All That Jazz expand their sound here, as you might guess from the winds and wood hinted in the title – using saxes and a bit of strings in a great way over their surprisingly dynamic grooves – almost at a level that seeks to link the club jazz modes of the Tokyo scene with some of the thematic elements of the world of Studio Ghibli! The melodies are as spare and compelling as before, but the presentation is nicely full – light strings and other orchestrations in the background – while the core energy comes from the piano, heavy bass, and dancing drums – on titles that include "Kazeno Toorimichi", "Kazeno Tanino Maushika, "Umino Miero Machi", "Kimio Nosete", "Monokoke Hime", "Ano Natuse", "Tonarino Totoro", and "Ashitakasekki". LP, Vinyl record album

The drums are definitely exciting here – really tight rhythms that drive most of these cuts into a funky frenzy – even if the groove is more based on American soul of the late 60s than the African rock promised in the title! Most of the tunes are covers, but remade here as really hip instrumentals – often with bold work from the Count on his drum kit – which then sets fire to the larger group's blend of tight horns and electric rhythmic instrumentation – all coming across with that perfect cusp of the 70s Japanese jazz sound we love so much! Most tracks are shortish, and very groovy – and titles include "The Cat", "Touch Me", "Amen", "Soul Limbo", "Hold Tight", "Otis Sleep On", "Sidewinder", "Going Up The Country", and "Windy". (Jazz, Japanese) LP, Vinyl record album

A sweet little record from this Japanese trio – all instrumental, and put together in a style that blends elements of electro pop, electric fusion, and maybe a bit of sound library funk! The tunes are all pretty vivid – maybe evoking the scene in the title – but they also have elements that tie them more strongly to the emerging electronic groove coming from the Japanese scene at the end of the 70s – almost as if you were stripping away vocals, and coming up with spare tracks that are heavy on keyboards and other eletric touches. Titles are all in Japanese – but translate as "Aegean Fantasy", "Rose Between The Waves", "Image", "Daybreak", "Aphrodite's Mourning", and "Mykonos' Bride". LP, Vinyl record album

There's no shrieking going on here, as the music's got this gently groovy style that's warm and wonderful – post-folk, maybe a bit sunshine pop influenced – and coming across as almost like a Japanese attempt to hit some Carpenters territory! The songs are often more sophisticated than pop, and the arrangements by Takahiko Ishikawa are really great – never too commercial, but just the right direction to give the lighter vocals the push that they need – on titles that include "2001 Nen No Boku No Heya", "Tongarashi", "Kujira No Su San Sora Wo Iku", "Suginokiyama", "Oyashirazu", and "Kaeru No Tabi". LP, Vinyl record album

A fantastic dip into the world of Japanese funk during the 70s – a great place to start if you don't want to slap down big money for expensive imports – and a set that's also got a fair bit of obscure numbers in the lineup, even if you have some of the material from this time! The collection's got a specific ear for a groove – and often focuses on tracks that mix US styles of jazzy funk with specific Japanese styles of instrumentation – a wood flute here, a bit of koto there – all used in very cool, very groovy ways – and in a setting that's still very appealing if you're a fan of more familiar funky jazz from the 70s! Titles include "Incitation" by Monica Lassen & The Sounds, "Soran Bushi" by Toshiiko Yonekawa, "Touch Of Japanese Tone" by Takeo Yamashita, "Cloudy" by Chikara Ueda & The Power Station, "Downtown Blues" by Chumei Watanabe, "Sidewinder" by Akira Ishikawa & Count Buffalos, "Sniper's Snooze" by Masahiko Sato and Jiro Inagaki, and "Hanagas Onda" by Kifu Mitsuhashi. (Funky Compilations, Japanese) LP, Vinyl record album