Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.

Jazz — LPs

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

$



Items/page

Atlantic Edit search

 
Sort by
Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Billy CobhamBest Of Billy Cobham (Atlantic) ... LP
Atlantic, Mid 70s. Very Good ... Just Sold Out!
Titles include "Quadrant 4", "Moon Germs", "Stratus", "Do What Cha Wanna", "Panhandler", "Pleasant Pheasant", and "Red Baron". LP, Vinyl record album
(Cover has ring and edge wear.)

Exact matches2
CD, LP, Vinyl record album cover art
VariousAtlantic Family Live At Montreux ... LP
Atlantic, 1978. Very Good+ 2LP Gatefold ... $3.99
A host of great talents from Atlantic Records all coming together in a really unique set of performances – some extended jazz and soul jams that go way beyond any studio work by the artists at the time! No single artist gets the spotlight at once – so that the even really is the "Atlantic Family" promised in the title – a richly collaborative performance that features full arrangements put together by Arif Mardin, with work from Herbie Mann on flute, Randy Brecker on trumpet, Michael Brecker on tenor, Richard Tee on keyboards, Dick Morrissey and Klaus Doldinger on tenor, Sonny Fortune and David Newman on alto, and Barry Rogers on trombone – plus a good chunk of Average White Band as well, ensuring a sweet funky groove throughout! Most moments are instrumental, but the set also features some vocals from Ben E King, Hamish Stuart, and Alan Gorrie on lead – plus backup from a group that includes Luther Vandross as well. Titles include a 21 minute version of "Pick Up The Pieces" – plus "One To One", "McEwan's Export", "Jadoo", "Bahia", and "Everything Must Change". LP, Vinyl record album
(Cover has a trtacklist sticker with some moisture stains and a gold promo stamp.)
 
Close matches: 61
Close matches3
CD, LP, Vinyl record album cover art
✨✧ Nat AdderleyLive At Memory Lane ... LP
Atlantic, 1967. Very Good+ Gatefold ... Temporarily Out Of Stock
Nice hard swingin' quintet session, with a good late 60's groove. Nat Adderley borrows brother Cannonball's pianist Joe Zawinul, and Joe Henderson sits in on tenor. The set was recorded live, with the same sort of relaxed funky groove as the Cannonball live sets from the time. Cuts include "Fun", "Lavender Woman", "Painted Desert", and "On My Journey Now". Nice stuff, and the kind of material that Atlantic probably won't reissue anytime in the near future. LP, Vinyl record album
(Green and blue label pressing with AT etch. Cover has a cutout notch.)

Close matches4
CD, LP, Vinyl record album cover art
American Jazz OrchestraEllington Masterpieces ... LP
East West/Atlantic, 1989. Near Mint- ... $4.99
... LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
Ray CharlesGreat Ray Charles ... LP
Atlantic, Late 50s. Sealed ... $11.99
More of a jazz album than the early vocal singles of Ray Charles – but a set that definitely is as great as promised by the title! Ray's in the lead on piano – taking some strong solos, and showing us what a sensitive phraseologist he can be when needed – really showcasing that side of his talents even more strongly away from his vocals. The album's got some great sidemen, too – David Newman on alto and tenor, Joe Bridgewater and John Hunt on trumpets, Emmott Dennis on baritone, and even a bit of guest work on bass from Oscar Pettiford. Newman and Bridgewater get in some nice solos – and titles include "Black Coffee", "The Ray", "Doodlin", "There's No You", and "Sweet Sixteen Bars". (Soul, Jazz) LP, Vinyl record album
(Sealed 70s pressing!)

Close matches6
CD, LP, Vinyl record album cover art
✨✧ Don CherryHear & Now ... LP
Atlantic, 1977. Very Good+ ... $39.99
Important 70s work from Don Cherry – one of the first albums to bring his overseas experiments to a larger US audience! The set builds nicely off of styles that Don forged earlier in France and Scandinavia – a freer style of music than his work with Ornette Coleman, and a richly organic groove that builds up strongly from the bottom, often with elements of world music settled in alongside the jazz – but there's also some funkier moments here too, a bit like the Brown Rice album, but looser overall! The groups on most numbers are relatively large and spiritual – almost like Alice Coltrane at times, but a bit more electric and funky at others – and players include Collin Walcott on sitar, Michael Brecker on saxes, Cliff Carter on keyboards, Lenny White and Tony Williams on drums, Lois Colin on harp, and Raphael Cruz on percussion. Cherry himself plays conch shells, bells, and flute in addition to his usual trumpet – and he even sings a bit on a few numbers, in a soulful, scatting sort of groove. Narada Michael Walden produced, and the whole set's got a very righteous feel – with tracks that include "Universal Mother", "Buddah's Blues", "Eagle Eye", "Mahakali", "Karmapa Chenno", "Surrender Rose", and "Journey Of Milarepa". LP, Vinyl record album
(Cover has a tracklist sticker and a cutout hole.)

Close matches7
CD, LP, Vinyl record album cover art
Chiles & PettifordLive At Jilly's ... LP
Atlantic, 1965. Very Good ... $14.99
Pianist Walter Chiles and bassist Clarend Pettiford were 2 parts ofa smokin' little combo that grooved in the sort of jazz/pop style shared by similar groups like Young Holt Unlimited. Most of the tracks have some vocals, but they're sung in kind of a groovy loungey way, as the trio grooves along in the background. Titles include "The Joker", "Love", "All Gone Over You", and "The Longest Walk". Kind of a mix of soul, jazz, and loungey grooves. LP, Vinyl record album
(Blue & green label pressing. Cover has some wear.)

Close matches8
CD, LP, Vinyl record album cover art
Clarke Boland Big BandHandle With Care ... LP
Atlantic, 1962. Very Good+ ... $2.99
Great work by this legendary hard swinging band – an early 60s American album issued on Atlantic Records, in the years before the Clark Boland Band's legendary run on MPS! Despite the early date, the album's got all the core elements of the band's sound in place – soaring rhythms, sharp-edged frontlines, and some great solo work by players who include Benny Bailey, Derek Humble, Jimmy Woode, Shahib Shihab, Idrees Sulieman, and Fats Sadi – coming together in a brilliant trans-Atlantic meeting of jazz talents! Tracks include "Long Note Blues", "Speedy Reeds", "Sonor", and "Om Mani Padme Hum". LP, Vinyl record album
(Red & purple label pressing.)

Close matches9
CD, LP, Vinyl record album cover art
Billy CobhamInner Conflicts ... LP
Atlantic, 1978. Very Good+ ... $6.99
Billy's got no "inner conflicts" here – as the album's a full-on set of heavy jamming, one that features some nice electronics alongside Billy's drums! The album's actually one of our favorite Cobham sessions of the 70s – a record that we'd rank right up there with Spectrum for sheer intensity, and for its ability to appeal to our funk-tuned ears. The variety of rhythms on the record is really really great – earthy and tribal one minute, and electric and spacey the next – all coming off well without trying too hard, and with a feel that's much more jazzy and soulful than some of Billy's more rock-focused work. Players include George Duke as Dawilli Gonga on keyboards, John Scofield on guitar, Julian Priester on trombone, Jimmy Owens on trumpet, and Pete & Sheila Escovedo on percussion. Titles include "Inner Conflicts", "Arroyo", "El Barrio", "Nickels & Dimes", and "The Muffin Talks Back". LP, Vinyl record album
(Cover has light wear.)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanOrnette On Tenor ... LP
Atlantic, 1962. Very Good ... Just Sold Out!
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching out strongly – yet still also hitting that great rhythmic groove that made his Atlantic albums so great – thanks to rhythm from Jimmy Garrison on bass and Ed Blackwell on drums. Don Cherry's in the group on pocket trumpet, and the tunes are as provocative as their titles – which include "Ecars", "Enfant", "Mapa", and "Cross Breeding". LP, Vinyl record album
(Red & purple label pressing. Vinyl has a short click at the beginning of "Enfant".)

Close matches11
CD, LP, Vinyl record album cover art
✨✧ John ColtraneMy Favorite Things ... LP
Atlantic, 1961. Very Good- ... Temporarily Out Of Stock
Wonderful wonderful wonderful work from the legendary John Coltrane – and even though it's probably one of his best-selling albums of all time, it's still a treasure – and has an essential place in just about any jazz collection! We've heard the original title version of "My Favorite Things" a million times – but it still blows our mind the way Coltrane hits this incredibly soulful modal groove, twisting and turning on soprano sax, always keeping things interesting, so that we're surprised that the cut's 13 minutes have gone by so quickly! The rest of the record's equally great – and the 3 other long cuts are "Everytime We Say Goodbye", "Summertime" and "But Not for Me". As great today as when it was cut, and still one of Coltrane's most revelatory albums! With McCoy Tyner on piano, Steve Davis on bass, and Elvin Jones on drums. LP, Vinyl record album
(Mono red & purple label pressing with AT etch. Cover has some seam splitting, a cutout hole, and light staining on the back.)

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Chick CoreaInner Space (Tones For Joans Bones plus bonus tracks) ... LP
Atlantic, Late 60s/1973. Near Mint- 2LP Gatefold ... Temporarily Out Of Stock
An expanded version of Chick Corea's amazing Tones For Joan's Bones album from the late 60s – presented here with some key bonus tracks as well! The core album is amazing stuff – quite different than Chick Corea's 70s work, and a set that's filled with heavy soul jazz and Latin influences! Chick's coming off of years of work in Latin bands, and in smaller soul jazz combos, and his writing here is a mix of the freer style that would later become too free, with the rootsier elements of his background. The players on the record include Woody Shaw on trumpet, Joe Farrell on tenor and flute, Steve Swallow on bass, and Joe Chambers on drums – and all tracks are long, with a sweeping, searching, soulful sound. Titles include a beautiful rendition of Chick's "Litha", which he also recorded with Stan Getz on Sweet Rain, plus two other nice originals – "Tones For Joan's Bones" and "Straight Up And Down". This set also includes two numbers left off the original release, "Inner Space" and "Guijira" – recorded at the same time, and a wonderful expansion of the already-great set. Added to the record are two more Chick-centered tracks from the Hubert Laws album Laws' Cause – "Windows" and "Trio For Flute, Bassoon & Piano" – arranged by Corea, and featuring him on piano and Hubert Laws on flute. LP, Vinyl record album
(Red and green Broadway label pressing. Cover has light wear.)

Close matches13
CD, LP, Vinyl record album cover art
Wilbur De ParisMarchin' & Swingin' ... LP
Atlantic, 1952. Very Good ... $6.99
... LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear and pen on the back.)

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Don EllisLive At Montreux ... LP
Atlantic, 1978. Near Mint- ... Temporarily Out Of Stock
Live orchestral recording from Montreux – 6 tracks with titles including "Open Wide", "Loneliness", "Future Feature", "Go-No-Go", "Sporting Dance" and "Niner Two". LP, Vinyl record album

Close matches15
CD, LP, Vinyl record album cover art
Slide HamptonSister Salvation ... LP
Atlantic, 1960. Very Good ... $6.99
One of Slide Hampton's first albums – and a massively hard-wailing set that will make any doubters sit up and take notice! The set really packs a punch – as Slide leads a hip group that features Freddie Hubbard, Richard Williams, Bernard McKinney, and George Coleman through some tightly woven arrangements that manage to swing with the grace of small combo work, yet wail with the intensity of a big band. Great solos pop out all over the set – and there's a soul jazz groove that makes the album sound like a classic Prestige session. Titles include "Asseveration", "Hi Fly", "Sister Salvation", and "A Little Night Music". LP, Vinyl record album
(Red & purple label pressing with deep groove. Cover has a small split on the bottom seam and some surface wear.)

Close matches16
CD, LP, Vinyl record album cover art
✨✧ Eddie HarrisExcursions ... LP
Atlantic, 1973. Very Good+ 2LP Gatefold ... $14.99
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast of hip players that even includes Muhal Richard Abrams on electric piano! Eddie's nice and tripped out here – yet still undeniably funky – and the record is proof that the move to Atlantic let him really open up his concept. Titles include "Renovated Rhythm", "Turbulence", "Recess", "Drunk Man", "Listen Here Goes Funky", "Hey Wado", and "Fragmentary Apparitions". LP, Vinyl record album
(Red & green label Broadway pressing.)

Close matches17
CD, LP, Vinyl record album cover art
Eddie HarrisIn Sound (180 gram pressing) ... LP
Atlantic/Pure Pleasure (UK), 1965. New Copy (reissue)... $34.99 44.99
We can never get enough of Eddie Harris – and a record like this is a great reason why! Despite all the many different settings Eddie worked in at Atlantic, he still always stayed true to his roots – and a record like this is a perfect example of that – no electric horn, no funk, but a rock-solid sense of tone and timing that's unbelievable – and which makes the album a soulful treasure throughout! Of course, the group really helps a lot too – keeping things as in the pocket as Eddie's playing – with great rhythms from Cedar Walton on piano, Ron Carter on bass, and Billy Higgins on drums. And as an added treat, the set features killer work on trumpet from Ray Codrington – a player who we only know from the JFK Quintet albums – but who's an equal killer here. Titles include the first version of Eddie's classic "Freedom Jazz Dance", plus "Born To Be Blue", "Love For Sale", "Shadow Of Your Smile", and "Cryin' Blues". LP, Vinyl record album

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Eddie HarrisInstant Death ... LP
Atlantic, 1972. Very Good ... Temporarily Out Of Stock
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and progressive sides of the Chicago jazz scene – much like the way his old bassist Melvin Jackson did on the classic Funky Skull record! The group here is a small one, but features some really surprising work from players who include Muhal Richard Abrams on electric piano, Rufus Reid on electric and acoustic bass, Billy James on drums and Kalimba, Ronald Muldrow on guitar, and Henry Gibson on some mighty nice percussion. Eddie himself is a stunner – working not just on electric tenor, but also trumpet with a reed mouthpiece, and some weird way of vocalizing through a horn as well. The whole thing's got a vibe that matches the hippest, coolest electric jazz of the Cadet/Concept years – and titles include the great groover "Zambezi Dance", plus "Nightcap", "Tampion", "Instant Death", and "Superfluous". LP, Vinyl record album
(Red and green Broadway label pressing. Cover has light wear and a cutout notch.)

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Eddie HarrisIs It In ... LP
Atlantic, 1974. Very Good+ ... $6.99
One of Eddie's groovier Varitone albums, and a record that has a very electric sound to it! At times, Eddie's electric sax is so off-beat that you'd think he was playing a synthesizer instead of a sax, but in true Harris form, he always keeps it funky, and even the weird sounds have a great groove to them. Tracks include "Space Commerical", "Funkaroma", "Happy Gemini", "Look Ahere", and "It's War". LP, Vinyl record album
(Cover has a cutout notch, light wear, unglued top seam, and a promo sticker.)

Close matches20
CD, LP, Vinyl record album cover art
Eddie HarrisPlug Me In ... LP
Atlantic, 1968. Very Good- ... $9.99
Killer stuff – and an amazing album that not only showcases the varitone sax talents of Eddie Harris, but also features some fantastic arrangements by Chicago soul genius Charles Stepney! Harris plugs in right from the start – blowing an electric sax that comes up with some groovy groovy sounds – perfect for Stepney to work with on the backdrops – mixing together funky orchestrations, off-kilter strings, and even some prepared piano, ala John Cage – similar to the mode he used with Ramsey Lewis at Cadet! Tunes are wonderful – offbeat, funky, and plenty darn soulful – and titles include "Live Right Now", "It's Crazy", "Winter Meeting", and "Theme In Search Of A TV Commercial". LP, Vinyl record album
(Blue and green label pressing. Cover has some aging and light wear.)

Close matches21
CD, LP, Vinyl record album cover art
✨✧ Eddie HarrisThat Is Why You're Overweight ... LP
Atlantic, 1976. Near Mint- ... $6.99
Eddie continues the funky groove begun on Instant Funk, and smoothed out over albums like I Need Some Money – and although jazz fans probably gave him hell for going this way, we think this is actually a pretty darn great album! The record takes all of Eddie's experimentation with groovy styles from the early 70s, and filters it through some tighter playing that actually makes the groove a lot more compelling than before. A number of the tracks have vocals, almost in a humorous Bill Cosby mode – but in a way that also preserves the party feel of the cuts. Players include Bobby Lyle, Paul Humphrey, Buck Clarke, and Bradley Bobo – and one Chicago-recorded track features a great assortment from older years that includes Muhal Abrams, Odell Brown, Marshapp Thompson, Willie Henderson, and Richard Evans. Titles include "Tryin Ain't Dyin", "Ooh", "Exempt", "Live Again", "Flowers", "Why Do You Hurt Me", and "It's All Right Now". LP, Vinyl record album
(Cover has unglued seams.)

Close matches22
CD, LP, Vinyl record album cover art
✨✧ Woody HermanWoody Herman's Big New Herd At The Monterey Jazz Festival ... LP
Atlantic, 1959. Near Mint- ... Temporarily Out Of Stock
Proof that Woody Herman kept on burning hard, long after the 40s – continuing to work in great new modes, with the best players he could find! There's a touch of 60s grooviness to the record – mixed with some older California modes – and the lineup features massive tenor work from Zoot Sims, Bill Perkins, and Richie Kamuca – all of whom really know how to soar out of the larger group when needed, yet come together with that tightness that made Herman famous, back in the day! More modern touches come from Victor Feldman on vibes and piano, and Charlie Byrd on guitar – adding a nice dimension not always heard with the earlier Herman group. The live setting allows for some sweet longer numbers with more solo space – like "Monterey Apple Tree" and "Like Some Blues Man" – as well as some shorter tight numbers in the band's ensemble style – like "The Magpie", "Skoobeedoobee", and a reading of "Four Brothers". LP, Vinyl record album
(Heavy green label stereo pressing with deep groove.)

Close matches23
CD, LP, Vinyl record album cover art
✨✧ Freddie HubbardBlack Angel ... LP
Atlantic, 1969. Very Good+ ... Temporarily Out Of Stock
A totally fantastic set from the turn of the 70s, and one of Freddie Hubbard's most soulful, spiritual albums ever – a seminal chapter in the evolution of soul jazz – and a record that was a keen inspiration for changes to come on labels like Strata East and Black Jazz! The group here features Kenny Barron on both electric and acoustic piano – really stretching out with a hip, open sort of sound – possibly his first of this type on record – and other players include James Spaulding on alto and flute, Reggie Workman on bass, Louis Hayes on drums, and Patato Valdes on added percussion – giving a more complicated groove to the best numbers. Tunes are all long and well-penned – three by Freddie himself ("Eclipse", "Spacetrack", "Gittin' Down"), one by Kenny Barron ("Black Angel"), and one by Walter Bishop (the original recording of his classic "Coral Keys"!) LP, Vinyl record album
(Red & green Broadway label pressing.)

Close matches24
CD, LP, Vinyl record album cover art
Freddie HubbardSing Me A Song Of Songmy ... LP
Atlantic, 1971. Very Good+ Gatefold ... $14.99
One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed sounds to the set – blended with Freddie's more soulful lines on trumpet – to create a style that's almost a jazz version of musique concrete! In fact, at times, you forget that Hubbard's playing at all, as the wash of noise overtakes the force of some of his solos – and titles include "Threnody For Sharon Tate", "The Crowd", and "What A Good Time For Kent State". LP, Vinyl record album
(Cover has some edge wear.)

Close matches25
CD, LP, Vinyl record album cover art
Keith JarrettEl Juicio (The Judgement) ... LP
Atlantic, 1975. Very Good+ ... $11.99
Wild and wonderful work by Keith Jarrett – light years away from his records on ECM! The album features a quartet that includes Dewey Redman on tenor, Charlie Haden on bass, and Paul Motian on drums – but it's clearly Keith who's driving the bus here, taking lots of odd twists and turns for playful moments that come as an unexpected surprise. One of the best of these is the short percussion track "Pre Judgement Atmosphere", which almost sounds like a Moondog number – and another is the rollingly funky "Gypsy Moth", a tune that always seems to be careening out of control, but is never "outside", just percussively grooving. Side two features two longer jamming tracks that almost have a loft jazz feel – "El Juicio" and "Piece For Ornette" – and Keith plays alone on the track "Pardon My Rags". LP, Vinyl record album
Also available El Juicio (The Judgement) ... CD 11.99

Close matches26
CD, LP, Vinyl record album cover art
✨✧ Elvin JonesMidnight Walk ... LP
Atlantic, 1967. Very Good+ ... $39.99
One of Elvin Jones' greatest records – a set that's quite different from both his work in the John Coltrane Quartet, and some of the powerhouse jazz sides he'd cut later as a solo act! The vibe here is a bit hard to describe, but it somehow comes together in the "midnight walk" of the title – as there's a pulsating rhythm to many of the numbers – one that comes partly from the record's great use of Dollar Brand on piano on some cuts. But other players are great, too – and there's some wicked electric piano work from Steve James – who really gives a few tracks a sinister edge – plus tenor from Hank Mobley, trumpet from Thad Jones, and added percussion from George Abend. Titles include "Midnight Walk", "HM On FM", "The Juggler", "All Of Us", and "Cross Purpose". A great album, and a real lost treasure from the Atlantic back catalog! LP, Vinyl record album
(Mono red & purple label pressing. Cover has a small cutout hole.)

Close matches27
CD, LP, Vinyl record album cover art
Clifford JordanThese Are My Roots – Clifford Jordan Plays Leadbelly (180 gram pressing) ... LP
Atlantic/Pure Pleasure (UK), 1965. New Copy (reissue)... $34.99 44.99
An odd little album from tenorist Clifford Jordan – but a great one too, given the unique format! As the title implies, Cliff pays tribute to Leadbelly – handling a host of Huddie Ledbetter originals, but in a style that's kind of 60s soul jazz, with a bit of blues as well – one of those unusual criss-crossings of styles that you'd get on some of the Atlantic jazz sessions of the 60s. Jordan's tenor is firmly in the lead on all numbers – and other players include Roy Burrowes on trumpet, Cedar Walton on piano, Julian Priester on trombone, and Chuck Wayne on banjo instead of his usual guitar! Two tracks feature vocals by Sandra Douglass – and titles include "Dick's Holler", "Silver City Bound", "Black Girl", "De Gray Goose", "Yellow Gal", and "Black Betty". LP, Vinyl record album

Close matches28
CD, LP, Vinyl record album cover art
Rahsaan Roland KirkCase Of The 3 Sided Dream In Audio Color ... LP
Atlantic, 1975. Near Mint- 2LP Gatefold ... $13.99
A great 70s album by Roland Kirk – one that features him working on a lot of short tracks, in a pretty crazy style! A number of the tracks feature Kirk's uniquely quirky reed style in full effect – often processed with added studio techniques, in a very nice way. And along side that mode, the album's also got a beautiful warm side, with great writing, and a level of sensitivity that's sometimes missing from Kirk's earlier records. Lots of good tracks, including "Freaks For The Festival", "Echoes Of Primitive Ohio and Chili Dogs", "Dream", "Horses", "Side Four", "Portrait Of Those Beautiful Ladies", and "Conversation". LP, Vinyl record album
(Cover has some light surface wear.)

Close matches29
CD, LP, Vinyl record album cover art
Rahsaan Roland Kirk & The Vibration SocietyRahsaan, Rahsaan ... LP
Atlantic, 1970. Near Mint- ... $19.99
One of the hippest albums that Rahsaan Roland Kirk ever recorded – a perfect realization of his "black classical music" ethos, and a pan-generational jazz album that's all held together by one unique musical vision! Side one features the extended suite "The Seeker", which mixes together bop, avant garde, and New Orleans styles – and side two features more of the same in an extended medley of tracks, plus the titles "Baby Let Me Shake Your Tree" and "Sweet Fire". The album's got a few cool passages that feature recitations by Rahsaan – stating his musical philosophy, and tracing the development of the styles of work – and other players include Leroy Jenkins on violin, Dick Griffin on trombone, Ron Burton on piano, and Sonelius Smith on celeste! LP, Vinyl record album
(Red & green Broadway label pressing.)

Close matches30
CD, LP, Vinyl record album cover art
Roland KirkVolunteered Slavery ... LP
Atlantic, 1969. Very Good ... $24.99
Our favorite album ever from Roland Kirk – and a beautiful mix of two different sides of his genius! Side one's got Roland doing these crazy takes on late 60's pop cuts like "My Cherie Amour" and "Say a Little Prayer", plus his own "songs", done with soulful vocals and a straight-on approach that shows him trying to break out of the avant jazz underground, and reach a wider audience with a spiritual message on tracks like "Search For The Reason Why" and "Spirits Up Above". If this description sounds like a mess, it's not – because this side of the album is one of Kirk's most brilliant statements ever about jazz, soul, love and freedom! Side two has Roland in a straighter vein – running through a tight live set from Newport 1968, handled with fire and imagination, the kind of boundless energy he always brought to his public appearances. Tracks on that set include "One Ton", "Three For The Festival", "Afro Blue", and some great remarks by Roland! LP, Vinyl record album
(Red and green Broadway label pressing. Cover has light wear and aging.)

Close matches31
CD, LP, Vinyl record album cover art
Harry LookofskyStringsville ... LP
Atlantic, 1960. Near Mint- ... $19.99
A rare session of violin-led jazz – recorded for Atlantic Records in 1960! Harry Lookofsky may not be a famous name as a leader in jazz, but he scored strings for many pop and instrumental outings during the 60s – and he also has the distinction of being the father of one of the members of The Left Banke (which is why they got a record deal so early on!). Here, he's working as the leader of a jazz combo, playing violin and viola in a mode that would make Stephane Grappelli proud – but which also has some much darker edges, and a style that's hardly a recreation of older jazz violin modes. The tunes have a hip edge that's almost third stream jazz at times – with arrangements by Bob Brookmeyer and Hank Jones that keep a tightly swinging beat on most tracks, and which also feature solos by the two, plus drums by Elvin Jones and bass by either Paul Chambers or Milt Hinton. Titles include "Dancing On The Grave", "Move", "Champagne Blues", and "Little Willie Leaps". LP, Vinyl record album
(Green label stereo pressing with deep groove.)

Close matches32
CD, LP, Vinyl record album cover art
Junior ManceHarlem Lullaby ... LP
Atlantic, 1967. Near Mint- Gatefold ... $4.99
Popular soul jazz piano work from Junior Mance – who's playing here in a semi-traditional style that fits the evocative title of the album. Most of the cuts feature Mance in a trio – wither with Gene Taylor or Bob Cunningham on bass, and Ray Lucas or Alan Dawson on drums. There's two cool tracks in which Mance plays harpsichord – the cuts "The Uptown" and "Cootin" – and these have a nice edgey vibe that makes them stand apart from other tracks like "Harlem Lullaby", "That Mellow Feeling", and "I'm Falling For You". LP, Vinyl record album
(Green & blue label pressing. Cover has a cutout notch.)

Close matches33
CD, LP, Vinyl record album cover art
Herbie MannHold On, I'm Comin' ... LP
Atlantic, 1973. Near Mint- Gatefold ... $4.99
Great early 70s work from Herbie Mann! By this point in his career, Herbie must have had a fleet of cars, a harem of ladies, and a golden flute. You can hear his success in the live material that makes up the album – recorded before very enthusiastic audiences at the New York and Montreux festivals in 1972. Who'd have thought jazz flute could go so far? All tracks are long and pretty darn lively – and Herbie's group still includes Sonny Sharrock on guitar, plus the groovy Pat Rebillot on piano, and David Newman on tenor and 2nd flute. Titles include "Soul Beat Momma", "Never Can Say Goodbye", "Respect Yourself", "Memphis Underground", and "Hold On, I'm Coming". LP, Vinyl record album
(In the die-cut cover, fully intact, with small cutout notch.)
Also available Hold On, I'm Comin' ... CD 24.99

Close matches34
CD, LP, Vinyl record album cover art
Herbie MannStanding Ovation At Newport ... LP
Atlantic, 1966. Near Mint- ... $9.99
Herbie Mann got a standing ovation for this performance – at least if the title is to be believed – and considering the grooves on the set, it was all for very good reason! The album's one of the few to feature Mann in the company of pianist Chick Corea – who steps out here with some hard, soulful, Latin-inflected energy that's totally great – and which really makes the group cook. Other players include Dave Pike on vibes and Patato Valdes on congas – and the great Ben Tucker joins the group on an extremely popular 10 minute version of his composition "Comin Home Baby", one of Herbie's all-time hits. The format is very much in that best live performance style of Herbie's best records of the 60s – very open and freewheeling – and other tracks are equally long and jazzy, with titles that include "Mushi Mushi" and "Patato". LP, Vinyl record album
(Heavy green & blue label stereo pressing. Cover has some gloss wrinkles in front.)

Close matches35
CD, LP, Vinyl record album cover art
Herbie Mann & Tamiko JonesMann & A Woman ... LP
Atlantic, 1966. Very Good ... Just Sold Out!
A really unique collaboration between fluteman Herbie Mann and soul singer Tamiko Jones – a vocalist who's always a really special talent, and who has an equally great ear for jazz as well! That style works perfectly here – as the vibe is somewhere between Herbie's Latin and Brazilian-styled sets for Atlantic, and some of the groovier jazz of the 60s – particularly the styles influenced by hip soundtracks of the time. Arrangements are very fresh, and even make familiar tunes pop nicely – thanks to work on the charts from Joe Zawinul, Melba Liston, and Jimmy Wisner. But the really special talent here is Tamiko – who sometimes sings lyrics, sometimes works wordlessly in a really cool mode – on titles that include "A Man & A Woman", "O Barquinho", "It's Time That You Settled Down", "Sidewinder", "Day Tripper", "Sunny", and "How Insensitive". LP, Vinyl record album
(Green & blue label pressing. Cover has light aging.)

Close matches36
CD, LP, Vinyl record album cover art
Shelly Manne & His MenJazz Gunn ... LP
Atlantic, 1967. Sealed ... $11.99
Shelly Manne scored big with a jazz version of the Peter Gunn soundtrack in the 50s – and he does it again in this 60s version of Henry Mancini's music for the full-length Gunn movie! The style here is a bit more far-reaching and looser than before – showing not just Manne's development as an artist, but also his ear for some of the best styles of the younger generation – as evidenced by his inclusion of Frank Strozier on alto and flute, and Mike Wofford on piano – alongside more familiar faces Monte Budwig on bass and Conte Candoli on trumpet. There's a crisp jazzy edge to the whole thing – and titles include "Sweet", "A Bluish Bag", "Night Owl", and "A Quiet Happening". LP, Vinyl record album
(Sealed early pressing!)

Close matches37
CD, LP, Vinyl record album cover art
Les McCannLayers ... LP
Atlantic/Get On Down, 1973. New Copy (reissue)... $16.99 20.98
This might well be the best album that Les McCann ever cut during the 70s! It's got some killer electric piano riffs, of the sort that are being sampled heavily today by the kids, and which are getting his music to a whole new generation. The tracks have a tight spacey funk sound, and they don't have any of the vocals that (we feel) can often get in the way of some of Les' later works! Loads of great tracks, including "The Harlem Buck Dance Strut" and "Dunbar High School Marching Band", both of which are nice and sexy and funky, and with a cool dope sound to them! Other tracks include "Before I Rest", "Soaring (At Sunset)", and "Sometimes I Cry". LP, Vinyl record album
Also available Layers ... LP 14.99

Close matches38
CD, LP, Vinyl record album cover art
Les McCannLayers ... LP
Atlantic, 1973. Very Good- Gatefold ... $14.99
This might well be the best album that Les McCann ever cut during the 70s! It's got some killer electric piano riffs, of the sort that are being sampled heavily today by the kids, and which are getting his music to a whole new af generation. The tracks have a tight spacey funk sound, and they don't have any of the vocals that (we feel) can often get in the way of some of Les' later works! Loads of great tracks, including "The Harlem Buck Dance Strut" and "Dunbar High School Marching Band", both of which are nice and sexy and funky, and with a cool dope sound to them! Other tracks include "Before I Rest", "Soaring (At Sunset)", and "Sometimes I Cry". LP, Vinyl record album
(Red & green Rockefeller label pressing. Cover has some wear and a ring stain.)
Also available Layers ... LP 16.99

Close matches39
CD, LP, Vinyl record album cover art
Jack McDuffChange Is Gonna Come ... LP
Atlantic, 1966. Very Good ... $9.99
A sweet Atlantic soul groover from Brother Jack McDuff – and a set that has him tightening up his Hammond sound from his earlier years at Prestige Records! The tunes here are short and punched-up – almost instrumental soul numbers in their construction, but still filled with plenty of jazz – thanks to Jack's mad solos on organ, and some killer drums from Joe Dukes and Bernard Purdie! Other players include George Coleman on tenor, Cornell Dupree on guitar, and Buddy Lucas on baritone sax – and arrangements are by JJ Jackson and Jack himself. Titles include "Hotcha", "Down In the Valley", "Same Old Same Old", "No Tears", "What'd I Say", "Gonna Hang Me Up A Sign", and "Minha Saudade". LP, Vinyl record album
(Red & purple label pressing. Record and cover are nice!)

Close matches40
CD, LP, Vinyl record album cover art
✨✧ Jay McShannBig Apple Bash ... LP
Atlantic, 1979. Near Mint- ... $4.99
A much groovier record than you might expect – hardly the older-styled jazz session normally associated with Jay McShann, and more of a wide-ranging session that brings in some great contemporary touches! The album's something of a celebration for Jay – and it features wonderful guest work from players who include Gerry Mulligan on baritone and soprano sax, Herbie Mann on flute and tenor sax, John Scofield on guitar, Doc Cheatham on trumpet, and Eddie Gomez on bass. A few tunes have an older Kansas City sort of swing, but others have a vamping groove that's really great – and these numbers really stand out in the set with some great solo moments. Titles include "Crazy Legs & Friday Strut", "Blue Feeling", "Jumpin The Blues", "Dickie's Dream", and "I'd Rather Drink Muddy Water". LP, Vinyl record album
(Cover has a promo stamp and some adhesive remnants on front.)

Close matches41
CD, LP, Vinyl record album cover art
✨✧ Jay McShannLast Of The Blue Devils ... LP
Atlantic, 1978. Near Mint- ... Temporarily Out Of Stock
A great late date from the Kansas City pianist who first gave Charlie Parker his start – working here with Buddy Tate and Paul Quinichette on tenors, and Joe Newman on trumpet – plus the younger addition of John Scofield on guitar! LP, Vinyl record album
(Cover has a promo stamp.)

Close matches42
CD, LP, Vinyl record album cover art
✨✧ Charles MingusCumbia & Jazz Fusion ... LP
Atlantic, 1978. Near Mint- ... Temporarily Out Of Stock
One of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely exploratory style, both numbers here stand very well on their own! Although touched with some of the Latin influences you might expect from the title, the sounds are often darker and more brooding than, say, the Mingus style on the classic Tijuana Moods set. And instead, there's a very serious soundtrack-like vibe going on through most of the set – larger jazz orchestrations used to beautifully underscore subtle themes, and breakout solo moments from players who include Mauricio Smith on flute, Paul Jeffrey on tenor sax, Jack Walrath on trumpet, and Jimmy Knepper on trombone. The album also features a fair bit of added percussion – and features two long tracks, "Cumbia & Jazz Fusion" and "Music For Todo Modo". LP, Vinyl record album
(Cover has an unglued top seam.)

Close matches43
CD, LP, Vinyl record album cover art
Modern Jazz QuartetOne Never Knows – Original Film Score For No Sun In Venice By John Lewis ... LP
Atlantic, 1957. Very Good ... $3.99
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative writing of the time – almost imagistic enough without the film – filled with tones and colors that are quite visual, especially in the hands of this great group! Selections are played by the core quartet of Milt Jackson on vibes, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums – and titles include "The Golden Striker", "One Never Knows", "The Rose Truc", "Venice", "Cortege", and "Three Windows". LP, Vinyl record album
(UK London pressing, in a flip-back cover.)

Close matches44
CD, LP, Vinyl record album cover art
David NewmanLonely Avenue ... LP
Atlantic, 1972. Near Mint- ... $11.99
One of the nice electric albums that David Newman cut with Roy Ayers, and a record with a smooth 70's funky sound that works better than some of his 60's recordings. Tracks include Roy Ayers' great tunes "Fuzz" and "Fire Weaver", plus "3/4 Of The Time", "Symphonette", and the title cut. LP, Vinyl record album
(Red and green label Broadway pressing. Cover has some surface wear and a cutout notch.)

Close matches45
CD, LP, Vinyl record album cover art
Grassella Oliphant QuartetteGrass Roots ... LP
Atlantic, 1965. Very Good ... $9.99
One of the few albums ever cut by drummer Grassella Oliphant – a soulful smoker that really shows the hip approach to jazz on Atlantic Records in the 60s! The album's got a tight groove that comes from superb efforts from a great quartet – Oliphant's drums in the lead, plus tenor from Harold Ousley, vibes from Bobby Hutcherson, and bass from Ray McKinney! Both Hutcherson and Ousley shine on the album – bringing in a sense of soul and spirit that go beyond even Grasella's other album for Atlantic – and the tunes are a mixture of Ousley originals that are totally great, plus some fresh versions of older favorites. The group's approach is very youthful and filled with warm imagination – and titles include "Haitian Lady", "Mrs. O", "The Descendant", "Step Lightly", "Grandfather's Waltz", and "One For The Masses". LP, Vinyl record album
(Mono white label promo. Cover has a promo ink stamp on back.)

Close matches46
CD, LP, Vinyl record album cover art
PassportMan In The Mirror ... LP
Atlantic, 1983. Near Mint- ... $4.99
Composed and produced by Kluas Doldinger, with Hermann Weindorf, Kevin Mulligan, Dieter Peterit, and Curt Cress. LP, Vinyl record album
(Cover has a promo stamp.)

Close matches47
CD, LP, Vinyl record album cover art
Hannibal Marvin PetersonVisions Of A New World ... LP
Atlantic, 1989. Near Mint- ... $5.99
Hannibal Marvin Peterson's come a long way from his spiritual soul jazz sessions of the 70s – working here in a format that's tighter, a bit more electric, and filled with about as many different ideas as there are players on the session! If you approach the record from a soul-based perspective, and consider the date of the set, the album's actually still got some great moments – because Peterson's keeping an older soul fire alive here, and working out lots of his ideas from the 70s in tracks that are shorter and more focused, and which have a bit smoother sound – similar to that picked up by other 70s spiritual players, like Lonnie Liston Smith or Norman Connors, by this point. One of the best elements is the album's vocals by Dee Dee Bridgewater – who sings on a good number of cuts, in a mode that's more soul than jazz. Instrumentation includes a fair bit of electric elements – as does the production – and titles include "Diamonds Without Fire", "Fire In The Hole", "Free Mandela", "Visions Of A New World", "A Song Of Peace", and "Life Is More Than You Know". LP, Vinyl record album
(Cover has a cutout notch.)

Close matches48
CD, LP, Vinyl record album cover art
Jean Luc PontyAurora ... LP
Atlantic, 1976. Very Good ... $1.99
One of the hippest of Jean Luc Ponty's mainstream efforts from the 70s – a tightly jamming album that's made even better by plenty of keyboards from Patrice Rushen! Rushen's sound really brings a warmer, more soulful groove to the record – stretching out with flowing solos that remind us a lot of her own early work for Prestige, placed here as a nice contrast to the heavy guitar work of Darryl Stuermer and the sometimes-frenetic work on violin by Ponty. Tracks have a definite rock fusion approach, but still offer up enough jazzy moments – and titles include "Is Once Enough", "Renaissance", "Aurora (parts 1 & 2)", "Passenger Of The Dark", and "Lost Forest". LP, Vinyl record album
(Cover has light wear.)

Close matches49
CD, LP, Vinyl record album cover art
Jean Luc PontyCivilized Evil ... LP
Atlantic, 1980. Very Good+ ... $2.99
With Joaquin Lievano on guitar, Chris Rhyne on keyboards, Randy Jackosn on bass, and Mark Craney on drums. LP, Vinyl record album

Close matches50
CD, LP, Vinyl record album cover art
Jean Luc PontyUpon The Wings Of Music ... LP
Atlantic, 1975. Very Good ... $2.99
... LP, Vinyl record album

Close matches51
CD, LP, Vinyl record album cover art
Quartette Tres BienBully! ... LP
Atlantic, 1966. Very Good- ... $4.99
The only Atlantic Records session from the Quartette Tres Bien – and a set that's got a bit more punch than some of their records for Decca! The groove here still features the compelling percussion/piano lineup of the combo – with Percy James on bongo and conga, Albert St James on drums, and Jeter Thompson on piano – and the playing has a strong focus on the piano work by Thompson, with a good mix of soul jazz and lyrical styles! Includes the original track "Bully", plus versions of "Work Song", "Caravan", "Three O'Clock In The Morning", and "I Never Knew". LP, Vinyl record album
(White label mono promo. Cover has a DJ Copy sticker.)

Close matches52
CD, LP, Vinyl record album cover art
Max RoachDrums Unlimited ... LP
Atlantic, 1966. Very Good+ Gatefold ... $14.99
The drums are certainly unlimited here – and the album's a really unique one, in that it shows Max Roach in 2 different settings – one with a group, and one that's simply solo! One batch of tracks has Max in the company of a tight group of soul jazz players like Freddie Hubbard, Roland Alexander, James Spaulding, and Ronnie Matthews. The group is very tight, and they've got hard wailing sound similar to a Blue Note group, but with a bit more of a soul jazz feel. They play on two long tracks – "Nommo" and "In the Red". The rest of the tracks – "Drums Unlimited", "The Drum Also Waltzes", and "For Big Sid" – feature Max playing solo, which is a rare treat for a recording of this vintage. The tracks are great, with a very musical groove, and lively playing by Max that never gets too self indulgent. LP, Vinyl record album
(Red & green Rockefeller label pressing.)

Close matches53
CD, LP, Vinyl record album cover art
Tom ScottTarget ... LP
Atlantic, 1983. Near Mint- ... $5.99
A wide range of styles here from saxophonist Tom Scott – some tracks that are in the funkier fusion he scored with in the 70s, but others that have some soul and pop touches as well! Scott's horn is still nice and sharp when he gets to step out in the solo spotlight – more so on the instrumental tracks, but a bit less so on the vocal ones – which feature singers who include Maria Muldaur, Kenny James, and Lee Ving. Other players include Harvey Mason on drums, Ernie Watts on tenor and alto, Victor Feldman on keyboards, and Paul Jackson on guitar – and titles include "Burundi Bump", "The Biggest Part Of Me", "He's Too Young", "Aerobia", "Target", and "Come Back To Me". LP, Vinyl record album

Close matches54
CD, LP, Vinyl record album cover art
Buster SmithLegendary Buster Smith ... LP
Atlantic, 1959. Very Good+ ... $11.99
A rare return to recording for alto player Buster Smith – captured here in a setting that's even sharper than before! Smith has roots that go back to the 30s bands of Bennie Moten and Andy Kirk – but he also was an early boss of Charlie Parker, who claimed to be strongly influenced by his alto – and you can definitely hear Buster take off in a few Bird-like flights during the set! The groove is mostly older swing-based jazz, yet there's a sharper edge too – and certainly an understanding of bop that informs the solos. Buster's tone is incredible throughout – deeply personal, and very soulful – and titles include "Late Late", "Organ Grinder's Swing", "King Alcohol", and "Kansas City Blues". LP, Vinyl record album
(Black label pressing with deep groove – a nice copy! Cover has a cutout hole in the corner.)

Close matches55
CD, LP, Vinyl record album cover art
Mel TormeComin Home Baby! ... LP
Atlantic, 1962. Very Good+ ... $29.99
One of Mel Torme's hippest albums of the 60s – and a strong shift towards more swinging material after some of his mellower work for other labels! There's a bit of electric piano in the mix, and plenty of that Atlantic records pop/soul jazz approach – a take on soul jazz that's similar to tunes by Herbie Mann at the same time, but with vocals. The whole thing's filled with greatly grooving tracks – and it draws no small influence from Jon Hendricks' excellent work of the time! Titles include "Hi Fly", "Comin Home Baby", "Dat Dere", "Sidney's Soliloquy", and "Moanin". (Vocalists, Jazz) LP, Vinyl record album
(Green & blue label pressing in great shape!)

Close matches56
CD, LP, Vinyl record album cover art
Lennie TristanoLennie Tristano ... LP
Atlantic, 1955. Very Good- ... $14.99
Darkly imaginative work from the great Lennie Tristano – and one of the few full albums he ever cut as a leader! The record features the incredible track "Turkish Mambo" – which has Tristano overdubbed 3 times in this dark modal way that's totally amazing, and which will hook you into his playing immediately! A number of other tracks feature a quartet with Lee Konitz – always a good match for Tristano – and a few others have a great trio that's completed by Peter Ind and Jeff Morton. Tracks include "Requiem", "East 32nd", "You Go To My Head", and "Line Up". LP, Vinyl record album
(Black label "Long Playing Unbreakable" pressing with deep groove. Cover has overall aging, some light stains, and writing on back.)

Close matches57
CD, LP, Vinyl record album cover art
✨✧ Miroslav VitousMountain In The Clouds (Infinite Search) ... LP
Atlantic, 1969. Very Good+ ... Just Sold Out!
A great early album by this famous 70s bassist – originally issued as the album Infinite Search on Embryo, but expanded here with the additional track "Cerecka". One of the greatest moments ever from bassist Miroslav Vitous – a very cool album recorded for the trippy Vortex label! The lineup here has Miroslav working with key help from the American underground – piano from Herbie Hancock, tenor from Joe Henderson, and drums from Jack DeJohnette – plus added guitar from John McLaughlin, who seems to have the same spacey sensibilities as Vitous! Henderson really opens up too – in that fluid style of his post-Blue Note work on Milestone – and obviously Herbie's a great one for a set like this too – hitting some of the spiritual modes of his Warner work. Some tracks are nice and long – and titles include "Freedom Jazz Dance", "Infinite Search", "I Will Tell Him On You", "Mountain In the Cloudes", and "Epilogue". LP, Vinyl record album
(Red and green label Broadway pressing. Cover has some wear and splitting in the top seam.)

Close matches58
CD, LP, Vinyl record album cover art
George WallingtonKnight Music ... LP
Atlantic, Late 50s. Very Good+ ... $19.99
Great work from bop legend George Wallington – one of the last records in an initial run of 50s strengths from the pianist – and a set that features some great original compositions of his own! The set's a bit unusual for Atlantic Records at the time – almost more of a Prestige or Blue Note-styled date – as Wallington's loose, open, and really hits his groove – working alongside Teddy Kotick on bass and Nick Stabulis on drums, both players whose understated approach lets Wallington sparkle even more in the spotlight. The complexity of his performance is wonderful – even while swinging – and titles include "World Weary", "Billie's Tune", "Godchild", "Serendipity", and "Up Jumped The Devil". LP, Vinyl record album
(Green label pressing with deep groove. Cover has a bit of pen on back.)
Also available Knight Music ... CD 14.99

Close matches59
CD, LP, Vinyl record album cover art
George Wein's Newport All StarsGeorge Wein's Newport All Stars ... LP
Atlantic, 1969. Very Good+ ... $2.99
Although the name of George Wein is usually associated with some super un-hip trad jazz projects, this album's actually a pretty cool batch of grooves that matches Wein's older jazz tendencies with some newer styles of playing – and some good electric instrumentation on the best cuts. The album's got a super-nice version of "Sunny", plus "Blue Boy", "In A Little Spanish Town", "Topsy", and "Ja Da" – and believe it or not, Wein even plays some electric piano! Players include Red Norvo, Tal Farlow, Larry Ridley, and Barney Kessel. LP, Vinyl record album
(White label promo.)

Close matches60
CD, LP, Vinyl record album cover art
Jack WilsonJack Wilson Quartet Featuring Roy Ayers ... LP
Atlantic, 1963. Near Mint- ... $29.99
A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana". LP, Vinyl record album
(Red & green Broadway label pressing.)

Close matches61
CD, LP, Vinyl record album cover art
Young Tuxedo Brass BandJazz Begins – Sounds Of New Orleans Streets: Funeral And Parade Music ... LP
Atlantic, 1959. Near Mint- Gatefold ... $19.99
Young Tuxedo Brass Band is led by John Casimir, with Herman Sherman on alto sax, Andrew Morgan on tenor sax, Clement Tervalon, Eddie Pierson, and Jim Robinson on trombone, Albert Fernandez Walters, Andrew Anderson, and John Pickey Brunious on trumpet, Wilbert Tillman on sousaphone, Paul Barbarian on snare, and Emile Knox on bass drum. LP, Vinyl record album
(Green label pressing with deep groove.)

Close matches62
CD, LP, Vinyl record album cover art
Joe ZawinulZawinul ... LP
Atlantic, 1971. Very Good+ ... $14.99
A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley – a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie Hancock in a twin-piano style that's quite spacious, and filled with slow-building, long-flowing lines! Other players include Woody Shaw on trumpet, Earl Turbington on soprano sax, George Davis on flute, Miroslav Vitous and Walter Booker on drums, and Joe Chambers, Billy Hart, and David Lee on a range of percussion. All these elements are used slowly, and sparingly – brought in with a style that's modern, but in a gentle sort of way – not as over the top as some of the work that Joe cut with Miles at the end of the 60s – and almost a more sensitive, compositional approach to the same territory of music. Titles include "Arrival In New York", "Doctor Honoris Causa", "In A Silent Way", "His Last Journey", and "Double Image". LP, Vinyl record album
(Rockefeller label pressing. Cover has light wear.)

Close matches63
CD, LP, Vinyl record album cover art
VariousBlues Piano Chicago Plus – Blues Originals Vol 4 ... LP
Atlantic, Early 50s. Near Mint- Gatefold ... $9.99
Great 50s material recorded in Chicago – with work by Floyd Dixon, Little Brother Montgomery, Little Johnny Jones, Frank Sweet Williams, and Meade Lux Lewis. (Blues, Jazz) LP, Vinyl record album
(Cover has light wear and a cutout notch.)
 
Partial matches: 24
Partial matches64
CD, LP, Vinyl record album cover art
Basso Valdambrini SextetSestetto Basso Valdambrini – The Best Modern Jazz In Italy 1962 ... LP
RCA/Naked Lunch (Italy), 1962. New Copy (reissue)... Just Sold Out!
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early 60s – a fresh, modern group who could still play with plenty of soul – avoiding some of the cool jazz traps of other European combos, and really hitting hard with solo work that matched the best American work of the time. The sound here is really incredible – tunes that bristle with electricity from the very first note, played with a cohesiveness that makes the record far more than just a happy accident in the studio! Titles include the originals "Coltrane Style" and "Monotonia", plus versions of Jackie McLean's "Dr Jackle", Junior Mance's "Jubilation", and Benny Golson's "Are You Real". LP, Vinyl record album

Partial matches65
CD, LP, Vinyl record album cover art
George BensonIn Your Eyes ... LP
Warner, 1983. Very Good+ ... Just Sold Out!
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more than his great guitar work – but hearing George here, it's clear that his soul work could easily outshine his guitar, especially when set up in a package like this! Atlantic soul maestro Arif Mardin produced, and as with his Chaka Khan productions for Warner at the time, he gives Benson a clean, clear modern style that's certainly pop, but also a lot less cluttered and clunky than modes used with other artists at the time. George is mostly on the vocal tip for the set, and Kashif helps out on one track – no surprise, given that Kashif was soon to walk down the path that Benson had started with his first few vocal albums in the 70s. Titles include "Love Will Come Again", "Use Me", "Late At Night", "In Search Of A Dream", "Lady Love Me", "In Your Eyes", and "Never Too Far To Fall". LP, Vinyl record album

Partial matches66
CD, LP, Vinyl record album cover art
Clarke Boland Big BandVolcano – Live ... LP
Polydor, 1969. Near Mint- ... $6.99
A large group in a small club – the legendary Clarke Boland Big Band, playing at the home turf of one of their key members – tenorist Ronnie Scott! The set features a very legendary performance by the ensemble – a crack lineup that's easily one of the best ever sported by the CBBB – perfectly mixing American rhythms, and a trans-Atlantic lineup of soloists – all tied together with just the sort of rich arrangements that make the group so great! Things groove right from the get-go – thanks to a rhythm lineup that features Kenny Clarke on drums, and Francy Boland on piano – plus bassist Ron Matthewson, sitting in for the usual Jimmy Woode. The horn players really send things off, though – tight trumpets from Benny Bailey, Idrees Sulieman, and Dusko Goykovich; bold trombones from Ake Persson and Nat Peck; and some searing reed lines from Johnny Griffin and Ronnie Scott on tenor, Derek Humble on alto, Sahib Shihab on baritone, and Tony Coe on both tenor and clarinet. This album features the full "first set" at Scotts by the group – with titles that include "Volcano", "Griff's Groove", "Now Hear My Meanin", "Box 703 Washington DC", and "Thence We Issued Out Again to See the Stars". LP, Vinyl record album
(US pressing.)

Partial matches67
CD, LP, Vinyl record album cover art
Ornette ColemanEmpty Foxhole ... LP
Blue Note, 1966. Very Good+ ... $24.99
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from Charlie Haden on bass, able to match Coleman's energy with effortless ease, and really getting a lot of room to leave his mark on the music – plus the very young (10!) Denardo Coleman, who plays drums here with this stark, simple style that's not only completely unique, but which also leaves a lot of open room left for Haden and Ornette to really stretch out. Ornette plays his usual alto, plus trumpet and violin – and titles include "Good Old Days", "The Empty Foxhole", "Zig Zag", and "Freeway Express". LP, Vinyl record album
(70s black b pressing. Cover has light wear and a cut corner.)

Partial matches68
CD, LP, Vinyl record album cover art
Ornette ColemanFriends and Neighbors - Ornette Live At Prince Street ... LP
Flying Dutchman, 1970. Very Good Gatefold ... $19.99
One of the most compelling albums we've ever heard from Ornette Coleman – and a set that's very different than some of his other work for different labels – particularly his better-known material for Blue Note and Atlantic! The album's got a righteous feel that's right up there in the best spirit of the Flying Dutchman label of the early 70s – a mode that's still on the far reaches of avant jazz that Ornette explored on earlier sessions – but which also has a warmer, almost more spiritual quality at times too. The core group features legendary partners Charlie Haden on bass, Dewey Redman on tenor, and Ed Blackwell on drums – but part of the record features an unnamed group of "Friends & Neighbors", who join in on the title cut with this collaborative spirit that really sets the tone for the whole record. Coleman plays trumpet and violin in addition to his usual alto sax – and titles include the mindblowing two part "Friends & Neighbors", plus "Let's Play", "Long Time No See", "Forgotten Songs", and "Tomorrow". LP, Vinyl record album
(Original pressing with PR etch. Cover has a fair amount of gloss peel on back.)

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanTown Hall 1962 (photo cover) ... LP
ESP, 1962. Near Mint- ... Just Sold Out!
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(290 West End Avenue pressing. Cover has some surface wear, lightly bent corner, and some splitting in the spine.)

Partial matches70
CD, LP, Vinyl record album cover art
John Coltrane1960 Duesseldorf ... LP
Jazz Line (Germany), 1960. New Copy ... $20.99
A really unusual performance from the mighty John Coltrane – recorded in Germany in 1960, with an amazing group that features Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – stepping out from Miles Davis to give Trane a very special groove! These guys give the record a very different swing than some of Trane's other albums of the period – and Kelly punctuates some moments with a soulful style on piano, while Chambers bows his bass a fair bit, which creates these shaded, moody tones. Coltrane himself is wonderful – that clear-blown, incredible sound of his Atlantic years – maybe the best-recorded instrument in the setting, with with beautiful solos that are worth the price of admission alone. Stan Getz makes appearance at one point, as does Oscar Peterson – although the notes aren't that clear – but just concentrate on Coltrane, as that's all you'll need! Titles include "On Green Dolphin Street", "Walkin", "Rifftide", and a medley of "Yesterdays/Autumn Leaves/What's New". LP, Vinyl record album

Partial matches71
CD, LP, Vinyl record album cover art
John ColtraneBlue World (Le Chat Dans Le Sac) ... LP
Impulse, 1964. New Copy ... $22.99 24.99
A lost treasure from the legendary John Coltrane Quartet – material recorded as the soundtrack for the Canadian film Le Chat Danse Le Sac – which features new recordings of material that Coltrane had done in previous years, but really updated by the fresh version of this group! Although the music was used in the film, which was an art house hit at best, it's never been issued on record before – and in fact, its existence was something of a mystery until not that long ago – quite a surprise, given that the sessions were done at Rudy Van Gelder's studio, and have a quality level that really matches the Impulse Records best by these musicians! The tunes are almost like this amazing bridge between the mid 60s Impulse years and the Coltrane sound at the start of the decade on Atlantic – as the grooves are modal, and most music is more inside than the group was hitting by 1965 – yet still burning with that searching spirit that made them so great. The lineup, of course, features John Coltrane on tenor, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the whole thing is an instant key addition to the catalog of this tremendous quartet. Titles include two takes on "Naima", three takes on "Village Blues", and the tracks "Like Sonny", "Traneing In", and "Blue World". LP, Vinyl record album

Partial matches72
CD, LP, Vinyl record album cover art
Alabaster DePlumeTo Cy & Lee – Instrumentals Vol 1 ... LP
International Anthem, 2020. New Copy ... $19.99 20.99
Beautifully meditative music from Alabaster DePlume – a set that brings together work from a variety of recorded projects from the past decade or so – finally getting full exposure in this Transatlantic collaboration between Chicago's International Anthem label and London's Total Refreshment Centre! The sound is a great illustration of the genre-crossing modes that have been going on in both scenes – as Alabaster's music is definitely beyond easy description or definition, and comes across in a way that's as personal as it is collaborative – since DePlume works with a whole host of different musicians on the recordings, mixing flute, percussion, strings, keyboards, and other elements together in a way that follows a spiritual legacy from the more spacey side of Alice Coltrane, to the west coast experiments of Carlos Nino and Miguel Atwood-Ferguson, to the changes taking place on the planet at present. Alabaster plays tenor and guitar, and vocalizes slightly – but never really sings – and titles include "Why Buzzardman Why", "Not My Ask", "Whisky Story Time", "If You're Sure You Want To", "What's Missing", and "Song Of The Foundling". LP, Vinyl record album
Also available
To Cy & Lee – Instrumentals Vol 1 ... CD 11.99
To Cy & Lee – Instrumentals Vol 1 ... LP 14.99

Partial matches73
CD, LP, Vinyl record album cover art
Alabaster DePlumeTo Cy & Lee – Instrumentals Vol 1 ... LP
International Anthem, 2020. Near Mint- ... $14.99
Beautifully meditative music from Alabaster DePlume – a set that brings together work from a variety of recorded projects from the past decade or so – finally getting full exposure in this Transatlantic collaboration between Chicago's International Anthem label and London's Total Refreshment Centre! The sound is a great illustration of the genre-crossing modes that have been going on in both scenes – as Alabaster's music is definitely beyond easy description or definition, and comes across in a way that's as personal as it is collaborative – since DePlume works with a whole host of different musicians on the recordings, mixing flute, percussion, strings, keyboards, and other elements together in a way that follows a spiritual legacy from the more spacey side of Alice Coltrane, to the west coast experiments of Carlos Nino and Miguel Atwood-Ferguson, to the changes taking place on the planet at present. Alabaster plays tenor and guitar, and vocalizes slightly – but never really sings – and titles include "Why Buzzardman Why", "Not My Ask", "Whisky Story Time", "If You're Sure You Want To", "What's Missing", and "Song Of The Foundling". LP, Vinyl record album
(Includes the printed inner sleeve.)
Also available
To Cy & Lee – Instrumentals Vol 1 ... CD 11.99
To Cy & Lee – Instrumentals Vol 1 ... LP 19.99

Partial matches74
CD, LP, Vinyl record album cover art
Bill DoggettFingertips ... LP
Columbia, 1963. Very Good+ ... $4.99
Smoking stuff – and one of Bill Doggett's best albums away from the King record label! The style here is even tighter than on King – somewhere in a space between 60s soul jazz and soul instrumental modes – with Doggett's organ right out front in the mix, stepping along some great short little numbers! The record's nice and playful – and at times feels like an Atlantic instrumental set – on cuts that include "Hot Fudge", "Soul City", "Monkey", "One Fine Day", "The Worm", "Fingertips", and "Soul Zone". LP, Vinyl record album
(Mono 2 eye pressing.)

Partial matches75
CD, LP, Vinyl record album cover art
Wynder K FrogSunshine Super Frog (with bonus track) ... LP
Wah Wah (Spain), 1967. New Copy (reissue)... $29.99
A record with a Donovan reference in the title, but a much more mod set overall – thanks to searing Hammond work from organist Mick Weaver, who was maybe one of the hippest London cats on his instrument at the time! The tunes draw equally from the Hammond soul jazz of artists like Jimmy Smith or Jimmy McGriff, and from the soul instrumental style of the time – particularly the grooves of Stax and Atlantic Records – and the deft work on the keys of the organ show that you hardly need a singer to make these records groove. Titles include "I Feel So Bad", "Blues For A Frog", "Hold On I'm Coming", "Incense", "Feel It", "Dancin Pain", "Mercy", and "Somebody Help Me". Features four bonus tracks – "Turn On Your Lovelight", "Zooming", "I'm A Man", and "Henry's Panter". LP, Vinyl record album
(Limited edition of 500 – with bonus track!)

Partial matches76
CD, LP, Vinyl record album cover art
✨✧ Ingfried HoffmannFrom Twen With Love ... LP
Philips (Germany), 1966. Very Good ... $39.99
The grooviest organ working the other side of the Atlantic in the 60s – as mighty a talent on the Hammond as Jimmy Smith or Jack McDuff back in the US at the time, and equally groovy too! Ingfried Hoffmann's work on the keys is probably best known from his searing soul jazz sides with Klaus Doldinger in the pre-Passport years – but here he's in a soul jazz mode, working with tunes that are tightly snapping, quickly vamping, and filled with loads of lively organ and guitar! The set is a 1966 spy-jazz styled album, with both original numbers, and a few James Bond covers – all played by a quintet that features guitars from Volker Kriegel and Pierre Cavalli, bass by Peter Trunk, and funky drums from Rafi Luderitz. Titles include "Yeah Dr No", "Thunderball", "007 Bond Street", "Sharp Sharks", "Phantom's Walk", "Let Live & Die", "Vabanque At Casino Royale", and "James Only Lives Twice". LP, Vinyl record album

Partial matches77
CD, LP, Vinyl record album cover art
Keith JarrettFacing You ... LP
ECM, 1972. Near Mint- ... Just Sold Out!
A key early moment for Keith Jarrett – his first-ever solo album, recorded in the early 70s for ECM – and the start of a huge legacy of later work! Before this set, Jarrett had recorded some compelling trio material for Atlantic – and he was also exploring more spiritually soulful tones over at Impulse Records too. But this record is something else entirely – a new showcase for his sensitive expressions – the kind of angular, yet poetic lines that sparkled strongly in the trio recordings, yet stand out even more on their own! Tunes are beautifully penned – and titles include "In Front", "Ritooria", "Lalene", "Starbright", "Vapallia", and "Semblence". LP, Vinyl record album
(Early German pressing.)

Partial matches78
CD, LP, Vinyl record album cover art
Robin KenyattaUntil ... LP
Vortex, 1968. Near Mint- ... $19.99
One of the earliest albums as a leader from reedman Robin Kenyatta – and a set that's also one of his most compelling too! There's a definitely freer sound here than on some of Robin's smoother sets from the 70s – a vibe that's somewhere near the space of Impulse Records in the post-Coltrane years, and which is right at home on Atlantic's Vortex label subsidiary. A few tracks get surprisingly out, but always with a nice sense of focus, especially in the rhythms – and in addition to Kenyatta's own bold work on alto sax, the album features performances by Roswell Rudd on trombone, Mike Lawrence on trumpet, Walter Booker on bass, Fred Simmons on piano, and Horace Arnold on drums. The tunes have lots of sharp edges – almost Ayler-like at times, but more inside – and titles include "You Know How We Do", "Little Blue Devil", "This Year", and "Until". LP, Vinyl record album
Also available Until ... CD 3.99

Partial matches79
CD, LP, Vinyl record album cover art
Lee KonitzAlone Together – With Brad Mehldau & Charlie Haden (180 gram pressing) ... LP
Blue Note, 1997. New Copy 2LP (reissue)... $26.99 34.99
A brilliant later set from Lee Konitz – recorded for Blue Note, after many years of Lee's mighty talents being ignored by US labels! Konitz first rose up as a modernist in the postwar years, recorded important records for Atlantic, Verve, Prestige, and other labels – then mostly gave his gifts to the overseas market during the 70s, and especially the 80s. Yet during that time, he grew tremendously as a player – something that's almost hard to imagine given the genius of his youth – and received this excellent showcase courtesy of bassist Charlie Haden, who co-produced with Lee, and plays in the trio alongside pianist Brad Mehldau. The format is open and fluid – never too free, but with that exploratory vibe that Konitz and the rest of the Tristano school opened up in the 50s. Titles include nice long takes on "Alone Together", "The Song Is You", "You Stepped Out Of A Dream", "What Is This Thing Called Love", and "Round Midnight". LP, Vinyl record album

Partial matches80
CD, LP, Vinyl record album cover art
Steve MarcusLord's Prayer ... LP
Vortex, 1969. Near Mint- ... $14.99
A wonderfully mixed-up, messed-up batch of jazzy tracks from the great Steve Marcus – working here at the height of his late 60s powers on Atlantic's ultra-cool Vortex label! As with other Marcus albums of the time, there's kind of a long haired, freewheeling energy to the set – jazz that's still steeped in some of the best modern and soulful styles of the 60s, yet also touched a bit with some of the rock experiments at the time – not really in the instrumentation, but in the way the whole group approaches the groove. Marcus blows some mighty tenor sax – and the lineup also includes Herbie Hancock on electric and acoustic piano, Miroslav Vitous on bass, and Bob Moses on some pretty heavy drums. Some cuts have some hip larger arrangements – and titles include "Hope", "Wild Thing", "T With Strings", "America", "Amy", and "Hey Jude". LP, Vinyl record album
(Cover has a cutout notch.)

Partial matches81
CD, LP, Vinyl record album cover art
Makaya McCravenUniversal Beings ... LP
International Anthem, 2018. New Copy 2LP Gatefold ... $28.99
Maybe the crowning achievement of drummer Makaya McCraven so far – a double-length set that stands as a huge testimony to all the many waves he's been making in jazz for the past few years! The album features four slices of live performance – recorded in New York, Chicago, LA, and London – and as with every one of his different projects, Makaya seems to bring a different voice to each live track here – recording with Brandee Younger on harp and Joel Ross on vibes in New York, Shabaka Hutchings on tenor in Chicago; Nubya Garcia on tenor and Ashley Henry on Rhodes in London; and Josh Johnson on alto, Jeff Parker on guitar, Carlos Nino on percussion, and Miguel Atwood-Ferguson on violin in LA! The rhythms are as amazing as the contributions from the different soloists – and the sound of the record is maybe something we'd call post-spiritual – moving past that Coltrane-inspired mode that's been revived so well in the 21st Century, while still holding onto its best sense of energy. The whole thing is fantastic – and titles include "The Count Off", "Brighter Days Beginning", "Universal Beings", "Mantra", "Young Genius", "Holy Lands", "Wise Man Wiser Woman", "Prosperity's Fear", "Atlantic Black", "Flipped Out", "Voila", and "Suite Hans". LP, Vinyl record album
Also available Universal Beings ... CD 12.99

Partial matches82
CD, LP, Vinyl record album cover art
✨✧ Mabel MercerMabel Mercer Sings ... LP
Decca, Late 50s. Very Good+ ... $2.99
A great little record, thanks to arrangements from Ralph Burns – who gives Mabel a hipper style than on her records for Atlantic! Titles include "Ballad Of The Sad Young Men", "Once Upon A Time", "Mira", "Year After Year", "Trouble Comes", and "I've Got Your Number". (Vocalists, Jazz) LP, Vinyl record album
(Mono pressing.)

Partial matches83
CD, LP, Vinyl record album cover art
Charles MingusMingus Ah Um Redux (with bonus LP) (2020 Record Store Day Release) ... LP
Columbia/Get On Down, 1959. New Copy 2LP (reissue)... On September 26, 2020
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". (Note: This item is not for sale online until noon on Saturday, September 26. It is in limited supply – and by nature of the Record Store Day Drops rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, September 26. It will not be pre-sold or reserved in any way. However, after noon on September 26 we will offer up whatever we have left for sale online.) LP, Vinyl record album
(Includes a bonus LP with tracks appearing on vinyl for the first time ever!)

Partial matches84
CD, LP, Vinyl record album cover art
Modern Jazz QuartetUnder The Jasmine Tree ... LP
Apple, 1968. Near Mint- Gatefold ... $14.99
A nice one! The MJQ record for the Beatles' label, and the record's one of their most interesting in years! The production's pretty straight, but the group's playing in a cool open-ended style that still has elements of their earlier work, but which really makes things a lot more interesting than some of the Atlantic recordings. Milt Jackson's vibes have a bit more of a bell-like quality on some parts, and the rhythm team of Percy Heath and Connie Kay kick it with a soul jazz vibe on a few numbers – a nice change from the sleepier rhythms of earlier albums. Titles include "The Blue Necklace", "Exposure", "Jasmine Tree", and "Three Little Feelings". LP, Vinyl record album
(90s UK pressing.)
Also available Under The Jasmine Tree ... CD 8.99

Partial matches85
CD, LP, Vinyl record album cover art
✨✧ David NewmanFront Money ... LP
Warner, 1977. Near Mint- ... $4.99
Sweet electric funk from from David Newman – one of his best post-Atlantic albums, and a tightly-crafted set of studio grooves that has a warm California feel! Neman's horn is nicely electrified on many of the cuts – allowing it to slide in nicely next to the group's sharply arranged sound, a groove that comes across with an almost soundtrack-like approach to funk. And while the date and the circumstances might make you think that the album's too slick to be soulful, it's certainly not – as Newman really keeps things real – and in some way, the set's a more interesting batch of funky tunes than most of David's work for Atlantic in earlier years. Many of the cuts get really funky in a surprising way – making great use of spare basslines and nice drum parts – and the arrangements and song choices are all plenty darn fresh too! Titles include "Sneakin In", "Still Hard", "Front Money", "Pharoah's Gold", and "Suki Duki". LP, Vinyl record album

Partial matches86
CD, LP, Vinyl record album cover art
Dave PikeJazz For The Jet Set (2020 Record Store Day Release) ... LP
Atlantic, 1966. New Copy ... On September 26, 2020
A classic little album that's every bit as groovy as its cover – served up by vibist Dave Pike, and one of the first true expressions of his talents! The set's a standout early American date that predates Pike's later experiments for MPS – done in a great blend of soul jazz and some tighter Atlantic Records influences – all served up by a hip group of players that includes Billy Butler on guitar, Clark Terry and Marty Sheller on trumpets, and Grady Tate on drums – plus Herbie Hancock making a rare appearance on organ! There's a great little bounce to most numbers – not really funk, but a blend of soul instrumental and more contemporary jazz styles – in a way that takes a Blue Note groove more towards the jukebox audience. Titles include "When I'm Gone", "Devilette", "Sweet Tater Pie", "Blind Man Blind Man", and "Sunny". (Note: This item is not for sale online until noon on Saturday, September 26. It is in limited supply – and by nature of the Record Store Day Drops rules it will be offered for sale first to customers who visit the Dusty Groove retail outlet in Chicago the morning of Saturday, September 26. It will not be pre-sold or reserved in any way. However, after noon on September 26 we will offer up whatever we have left for sale online.) LP, Vinyl record album

Partial matches87
CD, LP, Vinyl record album cover art
Lennie TristanoDescent Into The Maelstrom (Inner City) ... LP
Inner City, 1950s/Early 60s. Near Mint- ... $14.99
Rare material from the great Lennie Tristano – a host of tracks that sit perfectly with his two landmark albums for Atlantic Records – and which maybe even push the envelope a bit more as well! The material is all from the 50s and early 60s – and is pulled together here in an excellent album that originally appeared on the Japanese market, then got wider circulation – really helping fill in the picture of Tristano's talents, which were often sadly under-represented on record. Highlights include a beautiful solo piece based on an Edgar Allen Poe story – "Descent Into The Maelstrom" – plus the lovely "Dram Paris 1965" and "Image Paris 1965" – plus three more tracks from a 1961 rehearsal, and trio titles with either Sonny Dallas or Peter Ind on bass, and Roy Haynes or Nick Stabulas on drums. LP, Vinyl record album
 
 
 



⇑ Top