The cover art is a great fit for this record – as fluteman Eric Ghost works with some nicely psychedelic styles in his music – often some of the modes that contemporary Jeremy Steig would use on some of his coolest albums of the late 60s! Instrumentation here is nice and lean – percussion, bass, and piano – and there's a tightness to most of the cuts that moves between funky and spiritual modes, both of which are handled wonderfully by Ghost on his variety of flutes – with a mind-expanding approach that's light years past more familiar jazz flute material by an artist like Herbie Mann. Titles include "Moab", "Secret Sauce", "Bizarre Bazaar", "Orangeland", "Oliver Snagnasty", and "Pakakrakatoa". LP, Vinyl record album

A wonderful bit of soul jazz – much less trippy than some of Charles Lloyd's later work, and handled with a soulful flair that's a mix of Coltrane spiritualism, with an even larger dose of the sort of post-Trane experiments in jazz that would crop up during the early 70s on smaller independent labels – a scene that Lloyd really influenced with albums like this! The record's quite advanced for its time – and features Charles' tenor and flute next to piano by Don Friedman, bass by either Richard Davis or Eddie Khan, and drums by Roy Haynes or JC Moses – on titles that include Lloyd's classic "Forest Flower", plus "Little Peace", "Love Song to A Baby", "Sweet Georgia Bright", and "Bizarre". LP, Vinyl record album

A rather bizarre but totally hip record – Sidney Poitier gives dark moody readings of Plato, in his cold hip voice, with some groovy hipster jazz backing by Fred Katz, over great tracks like "Our World is a Cave" and "Women's Place in Society". The music is actually pretty great – kind of like Chico Hamilton-styled jazz, and done in a way that brings a lot more life to the record than you'd expect from just Sidney's voice! (Spoken Word, Jazz) LP, Vinyl record album