Don Cherry really breaks out here on his classic Mu sessions from France – using the new freedoms of post-68 Paris to explore themes at a level that would set the tone for generations to come! The album's very spare, and very improvised – with Cherry on pocket trumpet, piano, and wooden flute – plus a bit of percussion too – alongside drummer Ed Blackwell, who's equally unbridled – showing a huge evolution since the time both he and Don spent in the group of Ornette Coleman! There's a few echoes of the global elements that Cherry would later embrace more strongly in the 70s – but the core energy here is mostly improvised jazz, handled at a level that really makes a lot better use of the freedom than some of Don's contemporaries. Titles on this second part include "Bamboo Night", "The Mysticism Of My Sound", "Psycho Drama", "Smiling Faces Going Places", "Teo Teo Can", and "Dollar Brand/Spontaneous Composing/Exert Man On The Moon". LP, Vinyl record album

A rare live set – recorded in Algiers during the Panafrican Festival in 1969, featuring a set of work that is some of Shepp's rootsiest of the 60s! The recording features a core group of Shepp, Grachan Moncur, Clifford Thorton, and Dave Burrell – all joined by a host of Algerian and Touareg musicians – playing percussion in a way that creates a heavy drone-like quality to the record, expanding Shepp's jazz sound with a spacious ethnographic vision. The sound is haunting, and the record really stands apart from Shepp's other work of the time. Features the extended tracks "We Have Come Back" (Pts 1 & 2) and "Brotherhood at Ketchaoua". LP, Vinyl record album

A tremendous recording from the Art Ensemble Of Chicago – done during the same Paris stretch as their Great Black Music classics on the BYG/Actuel label – and a set that easily matches, if not tops, those classics! You can really hear the group finding their own space here – taking some of the free jazz explorations of the Chicago scene in the late 60s, and forging them with an even earthier use of both percussion, and the more offbeat sonic possibilities of their own instruments – often with a sense of surprise that you don't always get from some of their later albums. Titles include the side-long "The Spiritual" – plus "Toro", "Lori Song", and "That The Evening Sky Fell Through the Glass Wall and We Stood Alone Somewhere?" (And they wondered why they never got their songs on the radio!) LP, Vinyl record album

A rare spiritual jazz session from the Full Moon Ensemble – a very groovy French group headed up by drummer Claude Delcloo – who was better known for his avant jazz work on sides for the BYG/Actuel series of albums! This time around, Delcloo is working in much trippier territory – a style that still shows some of the freedoms of the post-68 generation of French jazz, but which also takes on some strong spiritual tones too – mixing spoken passages with rich organic sounds on percussion – and these bold, snaking lines on Fender Rhodes and guitar that really help hold the whole thing together! The record works as one long suite on side one, and continues that groove on side two – and although the band's jamming great in the studio, there's still a sense of structure and purpose that really drives the music. In addition to Delcloo on drums, the group also features Jeff Sicard on alto and tenor, Gerard Coppere on tenor and soprano sax, Mratine Tourreil on Rhodes, and Joseph Dejean on guitar – and the vocals bits are by the enigmatic "Sarah". Titles include the side a suite "Tribute To Bob Kaufman" – plus "101 W 85th Street" and "King Kong". LP, Vinyl record album

A piano trio set, but one that's unlike anything that Oscar Peterson or Ramsey Lewis might have recorded – as Siegfried Kessler really breaks the whole format down here, working in a very free setting with accompaniment from Gus Nemeth on bass and Stu Martin on drums! The energy here is very much in the post-68 vibe of the French free scene – and the record's got a sound that would have been equally at home as one of the 1969 sessions on BYG/Actuel – especially in the way that Kessler's not content to just play piano, but also handles a bit of flute as well! The whole thing is nicely unbridled – with long tracks that include "Persecution", "Drum", "De L'Orient A Orion", and "Solaire". LP, Vinyl record album

Some of Archie Shepp's most freewheeling material of the 60s – a long, extended, single-song album recorded at the Donaueschingen festival a few years before his classic work for BYG/Actuel – and very much in the same bold spirit as his recordings for that label! The single tune – "One For The Trane" – is opened up, stretched out, and run freely by Shepp on tenor, Roswell Rudd and Grachan Moncur on trombones, Jimmy Garrison on bass, and Beaver Harris on drums – a very unique lineup that benefits not just from the presence of two trombones, which gives the record a very deep, rich sound – but also from the creative rhythms of Garrison and Harris, a really great team for a session like this! Shepp is wonderful – still with this inherent sense of soul that also ties the performance to some of his brightest moments for Impulse Records – this structure, even when blowing free, that creates an amazing sense of swing somewhere back in the music. LP, Vinyl record album

There might be a trumpet in Archie Shepp's soul, but the album features him on tenor and soprano sax – working in a wonderfully spiritual vein that's almost in the same mode as his early 70s work on Impulse! The album features some very long, drawn out tracks – but ones that build nicely with Shepp's soulful styles of the 70s – that groove he explored a bit on the Black Saint label, with a bold sense of majesty and power, presented with more control than the BYG/Actuel years. The album features some great vocals – again recalling Archie's later Impulse years – and players include Walter Davis Jr on electric piano, Dave Burrell on acoustic piano, Charles Greenlee on trombone, Ray Draper on tuba, and Beaver Harris on drums. Titles include "There's A Trumpet In My Soul", "Zaid", "Down In Brazil", and "It Is The Year Of The Rabbit". LP, Vinyl record album

One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/Actuel avant sessions than Blue Note in the 60s – and titles include "Steps", "Enter Evening (Soft Line Structure)", "Unit Structure/As Of A Now/Section", and "Tales (8 Whisps)". LP, Vinyl record album