A funky 70s killer from Japanese arranger Norio Maeda – very different than his 60s material, and also different than you might guess from both the image on the cover, and the "samba" in the title! There's some Brazilian influence in the rhythms, but the approach is fuller, richer, and handled with lots of sweet CTI-style electric touches – including great keyboard work from Maeda himself, guitar from Shigeru Suzuki, and nicely strong basslines from Haruomi Hosono – quite a surprise on a set like this! Larger horn lines really top the set in a nice way – and there's great percussion from Motoya Hamaguchi – on titles that include funky jazz takes on "Wave", "Desafinado", "Constant Rain", "Manha De Carnaval", "Summer Samba", and "The Girl From Ipanema". (Jazz, Japanese) LP, Vinyl record album

The drums are definitely exciting here – really tight rhythms that drive most of these cuts into a funky frenzy – even if the groove is more based on American soul of the late 60s than the African rock promised in the title! Most of the tunes are covers, but remade here as really hip instrumentals – often with bold work from the Count on his drum kit – which then sets fire to the larger group's blend of tight horns and electric rhythmic instrumentation – all coming across with that perfect cusp of the 70s Japanese jazz sound we love so much! Most tracks are shortish, and very groovy – and titles include "The Cat", "Touch Me", "Amen", "Soul Limbo", "Hold Tight", "Otis Sleep On", "Sidewinder", "Going Up The Country", and "Windy". (Jazz, Japanese) LP, Vinyl record album

The first-ever western collection of work from Japanese jazz giant Jiro Inagaki – a great saxophonist in his own right, and a real master of the groove with his Soul Media band! The double-length set is overflowing with gems from the golden age of Jiro and that group – tunes that effortlessly mix together acoustic and electric elements, with occasional nods to Japanese cultural styles – all at a level that's every bit as groovy as European work from the MPS/Saba generation! Jiro blows tenor, soprano, and flute on the tracks – and other players include the great Norio Maeda on organ, Hiromasa Suzuki on electric piano, and Ryo Kawasaki on guitar – on titles that include "Wandering Birds", "That's How I Feel", "Sniper's Snooze", "Head Rock", "Breeze", "Twenty One", "By The Red Stream", "Back Off Boogaloo", "Theme", "Express", "Barock", and "Painted Paradise". (Jazz, Japanese) LP, Vinyl record album

A legendary pairing of talents – as Japanese jazz singer Kimiko Kasai works alongside Herbie Hancock – in a setting that's very much on the soul side of the spectrum! Both Herbie and Kimiko started out with a straighter jazz sound in their early years – but by the end of the 70s, they'd both picked up plenty of influences from R&B – although Kasai's work was largely unknown to American audiences. This set is one of those rare Japanese-only sessions by Herbie at the time – a few of which have gotten released overseas as the decades have gone on – and Hancock is in his best keyboard groove, and also gets additional help on the keys from Webster Lewis – who no doubt brings a strong soul current to the music too. Other musicians include Bennie Maupin on soprano and tenor sax, Paul Jackson on bass, Ray Obeido on guitar, Alphonse Mouzon on drums, and Bill Summers on percussion – in a groove that's like a tighter take on the sound of The Headhunters. Kimiko sings in English – and titles include some great versions of Herbie Hancock tunes – including "Maiden Voyage", "Sunlight", "Butterfly", "Tell Me A Bedtime Story", and "Harvest Time" – plus a great take on Stevie Wonder's "As", the cut "Head In The Clouds", and the funk-steeped opener "I Thought It Was You". LP, Vinyl record album

A slinky, soulful set from the Japanese scene of the early 80s – one of those records from a time when it really seemed that jazz fusion was informing some of the best records from singers overseas – and that's definitely the case here! There's a warm jazzy glow to the record that's wonderful – and Takako Mamiya sings with a style that's right up there with some of the most sophisticated American soul singers of the period – particularly that shift that happened in the late 70s with artists like Phyllis Hyman or Marlena Shaw – although the lyrics here are all in Japanese. Genji Sawai produced, and handled some of the arrangements – and titles include "Love Trip", "One More Night", "Mayonaka No Joke", "All Or Nothing", "Chinese Restaurant", and "Nagisa De Dance". LP, Vinyl record album