One of the most ambitious works ever by Marvin Hannibal Peterson – a larger work dedicated to the 20 African-American children murdered by a serial killer in Atlanta, performed here with a mix of choral voices and jazz instrumentation! The piece follows strongly in a legacy of that format started by Max Roach and continued by Billy Harper – and Peterson works here with players that include George Adams on tenor, Kenny Barron on piano, Cecil McBee on bass, and Dierde Murray on cello – plus the voices of The Harlem Boys Choir, and lead vocals by Pat Peterson. The whole thing's wonderful – soaring and spiritual without sounding hokey at all – and titles include "The Angels Of Atlanta", "The Story Teller", "The Inner Voice", "Mothers Land", and "Sometimes I Feel Like A Motherless Child". CD

With Johnny O Neal on trumpet. CD

Beautifully sensitive work from pianist Geri Allen – a session cut with a core trio of Ron Carter on bass and Jimmy Cobb on drums, but one that sparkles even more from guest contributions by Wallace Roney and Carmen Lundy! Geri's piano is at the forefront of the set – sliding out gracefully with a sound that's not exactly timeless, but which has a soulful energy that reminds us a lot of some of the best styles of her roots – focused a bit more here, and augmented on a few tracks by the Atlanta Jazz Chorus, a vocal group who hardly dominate the record, but float in very gently alongside Geri's piano – almost in a style that's similar to the use of voices on some of Duke Pearson's last recordings for Blue Note. Titles include "Portraits & Dreams", "Oh Freedom", "Melchezedik", "Well Done", "La Strada", "I Have A Dream", "Nearly", "In Real Time", "Our Lady", and "Timeless Portraits & Dreams". CD features a bonus disc with a version of "Lift Every Voice & Sing" by vocalist George Shirley with the Atlanta Jazz Chorus. CD

Mid 50s, and Louis is going back to his roots – playing a set of compositions by WC Handy – working with a small combo that includes Barrett Deems on drums, Arvell Shaw on bass, Trummy Young on trombone, and Barney Bigard on clarinet. Vocals are by Louis and Velma Middleton – and titles include "Atlanta Blues", "Chantez Les Bas", "Loveless Love", "Memphis Blues", "St Louis Blues", and "Beale Street Blues". LP, Vinyl record album

A really unusual slice of work from pianist Elsie Bianchi – not just because the tracks here have never been heard before, but also because they feature Elsie playing some Hammond, in addition to her usual piano – and the recording was also made in Atlanta, and not some of the European locales that Bianchi normally played! The tunes are often in a soulfully swinging vibe – so that even when they're numbers from an older generation, they get a cool small club combo treatment – very late 60s, with Elsie at the keys, Peter Brunner on drums – and Siro Bianchi on both bass, and some great tenor and flute! When Elsie plays the organ, she handles the bass – so Siro steps in on those tunes with very groovy work on reeds – and as usual for Bianchi, she also sings a bit too – although a good part of the set is instrumental. The material here was recorded in a Georgia nightclub in 1968, and the tapes sat in storage for years – but this late side of Bianchi's 60s career really comes to light strongly – on titles that include "Canalla", "Take Five", "Now's The Time", "Swingin Shepherd Blues", "Things Ain't What They Used To Be", and "Alice In Wonderland". (Vocalists, Jazz) CD

A second set from the Clarke Duke Project – and arguably even more soulful than the first! The tunes here are still rooted in jazz, but strongly move into crossover soul territory too – with vocals from both Stanley Clarke and George Duke – and grooves that really make the best of their respective talents on bass and keyboards! The overall style's perhaps a bit more like Clarke's Columbia work than Duke's – bottom-up funky at many points, but never in clunky or overdone ways – balanced with the nice sort of polish you'd expect from either leader. Titles include "Heroes", "Try Me Baby", "Every Reason To Smile", "Atlanta", "The Good Times", "You're Gonna Lose It", and "Put It On The Line". LP, Vinyl record album

Essential work from Nathan Davis – one of our favorite jazz musicians ever! Davis is one of those cats who you'll never find mentioned in the mainstream, but his music has had a profound influence on our groove for many years – an essential soul jazz style that is finally given full due by this wonderful compilation! Nathan's got a very long resume in jazz – but one that's mostly occurred in the underground – time in both the KC and Pittsburgh scenes here in the US, and key years overseas, working in Paris, Germany, and even Eastern Europe – touching both musicians and jazz fans alike in his travels, and continuing to develop a really unique, truly amazing sound. Davis plays both tenor and soprano sax on these recordings – blowing with a style that owes just a bit to Coltrane, but which really takes off strongly on its own groove too – often with modal rhythms in support of his tones, which makes for some really spiritual, exotic moments in his music. The package brings together a wealth of rare recordings by Davis, many of which are not currently available in any form – cuts from albums for MPS, European Polydor, and other overseas labels – and some rare indie cuts from the US too. Titles include a version of "A5" recorded live in Yugoslavia; the rare "Cecen Kizi", recorded in Turkey – and the tracks "B's Blues", "Theme From Zoltan", "Mandingo", "Up Jumped Spring", "Uschimaus", "Atlanta Walk", "Makatuka", "New Orleans", "Tragic Magic", "Sconsolato", and a studio version of "A5". CD

A soulful and ambitious session from saxophonist Nathan Davis – a funky little gem that's got a lot more to offer than just a simple tribute to Dr King! Nathan penned the set in a mode that's expanded from most of his other albums – using larger horns and electric instrumentation to give the record a groove that's almost like funky 70s soundtrack work, but which is also offset by some shorter, more introspective tracks that feature spoken narration about King and his legacy – read by Donald M Henderson, and done in an extremely poetic way. The session's as righteous as it is grooving – and showcases a side of Davis' talents we never even knew he had – a rich larger musical vision, handled perfectly throughout! Nathan plays a range of reed instruments on the album, and Frank Cunimondo plays some sweet electric piano on the record – and singer Brenda Joyce provides lyrics on a few numbers as well. Titles include "Funk A Dilly Molly", "MLK", "Atlanta Walk", "Mean Business", "Latin Happ'n", and "New Dues". CD

A groundbreaking set from Yusef Lateef – one that mixes together a number of different soul jazz styles! In a way, Atlantic records tried to handle Yusef Lateef in the same way they did Roland Kirk – by creating recordings that either let him express himself strongly as an arch-modernist, or those that focused on his solo talents in material that was a bit more funky and soulful. This album's got a bit of both – as side one has Yusef playing with slightly electric groups on short tracks that feature vocal backings by the Sweet Inspirations, and side two features Yusef playing with the Cologne Radio Orchestra, conducted by William Fischer, on an extended work called "The Symphonic Blues Suite". We dig the shorter tracks better, and those titles include "Nocturne", "Buddy & Lou", and "Down In Atlanta". LP, Vinyl record album

Sweetly soulful fusion from the Atlanta scene – a wonderfully righteous album, and a pretty darn obscure one as well! Life Force play here in a style that reminds us a lot of the artists on the Black Jazz label in the decade before – particularly the group Awakening, with their great blend of sharp edges and funkier moments – but also a bit like Rudolph Johnson, given the strong reed work in the set. The combo's a sextet – with alto and soprano by Joe Jennings, tenor and soprano by Howard Nicholson, and keyboards by Oliver Wells – and although the set was recorded at the start of the 80s, the overall sound is much more 70s indie soul fusion overall – nicely stripped-down and never too jamming – with just as much focus on the core rhythmic elements and grooves of the tunes as there is the bolder solos of the group members. Titles include "To Pharoah With Love", "Fearless Warriors", "Wow", "I Remember Duke", "Sister Bea", and "Atlanta Anna". CD

Wonderful late work from Junior Mance – a solo piano session, and one that really shows the great range of growth he'd experienced over the decades! Mance was always great, no matter what the setting – from lyrical trio dates of the early years, to soul-drenched sides of the 60s – but this album has him moving with a wonderfully sensitive vibe, as well – amazing right hand touches that flow with boundless energy over the keys of the piano, as Junior paints these sublime pictures in sound, while still keeping an overall sense of soul as well. A really revelatory album, especially if you only know Junior from the 60s and 70s – and titles include "All The Things You Are", "The Single Petal Of A Rose", "Autumn Leaves", "Atlanta Blues", and "Old Folks". CD