Hauntingly beautiful work from Yasuko Agawa – a set that has some echoes of older jazz and bossa at points, but also slides out in a smooth 70s soul mode too! As on her previous album, arrangements here are all by Susumu Arima – who also produced – and he's quite a maestro when it comes to the backings, putting together jazzy elements, soft strings, and slight electric touches all at a level that rivals some of the best American soul arrangers of the time. There's a laidback, mellow feel to most numbers that's totally great – and titles include "The Gentle Rain", "I Can Fly", "Sounds Of Love", "La La Means I Love You", "Fools Rush In", "Angel Eyes", and "As Time Goes By". CD

A classic groover from Yasuko Agawa – proof that the Japanese scene had an ear for soul in the years before Monday Michiru! The early 80s set is made up from equal parts jazz, soul, and Brazilian influences – all used nicely with tight, fusiony production that really works nicely with Yasuko's lighter-voiced approach to the lyrics. One of the highlights of the record is a remake of Viva Brasil's "Skindo-Le-Le", a great little groover with a catchy riff that's right in the Gilles P mode – but other tracks are pretty great too, and come together in a mix of different modes that's somewhat similar to an American jazzy soul album from the same time. Most of the arrangements are by keyboardist Naoya Matsuoka – and titles include "She-Senior Dreams", "Cinema", "Island Breeze", "Here & Now", and the very appropriate "Pardon My English". CD

Yasuko's on the menu, and she's as sweet as can be on this late 70s set – an album that's even more soul-based than some of her previous efforts! The grooves are nicely upbeat here – hitting a style that's certainly club, but which also has a bit of a funky fusion too – thanks to nice use of guitar and keyboards in the backings. Arranger Masao Nakajima handled the set, and some of the best cuts are mellow midtempo groovers that carry a strong inspiration from American classy soul of a few years before. Titles include "Hard Times", "Why Don't You Move In With Me", "Here's That Rainy Day", "Captive", "Never Letting Go", "Rainbow Of Love", and "Let's Love". CD

A wonderful early album from this hip Japanese singer – done in a mix of jazz and soul that reminds us a lot of Marlena Shaw! The overall style here is perhaps a bit more on the jazz side of the spectrum, but the arrangements and production are definitely influenced by American R&B of the 70s – in a way that takes Yasuko's versions of familiar standards, and turns them into sophisticated soul numbers. Instrumentation is a nice mix of acoustic and electric elements – and titles include "Wave", "Confide In Me", "The Good Life", "Too Shy To Say", "I'm Gonna Sit Right Down & Write Myself A Letter", and "It Might As Well Be Spring". CD

Warm, soulful sounds from a crucial time in the Japanese music scene – a 70s moment when the nation was finding a special groove of its own – but one that also drew heavily from American soul and jazz as well! It's no secret that the Japanese have always had a great love of American sounds – but by the mid 70s, that longtime love had also turned into some great homegrown sounds of their own – as Japan developed a number of its own strong soul singers, who were often backed by the ever-growing array of great jazz musicians, particularly those of the fusion side of the spectrum. Plus, there also seemed to be a lot more criss-crossing between Tokyo and US studios at the time – particularly those on the west coast – which resulted in a special blend of sounds that had all the class and cool of the Japanese urban scene, but also some of the sunniness of the west coast too. That special mix of music is perfectly summed up here – in a collection that offers up plenty of cuts that were never issued outside of Japan back in the day – with vocals both in English and Japanese, and plenty of grooves that are perfect for any fan of fusion-styled R&B. Titles include the classic "LA Nights" by Yasuko Agawa – plus "Say Goodbye" by Hiroshi Sato, "I Say Who" by Tomoko Soryo, "Sports Men" by Haruomi Hosoni, "Midnight Driver" by Minako Yoshida, "Machibouke" by Tazumi Toyoshima, "Exotic Yokogao" by Hitomi Tohyama, "Lady Pink Panther" by Shigeru Suzuki, "Drip Dry Eyes" by Yukihiro Takahashi, and "Bamboo Vendor" by Masayoshi Takanaka. LP, Vinyl record album

Includes selections by Myx, FAD, Yasuko Agawa, Shoody, Eric Gale, Masayoshi Takanaka, Shigeru Suzuki, One Line Band, Hiro Tsunoda, Lily, Kazumasa Akiyama, Junshi Yamagishi, The No 1 Band, The Eastern Gang, Splaash, and Ryuichiro Senoo. (Jazz, Japanese) LP, Vinyl record album

Warm, soulful sounds from a crucial time in the Japanese music scene – a 70s moment when the nation was finding a special groove of its own – but one that also drew heavily from American soul and jazz as well! It's no secret that the Japanese have always had a great love of American sounds – but by the mid 70s, that longtime love had also turned into some great homegrown sounds of their own – as Japan developed a number of its own strong soul singers, who were often backed by the ever-growing array of great jazz musicians, particularly those of the fusion side of the spectrum. Plus, there also seemed to be a lot more criss-crossing between Tokyo and US studios at the time – particularly those on the west coast – which resulted in a special blend of sounds that had all the class and cool of the Japanese urban scene, but also some of the sunniness of the west coast too. That special mix of music is perfectly summed up here – in a collection that offers up plenty of cuts that were never issued outside of Japan back in the day – with vocals both in English and Japanese, and plenty of grooves that are perfect for any fan of fusion-styled R&B. Titles include the classic "LA Nights" by Yasuko Agawa – plus "Say Goodbye" by Hiroshi Sato, "I Say Who" by Tomoko Soryo, "Sports Men" by Haruomi Hosoni, "Midnight Driver" by Minako Yoshida, "Machibouke" by Tazumi Toyoshima, "Exotic Yokogao" by Hitomi Tohyama, "Lady Pink Panther" by Shigeru Suzuki, "Drip Dry Eyes" by Yukihiro Takahashi, and "Bamboo Vendor" by Masayoshi Takanaka. CD