Groundbreaking improvisations from the British scene of the early 70s – a set that stands as a key demonstration of the tonal genius of
Evan Parker on reeds, and one that also marks a seminal mix of percussion and electronics from the great
Paul Lytton!
Parker blows soprano and tenor saxes, sometimes in those cyclical modes that he can pull off effortlessly – which also seems to open the door to
Lytton's electronic pulsations, and some of his percussive touches in a similar way – while both musicians also use other elements, including tape and home made instruments – touching the proceedings with some very cool and unexpected sounds! Titles include "
Lytton Perdu", "Shaker", "Cat's Flux 2", "Peradam", "Voice Fragment", and "What's Left Of The Neo Left".