A fantastic set from the Sudanese scene of the 70s – served up by a group who've definitely got all the jazz promised in the title, but who also have a special vibe that's all their own! The rhythms are nicely jagged – sometimes rolling and romping, almost with a South African jazz approach – other times a bit more stark, and almost always topped by superb reed lines that almost echo some of the Ethiopian jazz styles of the period – but again, with a very special sound of their own! A number of tunes have vocals – nicely snakey, and not entirely tied to the rhythms – and there's also lots of cool organ in the group, too – over riffing guitar that moves along strongly with the drums. The sound's a bit hard to sum up in words, but is every bit as cool as you could hope from the cover and title – and tracks include "Nile Waves", "Azzah Music", "Hilwa Ya Amoora", "Bride Of Africa", "Seira Music", "Saat Alfarah", and "Farrah Galbi Aljadeed". (Global Grooves, Jazz) LP, Vinyl record album

An album of rich textures and subtle sonic moments – the bass of Barre Phillips in duet with the clarinets of Giancarlo Locatelli – a player who uses his reed instruments with this very spare, careful sort of approach – really taking his time to find out the properties of the horns that go far beyond music! Locatelli plays both b flat and bass clarinet – in a mode that's on the farther side of the free jazz use of those instruments from years back – on a set of very long improvisations dedicated to Coleman Hawkins – maybe initially an odd choice, until you realize that Hawk might well have approved of the inventive phrasing on the spot. Titles include "Dance Of The Scorpions No 1", "Dark Moon Dance One", and "Dark Moon Dance Two". CD