Big Break -- Japanese (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Japanese

XA special section of Japanese language records -- city pop, J-pop, and other styles unique to the culture of Japan!

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CD, LP, Vinyl record album cover art
VariousTokyo Riddim 1976 to 1985 ... LP
Time Capsule (Japan), Late 1970s/Early 1980s. New Copy ... $39.99 46.99
A really unique selection of Japanese reggae tracks from back in the day – and work that's very different than sounds from both the underground scene in Kingston, and the big wave of reggae hits on the major labels! The pace of many of these cuts has them moving in almost a lovers rock sort of mode – easygoing, warm, and with lots of soulful touches – often served up with instrumentation that echoes some of the city pop generation as well, although maybe a bit more down to earth, given the genre! You might almost think of these tunes as city pop reggae variants – mostly with female singers in the lead – and titles include "Hittin Me Where It Hurts" by Marlene, "Johannesburg" by Junko Yagami, "Coffee Break" by Miharu Koshi, "Tsukikage No Nagisa" by Miki Hirayama, "Music" by Chu Kosaka, "Lazy Love" by Izumi Kobayashi, and "Tenkini Naare" by Lily. LP, Vinyl record album
 
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CD, LP, Vinyl record album cover art
✨✧ Masahiko Sato with Toshiyuki Miyama & His New HerdYamataifu ... LP
Toshiba/Universal (Japan), 1972. New Copy Gatefold (reissue)... Temporarily Out Of Stock
Stunning sounds from the Japanese jazz scene of the 70s – one of those key records that show how the scene was really moving forward with older jazz formats, and definitely finding new voices and styles in the process! The New Herd group here has nothing to do with older American big bands of years past – as they use the larger lineup of saxes, trumpets, and trombones to unlock all these insane colors next to the electric piano of Masahiko Sato – who guests with the group here, composing new material – and really taking things into some very heady territory! The record has breakout sonic passages that go out, but never too far – as things come back with a more standard swing from time to time – yet the overall structure is still quite loose too, very much its own thing – with maybe just a very slight comparison to the territory that Gil Evans might explore at his most avant 70s. Titles include "Ichi", "Ni", and "San". (Jazz, Japanese) LP, Vinyl record album
(Beautiful Japanese pressing, with obi!)
 
 
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