The long-overdue issue of the only recording by this lost Chicago/
Swedish project – a massive lineup of young avant players from the start of the millenium – similar in construction to the Peter Brotzman Tentet, but working here with a very different sound! The group came together over the space of months, on both sides of the Atlantic
– and really took their time to develop the album's two long compositions by Ken Vandermark and Fredrik Ljungkvist – working in amazing shades and tones that really reflect the individual personalities and strengths of the 16-member lineup. Each track spins out towards the half-hour mark – which allows lots of space for sounds from Mats Gustafsson on tenor, Ken Vandermark on clarinet and tenor, Fredrik Ljungkvist on tenor, clarinet, and baritone (were these guys having a competition?) – plus Guillermo Gregorio on alto and clarinet, Jeb Bishop on trombone, Per Ake Holmlander on tuba, Joe Morris and David Stackenas on guitars, Sten Sandell on piano, Jim Baker on piano and Arp, Fred Lonberg-Holm on cello, Kent Kessler and Johan Berthling on basses, Michale Zerang and Raymond Strid on drums and percussion, and Kjell Nordeson on drums, percussion, and vibes. There's a heck of a lot going on here – and titles include "Codeine Picasso" and "In This Very Room" – each of which have a mix of composition and improvisation that's not unlike some of the projects directed by Lonberg-Holm around the same time.