Mad sounds from the late 60s world of Japanese pop – a mindblowing, ear-opening batch of singles we never would have gotten our hands on otherwise! The music here feels like sounds coming out of some backroom jukebox in a Nikkatsu "new action" film – or maybe the kind of offbeat pop that Quentin Tarantino might throw into a soundtrack – but there's also a much deeper range of sounds going on than you might expect, with wonderfully clever instrumentation, and lots of surprisingly heartfelt passages in the vocals! And sure, the language might be a barrier – but there's a really universal sense of appeal to this music – a variant of 60s soul and pop, focused through a different sort of lense – and the instrumentation alone is great – with wicked guitars, Hammond, and other garagey touches! As usual with Ace, the whole thing's supported with nicely detailed notes that tell the whole story behind these wonderful lost gems (we like this one even better than the fab first volume) – and titles include "Namida No Go Go" by Emy Jackson & Blue Comets, "Koi Gurui" by Chiyo Okumura, "Tokyo No Hito" by The Peanuts, "Warui Kuse" by Kazumi Yasui, "Boy & Girl" by Akiko Wada, "Namida No Mori No Monogatari" by Akiko Nakamura, "Saike Na Machi" by Reiko Mari, "Bazazz No 1" by Kayoko Ishuu, and "Furi Furi 5" by Linda Yamamoto. LP, Vinyl record album

One of the coolest projects so far from Grey October Sounds – a set that has all the crispy beats and laidback vibe of previous records, but which also focuses on themes from anime as well! There's plenty of tunes from the world of anime, but they're nicely changed up with the instrumentation and production of Grey October Sounds – done as hip hop-styled instrumentals, but still with the gentler currents that echo the originals – including plenty of piano lines that float with a very dreamy vibe over the beats of the tracks! The record has all the charms you could hope for – covering songs Bleach, Saint Seiya,, K-ON! Dragon Ball and more. LP, Vinyl record album

A sweet little record that definitely offers up what it promises in the title – a lower-fi version of the Japanese city pop sound from years back, yet one that's also nicely inflected with some of the hip hop elements that Grey October Sounds use in their music! The image on the cover is nicely fitting, as there's a intimacy here that's nice – kind of a peace within the urban setting, not far from the beats and the streets – but a bit more private too, and done here with contributions from Esu, Lo Film Creation, Monbee, and Adon. Titles are all in Japanese, and if you've dug previous work by the group, you'll find plenty here to love! LP, Vinyl record album

A totally wonderful compilation – and a fantastic way to dip into the world of Japanese city pop – a genre that most of us missed back in the day, in large part because most of these records never made it to the record racks in the US! As fans know, the movement was a huge crest of creative activity in Japanese music – a way of refining some of the best modes begun in the 70s by artists like Haruomi Hosono and Ryuichi Sakamoto (both of whom have a hand in some of the tracks here) – and mixing in some of the long love of American soul, funk, and jazz that had been brewing up for years. There's definitely a lot of soul inspiration on these cuts, even though lyrics are in Japanese – and the music also has some nice electric fusion moments too – although more of the sounds are from beats, keyboards, and basslines. Titles include an early cut by Pizzicato Five, "Boy Meets Girl" – plus "Love Sick" by Mari Iijima, "Pub Casablanca" by Osamu Shoji, "Tropical Love" by Teresa Noda, "Scandal Night" by Miharu Koshi, "Heartbeat" by Miho Fujiwara, "Tonkachi" by Atsuko Nina, "Bewitched" by Naomi Akimoto, "A Soka" by Susan, "Suiyoubi Madeni Shinitaino" by Yukako Hayase, and "Business Man (part 1)" by Makoto Matsushia. LP, Vinyl record album

The album's great cover image is an homage to the Death Wish soundtrack by Herbie Hancock, and Mantle references 70s funk group Mandrill in his name – but the sound here is very different than either of those two references might make you expect, more in a contemporary hip hop vein, but equally cool overall! The 70s sonic hints are delivered in the well-produced beats, which are peppered with great samples – all to provide a killer backdrop for a rotating cast of rappers who work in both English and Japanese – a lineup that includes BES, King104, Tetrad The Gang Of Four, Jomo, Jackson2, Vikn, A-Thug, and BD – on titles that include "Rest In Peace", "Only My Lyrics Is Real", "2Face", "Level The Vibes", "OG Theory", "Moment Of The Sexorcist", "Run the World", "Tied In A Row", and "Front Of Underground". LP, Vinyl record album

A really great record from the Japanese scene of the 70s – one that seems to borrow a lot from the French pop styles of the late 60s – as you might guess from the group's name! Toi Et Moi are one guy singer, one gal – blending their Japanese vocals beautifully, with elements that move between lighter bossa elements and some fuller, more upbeat backings – a blend that makes the album a treasure through and through, and which gives it the same ability to transcend the boundaries of language as some of our favorite European work of the time! Lyrics are all in Japanese, and titles translate as "Love Token In A Spring", "June Bride", "Village In The Valley", "Ballad Of Rainbow & Snow", and "Beautiful Summer". LP, Vinyl record album