Jan Garbarek & Ustad Fateh Ali Khan —
Ragas & Sagas ... CD ECM, 1990. Used ...
Out Of Stock
Jan Garbarek on saxophones – with Ustad Fateh Ali Khan and Deepika Thataal on vocals, Ustad Shaukat Hussain on tabla, Ustad Nazim Ali Khan on sarangi, and guest percussion from Manu Katche. (Jazz, Global Grooves)CD
3
Matadi —
Dance My Love ... LP Choc/La Freak (France), 1978. New Copy (reissue)...
Out Of Stock
The only album ever issued by Matadi – a hip French group from those key post-colonial years on the Parisian scene, and one who serve up this wonderful blend of late 70s club and West African roots! The style is almost a few years ahead of its time – especially when compared to some of the groups who would break big on that early 80s moment of global circulation of new Afro-styled sounds – especially when some of the keyboards almost seem to hint at electro styles from years to come! Yet the overall approach is nice and warm, very 70s funky on most tracks – upbeat, and laced with guitar solos from Sammy Massamba, who put the whole thing together – on titles that include "Afro", "My Own Style", "Lode", "Viva Afrika", "Bola Bola", and "Timawok". LP, Vinyl record album
4
Yvette Mimieux/Ustad Ali Akbar Khan —
Flowers Of Evil ... CD Connoisseur Society (Japan), Late 1960s. Used ...
Out Of Stock
Yvette Mimieux reads from Baudelaire's Flowers of Evil – acompanied by Ali Akbar Khan and Mahapurush Misra! CD
Hermanos Mendoza Suasti/Eduardo Brito/Maxima Mejia/Duo Strobel Maldonado —
Festival En La Mitad Del Mundo ... LP Onix (Ecuador), Mid 60s. Near Mint- ...
Out Of Stock
A searing album of Tuareg guitar from Mdou Moctar – coming across here with even more power and intensity than ever before! For years, African guitar styles have been gaining plenty of attention in the larger world of rock – and here, the sound is almost as of Mdou Moctar is trying to bridge that gap – turning in tracks that almost defy the boundaries of nation and language, with an appeal to just about anyone with an ear for amazing guitar work, psychedelic elements, and music that really knocks it out of the park! The drums of Souleymane Ibrahim push the whole thing tremendously – with a driving power different from other Tuareg albums – and Moctar's guitar can only respond with really frenzied solo work throughout. Titles include "Takoba", "Sousome Tamacheq", "Modern Slaves", "Oh France", "Funeral For Justice", and "Djallo #1". CD
A searing album of Tuareg guitar from Mdou Moctar – coming across here with even more power and intensity than ever before! For years, African guitar styles have been gaining plenty of attention in the larger world of rock – and here, the sound is almost as of Mdou Moctar is trying to bridge that gap – turning in tracks that almost defy the boundaries of nation and language, with an appeal to just about anyone with an ear for amazing guitar work, psychedelic elements, and music that really knocks it out of the park! The drums of Souleymane Ibrahim push the whole thing tremendously – with a driving power different from other Tuareg albums – and Moctar's guitar can only respond with really frenzied solo work throughout. Titles include "Takoba", "Sousome Tamacheq", "Modern Slaves", "Oh France", "Funeral For Justice", and "Djallo #1". LP, Vinyl record album
Incredible third coast salsa from the late 70s – amazing stuff from the orquestras of Carlos Ruiz and his Ebirac label – made by singers and players in Chicago's Puerto Rican community of the period that stands up just as well today! Chicago salsa, unlike more nationally popular styles, was rooted in the city's rich Puerto Rican community. They cover material adapted from traditionals and more, done with less pan-Caribbean derived sounds than the Cuban-rooted salseros of NYC and Miami. As fondly remembered as the players of the Chicago salsa scene are by the older Puerto Rican community, records by Orquestas La Justicia, La Solucion, Juventad Tipica '78, Tipica Leal '79 and others are terribly hard to find. Not only has Numero managed to compile a terrific batch of songs, the sound quality is impeccable, too! Titles include "Plena Matrimonial" by Ebirac All-Stars featuring La Calandria & Ramito, "Stone Flower", "Alegre Jibarito", "Guaguanco Coroco" and more by La Justicia, "Afro Theme" and "Ano Nuevo Y Reyes" by Juventud Tipica '78, "A Bailar Son Montuno", "El Gordo Y El Flaco" and "Mini Minoso" by La Solucion, "Mozambique" by La Solucion featuring Mongo Santamaria, "Donde Estabas" by Tipica Leal '79 and more, plus the bonus "Ebirac Radio Spot". The booklet is lavish, too – full of notes and photos that that make it all the more revelatory – providing a historical perspective that can't be overpraised! CD
An excellent album of hard percussion tracks from congolero Guem – recorded in Sao Paulo in 1982, with accompaniment on djembe, bonga, and assorted other percussion instruments. The tracks are spare, but very driving – with tight rhythms on all cuts, which has made the album quite sought-after over the years. Almost like a Brazilian descarga record – with the cuts "Viagem", "Universo", "Tempestade", and "Riacho". LP, Vinyl record album
One of the best Tuareg guitar records we've ever heard – and the Saharan psych soul soundtrack to Akounak Tedalat Taha Tazoughai, billed as the first ever Tuareg language fiction movie – loosely inspired by Purple Rain! The film, like Prince's, focuses on the life of a struggling, motorcycle riding, soulful electric guitar genius, but Mdou Moctar wisely doesn't try to be deliver Saharan riff on the Minneapolis sound. His epic, hypnotic to the point of trancelike electric guitars are front and center, but never in a self-indulgent way, always in service of the moody compositions. Backed only by rhythm guitarist Ahmoudou Madassane and drummer Mahmoud "Achcouscous" Ahmed Jabre, the trio delivers an appropriately cinematic Saharan sound. Amazing! Titles include "Sibidoul", "Rhaicha's Theme", "Iblis Amghar", "Tahoultine", "Adounia", "Chimoumounin", "Jagwa", "Mdou's Theme" and "Tada Dounia". LP, Vinyl record album
Rare slices of work from Mdou Moctar – material collected from tapes recorded between 2017 and 2020, often featuring the group in a range of different settings in their native Niger! The work throughout is filled with the sublime guitar of Mahamadou Souleymane – but the shift in setting makes for a strong sense of variety, especially as some of the titles feature more guitar lines than vocals, which is always OK with us! Titles on this first volume include "Imouhar (drum machine version)", "Chismiten (drum machine version)", and live takes of "Sibidoul", "Layla", "Afrique Victime", and "Afelan". LP, Vinyl record album
Rare slices of work from Mdou Moctar – material collected from tapes recorded between 2017 and 2020, often featuring the group in a range of different settings in their native Niger! The work throughout is filled with the sublime guitar of Mahamadou Souleymane – but the shift in setting makes for a strong sense of variety, especially as some of the titles feature more guitar lines than vocals, which is always OK with us! Titles on this second volume include "Azawad", "Ibitilan"," Nakane Dish", "Iblis Amghar", "Chimoumounim", and "Asdikte Akal". LP, Vinyl record album
16
Musica Urbana —
Iberia ... CD RCA/Elemental (Spain), 1978. New Copy ...
Out Of Stock
Sweet Spanish fusion from the 70s – served up by a group with the name Musica Urbana, which others have taken up as a style in more contemporary years! This set's pure 70s, though – and has a strong link with some of the more creative fusion projects from the South American scene too – as the combo blend together some older instrumental phrasings with more contemporary styles – so that you'll hear some acoustic guitar, flute, and percussion mixed with more driving rhythms and 70s styled-keyboards – the latter of which are handled by group arranger Joan Albert Amargos, who also blows soprano sax, alto, and bass clarinet. Other players in the lineup include Jordi Bonell on guitars, Matthew Simon on trumpet, and Jaume Cortadellas on flute – on titles that include "Vacances Perdudes", "En Buenas Manos", "Invitation Au Xiulet", and "Pasodoble Balear". (Jazz, Global Grooves)CD
Incredible third coast salsa from the late 70s – amazing stuff from the orquestras of Carlos Ruiz and his Ebirac label – made by singers and players in Chicago's Puerto Rican community of the period that stands up just as well today! Chicago salsa, unlike more nationally popular styles, was rooted in the city's rich Puerto Rican community. They cover material adapted from traditionals and more, done with less pan-Caribbean derived sounds than the Cuban-rooted salseros of NYC and Miami. As fondly remembered as the players of the Chicago salsa scene are by the older Puerto Rican community, records by Orquestas La Justicia, La Solucion, Juventad Tipica '78, Tipica Leal '79 and others are terribly hard to find. Not only has Numero managed to compile a terrific batch of songs, the sound quality is impeccable, too! Titles include "Plena Matrimonial" by Ebirac All-Stars featuring La Calandria & Ramito, "Stone Flower", "Alegre Jibarito", "Guaguanco Coroco" and more by La Justicia, "Afro Theme" and "Ano Nuevo Y Reyes" by Juventud Tipica '78, "A Bailar Son Montuno", "El Gordo Y El Flaco" and "Mini Minoso" by La Solucion, "Mozambique" by La Solucion featuring Mongo Santamaria, "Donde Estabas" by Tipica Leal '79 and more, plus the bonus "Ebirac Radio Spot". The booklet is lavish, too – full of notes and photos that that make it all the more revelatory – providing a historical perspective that can't be overpraised! CD
The scene in Mali has always been full of very expressive singers, and Sali Sidibe is definitely one of them – a vocalist with an ability to sing in these sharply punctuated lines, moving very quickly, but with all this amazing sense of inflection – all taking place at a very different speed, in a very different way than more familiar Malian blues! Yet given the sense of individuality that Sali brings to her music, there's still a deeply moving quality, one that goes beyond the boundaries of language – as the singer really takes over, gliding through rhythms that mostly feature fast percussion and guitar – on titles that include "Anw Ka Jiri Turu", "Mogo Te Diya Be Ye", "Ga Kulu Ngana", and "Tadon Kungola Manyi". LP, Vinyl record album