite different than those two better-known aspects of Harriott's career – and represents a return to the hardbop style he was using in the late 50s, when first making waves on the London scene. However, that's not a bad thing at all – as the album's overflowing with modern jazz undercurrents, and almost has a fresh post-Mingus approach to the horn parts and rhythm progressions. The quintet includes trumpeter Stu Hamer, drummer Phil Seaman, bassist Coleridge Goode, and pianist Pat Smythe – all well-suited players for Harriott in such a mode, and working here in a style that recalls the first great moments of British jazz from the late 50s. Titles include "Strollin South", "Just Goofin", "Time For Love", "The Rake", "Blues In C", and "Tuesday Morning Swing". LP, Vinyl record album
(Newly remastered by Gearbox!)
Also available Joe Harriott Swings High ... CD 14.99

Exact matches6
CD, LP, Vinyl record album cover art
Ken VandermarkStraight Lines – Ken Vandermark's Joe Harriott Project ... CD
Atavistic, 1999. Used ... $14.99 18.99
A brilliant meeting of the minds! Tenorist Ken Vandermark pays tribute to the great Joe Harriott – the British modernist sax player, who's finally been getting some attention these days. Harriott was not only a fantastic player, but he also was an incredible writer – and the compositions left behind on albums like Free Form and Abstract stand as some of the highest (and first) modernist moments in British jazz. Vandermark more than does justice to the entire body of work here, and the album features his quartet with Jeb Bishop, Kent Kessler, and Tim Mulvenna – all performing Harriott compositions like "Tonal", "Shadows", "Abstract", "Straight Lines", and "Pictures". CD
 
Possible matches: 6
Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Cosmic Eye (Amancio D'Silva)Dream Sequence (180 gram pressing) ... LP
EMI/Roundtable (Australia), 1972. New Copy (reissue)... Temporarily Out Of Stock
The most mindblowing work we've ever heard from guitarist Amancio D'Silva – a really freewheeling blend of jazz and Indian music, and a set that goes far beyond most of his other albums! The album definitely lives up to the dream sequence promised by the title – as it features one long track that spins out in a beautiful blend of tablas, sitar, flute, percussion, violin, and Amancio's own great electric guitar! The leader crafts these trippy solos that are a bit like the work of Gabor Szabo, but even more open-ended and exotic – and the group also features some great work on sax from Alan Branscombe, plus violin from John Mayer – who'd worked on previous experiments of this nature with Joe Harriott. Despite the length of the track, the record is never over-indulgent or repetitive at all – as D'Silva constantly shifts the mood and the sounds – creating this wonderful interplay that really makes for a scenic richness throughout – an evocative journey in music that holds us completely rapt all the way through. LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Robin Jones SevenEl Maja ... CD
Apollo Sound/Ultra Vybe (Japan), 1972. New Copy ... Out Of Stock
A classic album of Latin grooves from the UK scene – a musical world that wasn't always a hotbed of styles in the Afro-Cuban mode, but which did have the benefit of the mighty percussionist Robin Jones! Jones was born in India, but moved to London during the same post-colonial jazz migration that brought the city key talents from the West Indies – and like Joe Harriott, Shake Keane, and others, Robin's contributions to the scene were crucial during the years he worked in a variety of different groups! This set is Jones' second as a leader – a very hip set that's all jazz all the way through – with plenty of percussion from Robin, and a combo that includes trumpet, saxes, keyboards, and vibes – all used in ways that take off from the best jazz descarga styles into a range of other modes. Titles include "El Maja", "The Wailer", "Batucada Da Vida", "Carica Papaya", "El Lobo", "Chant Afrique", and "Atlas". (Latin, Jazz) CD

Possible matches9
CD, LP, Vinyl record album cover art
Nils LindbergTrisection ... LP
Odeon (Sweden), 1963. Very Good+ ... $28.99
A brilliant bit of modern jazz from Sweden – surprisingly issued by Capitol in the US, during a period when they were picking up overseas sides from players like Martial Solal and Joe Harriott. Lindberg plays piano, and leads a large group that includes Eje Thelin on trombone, Idrees Sulieman on trumpet, Bertil Lofdahl on tenor, and Rolf Billberg on alto. The approach of the tunes is almost in a birth of the cool kind of mode – but more freewheeling, like some of the early Saba sides of this nature, with plenty of room for breakout solos that really unfold in the course of the album's long tracks. Titles include "Joker", "Day Dreaming", "Valse", "Preludium", and the extended "Trisection" suite. LP, Vinyl record album
(Cover has some light wear – and middle of opening edge has a mark from a sticker – but overall, this is a great copy.)

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Don Rendell/Ian Carr QuintetShades Of Blue/Dusk Fire ... CD
BGO (UK), 1964/1966. New Copy 2CD ... Temporarily Out Of Stock
Some of the greatest British jazz of the 60s – two early albums by the groundbreaking Ian Carr/Don Rendell quintet! Shades Of Blue is the debut of a legendary British jazz group – one who not only gave that nation's scene a fresh voice in music, but who also really set the tone for many other acts to come! After a stretch when the London scene was doing a great job of matching American efforts in bop and swing, players like Don Rendell and Ian Carr found a way to really carve out some bold space of their own – here, by matching their own strong sense of writing and arranging, always filled with beautiful tone and color, with some of the more modern phrasing and styles that were just creeping up around town. The set's not nearly as experimental as the work of Joe Harriott, but has all the hallmarks of that generation's openness to new ways of expression – often given a surprisingly soulful swing, and captured perfectly as one of the early entries in the famous Lansdowne Series recordings. The rest of the group is equally great – and in addition to Rendell on tenor and soprano sax, and Carr on trumpet and flugelhorn – the combo includes Colin Purbrook on piano, Dave Green on bass, and Trevor Tompkin on drums. Titles include "Garrison 64", "Blue Mosque", "Just Blue", "Latin Blue", "Sailin", and "Big City Strut". Dusk Fire has a great group getting even better – as the legendary pairing of tenorist Don Rendell and trumpeter Ian Carr is joined by pianist Michael Garrick – who was really helping to shape the sound of British jazz at the time! The album's only the second from the Rendell/Carr Quintet, but it's already moving strongly forward – with this sense of composition and focus that's really amazing – served up in original tunes by all three creative forces in the lead – often with this great balance between soulful swing and modern ideas that makes the whole thing a dream all the way through! Don plays tenor, soprano sax, flute, and clarinet; Carr plays trumpet and flugelhorn; Garrick is on piano, Dave Green is on bass, and Trevor Tomkin is on drums – on titles that include "Prayer", "Dusk Fire", "Hot Rod", "Spooks", "Jubal", and "Tan Samfu". CD

Possible matches11
CD, LP, Vinyl record album cover art
VariousI Had The Craziest Dream Vol 1 – Modern Jazz & Hardbop In Postwar London ... CD
Death Is Not The End, Late 50s. New Copy ... $12.99 18.99
The British scene of the 50s was a hotbed of new musical activity in jazz – partly because of the energy that's always been associated with the city of London and music – but also because new waves of immigration were seeing all sorts of fresh styles coming to the British shores! Both of those modes are definitely in play here – in a stunning showcase of some of the hippest jazz that was bubbling forth in the UK during the postwar years – some with top-shelf soloists who'd go on to achieve even more in the 60s – some with lesser-known players who really shine in the company of the others! Titles include "Wilton's Mood" by Wilton Gaynair, "Hi Ya Mr Jackson" by Tony Hall, "Spiritual Blues" by Joe Harriott, "Nelson's Column" by Eddie Thompson, "it Don't Mean A Thing" by Tony Kinsey with Joe Harriott, "Hootin" by The Jazz Five, "Morning Blue" by Shake Keane, "Egyptian Bint Al Cha Cha" by Ginger Mofolunsho Johnson, and "You Stepped Out Of A Dream" by Don Rendell. CD

Possible matches12
CD, LP, Vinyl record album cover art
VariousI Had The Craziest Dream Vol 2 – Modern Jazz & Hardbop In Postwar London ... CD
Death Is Not The End, Late 50s/Early 60s. New Copy ... $12.99 16.99
The city of London was a key center of new jazz activity in the postwar years – partly due to the music's spreading popularity from American sources, but also due to the crumbling colonial structure of the British Empire – which saw residents of other nations arriving in the city, bringing their own musical styles to help create new traditions on the British scene! This well-done set is definitely a great example of that interplay – as much of the music here isn't just British players trying to copy American jazz – but instead all sorts of new directions served up both by natives and newcomers, with some of the best sounds coming in a combination of the two. Titles include "Rhythm" by Wilton Gaynair, "Wail" by Jimmy Deuchar/Victor Feldman Quintet, "Old Devil Moon" by Shake Keane and the Pat Smythe Trio, "Sweet & Lovely" by Dizzy Reece, "Fascinating Rhythm" by Tony Kinsey with Joe Harriott, "Autumn In Cuba" by London Jazz Quartet, "Fidel "by Shake Keane, "Free" by Stan Tracey, "Blues For Those Who Thus Desire" by Tubby Hayes, and "Body & Soul" by Eddie Thompson. CD
 
 
 



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