Hermeto Pascoal -- Jazz — LPs (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Jazz — LPs

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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Hermeto PascoalHermeto ... LP
Cobblestone/Far Out (UK), Early 70s. New Copy (reissue)... $26.99 29.99
The amazing first album from Brazilian modern musical genius Hermeto Pascoal – a set that would change the world of jazz and Brazilian music for years to come! By the time of the set, Hermeto was no stranger to the scene – he'd recorded famously in Quarteto Novo with Airto, and in some other key groups – yet this set also marks a real transformation, the rise of Pascoal as a new visionary, with endless fresh ideas for sounds, rhythms, and instrumental possibilities! And yet, the album's still very groovy – it follows nicely off the spirit of Quarteto Novo, and mixes tight rhythmic changes with all sorts of incredible instrumental inflections – work by Pascoal on keyboards and flute – augmented with drums and percussion from Airto, and a range of reeds from American jazz musicians Jerome Richardson, Maurico Smith, Joe Farrell, Jerry Dodgion, and Hubert Laws – as well as trombone from the great Garnett Brown, and trumpets from Thad Jones and Joe Newman. The mix of American players and Brazilian inspiration is wonderful – and Airto and Flora Purim produced the set – and the latter sings a bit on the record. Titles include "As Marianas", "Alicate", "Hermeto", "Coalhada", "Fabiola", "Guizos", and "Flor Do Amor". (Brazil, Jazz) LP, Vinyl record album
Also available Hermeto ... CD 13.99

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Hermeto Pascoal & Grupo Vice VersaViajando Com O Som – The Lost 76 Vice Versa Studio Sessions (green vinyl pressing) ... LP
Far Out (UK), 1976. New Copy ... Temporarily Out Of Stock
A never-issued album by the great Hermeto Pascoal – recorded in the space between his 70s classics Slaves Mass and A Musica Livre – and every bit as amazing as those classics! The music here is fluid, open, and a fantastic mix of jazz and all of Hermeto's new ideas about musical structure – performed at a level that's highly organic, and with that completely individual vision that Pasocal brought to his sound from the start! This isn't typical Brazilian fusion of the time, but nor is it anything like the tighter sounds that Airto and Flora Purim were recording up in the US – instead, a musical mode that's completely in its own space, and which needs only one listen to convince you of the master's genius. The group here is overflowing with young talent – Lelo Nazario on keyboards, Nivaldo Ornelas and Mauro Senise on saxes and flute, Toninho Horta on guitar, Zeca Assumpcao on bass, and Ze Eduardo Nazario on drums – all important musical visionaries on their own, working together here to hit an even new level of creativity. Aleuda Chaves sings wordlessly on a bit of the record – and the whole thing has that blend of soaring sound and lyricism that marks Pascoal at his best. Titles include "Danca Do Paje", "Natal", "Casinha Pequinina", and "Mavumvavumpefoco". (Brazil, Jazz) LP, Vinyl record album
(Limited to 500 copies – on green vinyl!)
 
Possible matches: 3
Possible matches3
CD, LP, Vinyl record album cover art
Donald ByrdElectric Byrd (180 gram pressing) ... LP
Blue Note/Third Man, 1970. New Copy (reissue)... $30.99 35.99
Donald Byrd in a sweet electric mode – as you'd guess from the title! The set was recorded right before Byrd's legendary run with Larry Mizell in the early 70s – and the electric approach is a bit different here – a style that blends Byrd's wonderful trumpet lines with the larger ensemble mode Blue Note sometimes used in the late 60s, but with a spacey, stretched-out feel that's mighty nice! The album's somewhat similar to Byrd's Kofi set – but possibly a bit more open overall – and players here include Duke Pearson on electric piano, Jerry Dodgion on alto and sopranos ax, Frank Foster on tenor, Pepper Adams on baritone, Hermeto Pascoal on flute, Wally Richardson on guitar, Ron Carter on bass, Mickey Roker on drums, and Airto on percussion. Pearson produced, and probably arranged too – given a slight Brazilian undercurrent to the grooves – and titles include "Estavanico", "Essence", "The Dude", and "Xibaba". LP, Vinyl record album
(Part of the great Third Man 313 series – Detroit-focused, 180 gram vinyl pressed at Third Man, and mastered and cut by Warren Defever from the original tapes!)
Also available Electric Byrd ... CD 18.99

Possible matches4
CD, LP, Vinyl record album cover art
TunicoTunico ... LP
Far Out (Brazil), 2023. New Copy ... $26.99 29.99
A tremendous debut from Tunico – a record that seems certain to begin an amazing legacy in Brazilian music – at a level that has this young musician easily rivaling some of our favorites from the past! The set's got this way of mixing earthy roots with very modern arrangements – all set to warmly jazzy instrumentation, at a level that recalls some of our favorite early 70s experiments by artists like Edu Lobo, Hermeto Pascoal, or Airto – especially the latter two right after they'd left the group Quarteto Novo! Tunico himself plays guitar, and both alto and soprano sax – and the tunes have this way of soaring and gliding wonderfully – rhythms that are very organic, but inflected with all sorts of other unusual phrasing on instruments by the leader and other members of the group – more guitar, plus keyboards, flute, bass, and plenty of percussion. The whole thing's extremely beautiful, with a quality that's hard to put into words – and titles include "Decolagem", "Sambola", "Solar Das Hortencias", "Saudade Do Sucupira", "Galope", and "O Que Vira". (Brazil, Jazz) LP, Vinyl record album
Also available Tunico ... CD 13.99

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Grupo UmStarting Point ... LP
Far Out (UK), 1975. New Copy ... Out Of Stock
Really wonderful early work from Grupo Um – an important Brazilian combo with ties to the more experimental side of scene, including previous experience with the legendary Hermeto Pascoal! The group's debut album was issued in 1979, titled Marcha Sobre A Cidade – but this earlier recording was done a few years before, and now finally gets exposure as the real starting point for Grupo Um! The trio features brothers Lelo Nazario on a piano, prepared piano, and Fender Rhodes – and Ze Eduardo Nazario on drums, percussion, and berimbau – both joined by the legendary bassist Zeca Assumpcao, who played on countless great records in the 70s. The music is jazz at points, but more experimental at others – and is often even farther off than some of the more adventurous work by Pascoal during the decade – as the trio aren't afraid to break down their styles, even from the previous tracks on the record – effortlessly moving between melodic moments and more avant-styled sounds. Yet there's also a warmth here that's maybe missing from the later Grupo Um records – an innocence and freshness that really comes through on titles that include "Jardim Candida", "Organica", "Onze Por Oto", "Porao Da Teodoro", and "Cortejo Dos Reis Negros". (Brazil, Jazz) LP, Vinyl record album
 
 
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