Funky, fuzzy, and outta site – a really wonderful set of extended psychedelic jazz numbers from twin tenorists Takeru Muraoka and Takao Uematsu! The set's billed as a live tenor "battle" on the cover – but it's hardly the sort of record that you'd hear from American players in this mode – no bebop jams, and instead some great soul and funk-influenced lines on the horns, served up over rhythm from a trio that features electric piano, electric bass, and drums from the mighty Motohiko Hino! There's a nice degree of fuzz on the saxes at times (are they using some effects pedals?) – and the long tunes really open up with a wicked groove that feels like some lost US jazz funk album from the early 70s. Titles include "Happy Birth", "Listen Here", "Hot Sunday", and "CC Rider". (Jazz, Japanese) LP, Vinyl record album

A record with a staid sort of cover, one that hides all the great funky energy underneath – as the set's a killer album from Japanese drummer Takeshi Inomata, working here with his Sound Ltd group in a wonderful blend of jazz, funk, and psychedelic mode! There's a fantastic swirling of elements going on here – including guitar from a young Ryo Kawasaki, plus trumpet from Shunzo Ohno, flute from Toshiako Yokota, and tenor from Takao Uematsu – as well as trombone from Takashi Imai, who handled the arrangements with Inomata and Norio Maeda. The record is a key evolution of the late 60s Japanese way of serving up new jazz takes on American hits – as the record is funky, yet filled with original material that really pushes the boundaries – on titles that include "It Better End Soon", "Sometimes In Winter", "South California Purples", "Tell All The People", "Tag 5 Tune", and "Pacific C55". (Jazz, Japanese) LP, Vinyl record album