Enigmatic sounds from the early years of the recording industry in Japan – served up in a style billed as ryukoka, which mixes older elements of traditional music with some of the newer flavors emerging from the west in the early 20th century! To our ears, these tunes still sound very traditional overall – but because of the lack of recordings, we also can't tell you what the Japanese music sounded like a generation before – and the whole package is a wonderful presentation of lost relics from the shellac era, similar to sets of this nature from Dust To Digital (although not in a larger book format.) CD features 16 tracks in all – work by Yayoi Tanaka, Mitsuko Nemoto, Ichiro Fujiyama, Chiyako Sato, Otomaru, Hamako Watanabe, Seki Taneko, Kouta Katutaro, and others. LP, Vinyl record album
Sweet sounds from a real golden age in Japanese music – a time when the scene had picked up plenty of influences from the US scene, but was carefully crafting some great styles of their own! The music here has touches of jazz, fusion, soul, and AOR – but there's a special balance that's a bit different than American chartbound material of the time – tight, but never too slick – and with a great ear for allowing the more interesting sides of the music to come forth in all the best ways – so that although catchy, the tunes aren't just going slavishly for a hook or a hit! There's a lot of resonance in the instrumentation with some of the scene that had Japanese jazz musicians working with American fusion players – but the overall approach is maybe more soul-based overall. An even deeper set than the first volume – with titles that include "Kanpoo" by Yumi Murata, "Hidari Mune No Seiza" by Tetsuji Hayashi, "Yubikiri" by Eiichi Ohtaki, "Vibration" by Kimiko Kasai, "Pink Shadow" by Bread & Butter, "The Tokyo Taste" by The Sadistics, "Blind Curve" by Momoko Kikuchi, "Skyfire" by Eri Ohno, and "Rainy Saturday & Coffee Break" by Junko Ohashi & Minoya Central Station. CD
Sweet sounds from a real golden age in Japanese music – a time when the scene had picked up plenty of influences from the US scene, but was carefully crafting some great styles of their own! The music here has touches of jazz, fusion, soul, and AOR – but there's a special balance that's a bit different than American chartbound material of the time – tight, but never too slick – and with a great ear for allowing the more interesting sides of the music to come forth in all the best ways – so that although catchy, the tunes aren't just going slavishly for a hook or a hit! There's a lot of resonance in the instrumentation with some of the scene that had Japanese jazz musicians working with American fusion players – but the overall approach is maybe more soul-based overall. An even deeper set than the first volume – with titles that include "Kanpoo" by Yumi Murata, "Hidari Mune No Seiza" by Tetsuji Hayashi, "Yubikiri" by Eiichi Ohtaki, "Vibration" by Kimiko Kasai, "Pink Shadow" by Bread & Butter, "The Tokyo Taste" by The Sadistics, "Blind Curve" by Momoko Kikuchi, "Skyfire" by Eri Ohno, and "Rainy Saturday & Coffee Break" by Junko Ohashi & Minoya Central Station. LP, Vinyl record album
Sweet sounds from a real golden age in Japanese music – a time when the scene had picked up plenty of influences from the US scene, but was carefully crafting some great styles of their own! The music here has touches of jazz, fusion, soul, and AOR – but there's a special balance that's a bit different than American chartbound material of the time – tight, but never too slick – and with a great ear for allowing the more interesting sides of the music to come forth in all the best ways – so that although catchy, the tunes aren't just going slavishly for a hook or a hit! There's a lot of resonance in the instrumentation with some of the scene that had Japanese jazz musicians working with American fusion players – but the overall approach is maybe more soul-based overall. An even deeper set than the first volume – with titles that include "Kanpoo" by Yumi Murata, "Hidari Mune No Seiza" by Tetsuji Hayashi, "Yubikiri" by Eiichi Ohtaki, "Vibration" by Kimiko Kasai, "Pink Shadow" by Bread & Butter, "The Tokyo Taste" by The Sadistics, "Blind Curve" by Momoko Kikuchi, "Skyfire" by Eri Ohno, and "Rainy Saturday & Coffee Break" by Junko Ohashi & Minoya Central Station. LP, Vinyl record album
Japanese club music from the disco years onward – but a set that's got a very universal appeal in the rhythms! The vocals are mostly in Japanese, but the arrangements, production, and instrumentation here resonate strongly with the best that New York or Philly had to offer during the disco generation – a well-done blend of funky grooves with some slightly larger instrumentation, all of which sends home the soulful vocals in a way that hardly makes you notice they're not singing in English! All of the tracks here are from rare albums – similar to the Wamono Jazz compilations – and titles include "Birth Of The Odyssey" by Godiego, "This Is Hot" by Ikue Sakakibsara, "I Will Give You Samba" by Soul Media, "Woman In A Man's World" by Hatsumi Shibata, "Disco Great Tokyo" by Pink Parachute, "Krishna" by Yumi Murata, "Ame Wa Knife No Ya Sa" by Yoshito Machida & Godiego, and "Purple Shadow" by Hatsumi Shibata. (Funky Compilations, Japanese)LP, Vinyl record album
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